DID YOU READ

Interview: Josh Koury on “We Are Wizards”‏

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11202008_wearewizards1.jpgBy Aaron Hillis

Even if you’re the rare bird who has never heard of a Muggle, Hogwarts or Lord Voldemort, you won’t feel left out while watching “We Are Wizards,” a heartfelt and hugely entertaining doc about the Harry Potter fan phenomenon. Directed by Josh Koury (of 2002’s “Standing By Yourself”), the film isn’t just about groupies but what the Potter-verse has inspired among a few chosen subjects, including wizard rock bands like Harry and the Potters, Draco and the Malfoys, and the pint-sized Hungarian Horntails. Self-made activist Heather Lawver chronicles her successful fight against Warner Bros. over their persecution of Potter fan sites, and eccentric artist Brad Neely explains his “Wizard People, Dear Reader,” a hilarious audio commentary to be played in conjunction with the first “Harry Potter” film. Koury, who also teaches on the film faculty at NYC’s Pratt Institute, spoke with me between classes about his own Potter fandom, the ambiguities of copyright infringement and his decision to abandon the Brooklyn Underground Film Festival.

You yourself are a “Harry Potter” fan. What do you think it is about the series that has roused you and this legion of super-fans?

The books are very well-written, and everybody likes the underdog story. When it comes to the fan base, we try to let the people in the film speak for themselves. It’s always a personal relationship. What I think is significant about the series is that it’s been a part of people’s lives for so long. Let’s take [The Leaky Cauldron fan site founder] Melissa Anelli, who is 26 right now. The first book came out when she was 16. They were still an important part of her life back then. This film is about these people and their personal stories, but at the same time, it’s about using this inspiration as a stepping stone for other creative endeavors.

But how did this subculture get so big? We’re so inundated with media, viral successes are still typically fleeting, and yet this series continues to appeal to kids and adults of all demographics.

It’s the scope; it reaches people all over the world. What’s different about this particular tale is that “Harry Potter” was the right story at the right time and place. There’s also “Lord of the Rings” and “Chronicles of Narnia”; this isn’t the first great piece of literature that’s captured a generation, but it came out at a time for the communication age to grab hold of it and move it in an interesting direction. The wizard rock scene and the Harry Potter fan base don’t just stay concealed in a room. These aren’t nerds hanging out in their parents’ basements and going into chat rooms. They get their guitars and groups together and take it to the streets. It’s almost like a family.

11202008_wearewizards2.jpgDo you think wizard rock is a legitimate rock subgenre, or a novelty that will eventually wither?

It will fade in time. I’d like to be optimistic and say it’s going to last forever, but it’s not. Look, the last book came out a year ago, and it’s still as strong as it’s ever been, but you can tell that over the next year or two, things will start to slow down. But some of the more popular bands are just excellent musicians. Recently, I went to a wizard rock show where Draco and the Malfoys, the gentleman from the Whomping Willows, and some other fellow from a band that’s not in the movie all got together and played different songs. Man, they just wailed.

With such a wild array of possibilities, how did you track down and curate your subjects?

The process for finding our characters was basically Internet research. Also, people we interviewed would lead us into interesting directions. It would be pretty impossible to make an 80-minute movie that’s truly a retrospective of Harry Potter since the fan base is so long, and there’s an infinite amount of wizard rock bands and fan sites. From the beginning, we didn’t want to make a “Trekkies”-style documentary where you make fun of the nerdy kids. We wanted to focus our efforts and energy on finding people that we felt had something great to offer: real musicians, or Brad Neely, [who] is a great artist and a comedian. A lot of these are people that I was excited to hang out with, not just because we made the movie or in reference to the movie. Paul and Joe DeGeorge of Harry and the Potters are two terrific guys and great friends of mine now, and Brad Neely is a terrific guy to hang out with. That’s what inspired us.

The film chronicles the story of Heather Lawver and PotterWar, the fan organization that campaigned against Warner Brothers’ copyright bullying in 2001. Wouldn’t it be in a studio’s best interest to allow fans to grow the myth?

Yeah, it does, and that’s what they figured out. We make Warner Bros. a bad guy for a few seconds, but at the end of the day, we do try to paint them as a progressive company. 2001, which was only seven years ago, feels like a century in the Internet world. I think they were developing their attitude towards the fan base at the time, and realized quickly that it’s probably not in their interest to turn off the fan outlets out there. Warner Bros. has definitely pulled back and opened their arms to the fans out there. With the recent exception of J.K. Rowling and Warner Bros. versus RDR Books, which was in the news in the past six months, they have a really terrific relationship with the fans. They probably wouldn’t admit this, but my opinion is that it mainly came to develop because of this PotterWar instance.

Is there any concern about using the words “Harry Potter” on the packaging of a film not sanctioned by Warner Bros.?

11202008_wearewizards3.jpgWe’ve taken it to a copyright lawyer, and it should be cool and the gang. Warner Bros. is obviously a huge company and can do whatever they want, but as a documentary filmmaker, you have certain rights. We’ve also been very careful in making the movie. There’s no music, we don’t use any [licensable] fonts, and there’s no footage involved. We tried to be as respectful as possible, and that helps a lot. We do have to express that this is not a Warner Bros. or official Harry Potter product, which we’re more than happy to do.

Brad Neely’s “Wizard People, Dear Reader” is hosted on a site called illegal-art.org. Do you think its underground mystique helps it grow, or does it only limit its potential audience?

Brad is kind of a minor celebrity at this point. He does a lot of work these days, [like] that George Washington movie and [animated shorts] for Super Deluxe. But what that Web site does is promote work that’s in the gray areas of copyright. Brad has every right to distribute his audio. I think where they got into problems was when venues would rent the original “Harry Potter” flick and play it along with it. I don’t know what the solution to that is, whether everybody just brings an iPod into the next screening [or not]. “Wizard People, Dear Reader” is just really funny. It’s good comedy. The guys who do “Mystery Science Theater” released their own audio track to play with the first “Harry Potter” film, and it’s available for download, very popular, and they’re making lots of money off of it. So why is Brad’s illegal but theirs is not? The easy answer is, neither are, but if you’re a tiny artist like Brad, you can get scared and pushed around easier than some of the bigger dogs can. Once Warner Bros. started to shut down those screenings, that’s when people became interested very quickly about his audio release. He was on NPR and in Time. Everybody wanted a piece at that point. [laughs]

Do you think it was a cop-out when J. K. Rowling announced that Dumbledore was gay after the series ended, instead of on the written page where her influence could’ve opened minds?

To a degree, it was. But I also believe that she probably didn’t have to say anything. That was blurted out at some sort of convention, where the question wasn’t “Does Dumbledore have any sexual interest?” There was nothing that led to that [directly]. I’m glad she said it, because it does open up people’s minds. Those who are upset about Dumbledore being gay are not really fans. They’re the people who think they have the right to tell people what to think and what they should read. There are wizard rock songs that make light of that issue, playing with it and having fun. That’s great because that’s what being open-minded is about. It’s a great reflectance when the fan community embraces it and celebrates.

11202008_joshkoury.jpgYou were the programming director for the Brooklyn Underground Film Festival, which ended in 2006. Why is the fest no longer around?

Well, the film festival is no longer around because the two founders, myself and Miles Kane — who’s actually the editor of “We Are Wizards” and helped develop the film with me — decided to close it for two reasons. One: It was difficult — you only have so much spare time in your life because we both have full-time jobs. We wanted to spend that time doing something creative. Instead of spending it on Brooklyn Underground, we decided to make a new movie. Two and a half years later, we have “We Are Wizards.”

The other reason is that we started the Brooklyn Underground Film Festival [because] we felt that there was sincerely a lack of venues for smaller films, and I think that’s been eradicated. Talking about the internet and communications, for a lot of great films — thanks to YouTube and other festivals that have emerged — there’s just less of a need. If you have a good work, it’s short, and people want to see it, they will see it. At a certain point, the reason for having a film festival becomes just to have a party, and that’s not what we were doing. Also, film festivals in general are more open to this work. Every year at Sundance, you see films that are getting more and more experimental, even the narratives. Hollywood films are getting more open-minded as well. What do we need another underground festival for?

[Photos: Harry and the Potters; Draco and the Malfoys; the Hungarian Horntails; director Josh Koury – Brooklyn Underground Films, 2008]

“We Are Wizards” is now open in New York.

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From Hank Azaria channeling Chief Wiggum and other Simpsons characters while talking to college grads to “Shark-spert” Jason Alexander sharing questionable shark facts, here are five funny things from this week you need to watch.

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With a career spanning five decades, “Weird Al” Yankovic has defined the song parody genre and become a beloved pop culture icon. Starting June 3rd, you’ll be able to catch him as the brand new Comedy Bang! Bang! bandleader Fridays at 11P on IFC.

We recently chatted with Al about joining Scott Aukerman on the new season, his upcoming tour, favorite CB!B! characters and his future dream projects. (Hint: it might involve actors spontaneously breaking into song.)

The Comedy Bang! Bang! bandleader gig seems like a natural fit for you. Did it take any time to get acclimated?

Weird Al: Yeah. It’s a slightly different skill set. The accordion is my main act, but I don’t use it on the show at all. It’s a keyboard setup. The actual setup is a little bit of a combination of what Reggie [Watts] had and [Kid] Cudi had. And a few extra things thrown in. So I’m trying to do my own version of what they brought to the show.

You’ve been on the Comedy Bang! Bang! podcast and the show many times. Do you have a favorite CB!B! character?

Weird Al: I’d probably have to say Doctor Time. Every time Scott wants me to do an evil character, he’s always got a bad English accent. [Laughs] Any time my character goes evil, he becomes sort of British.

Any favorite guests you’ve worked with?

Weird Al: Gosh, I love them all. Paul F. Tompkins is always fun. His Andrew Lloyd Webber character, Cake Boss, everything he does. And Andy Daly as well. They’re so versatile and so amazing at improv. That’s the one thing I was a little nervous about because I’ve never been super confident with my improv skills. But Comedy Bang! Bang!, particularly the TV version, is good for that because it’s all heavily edited. So it kind of gives me permission to try out whatever comes to my mind, so if it really sucks, they’re not gonna use it. [Laughs]

Scott Aukerman Weird Al

Your upcoming tour is a continuation of your Mandatory Fun tour from last year. Any new elements to the show?

Weird Al: Well, it is the same tour, so it’s not that much different. I might freshen some video a little bit. I’m hoping to use a bit or two from the current season of Comedy Bang! Bang! and slip that into the show somewhere.

The tour starts June 3rd in St. Petersburg, Florida and ends September 24th at Radio City Music Hall. How do you keep up the pace? 

Weird Al: It’s just a mindset. I’m really only working for two hours a day, so I basically just save up my energy for the show. I relax, surf online, watch satellite TV, read a book, rest my voice, and then give it all I got when I’m onstage.

Looking back at your vast song catalog, was there ever a parody that came to you immediately upon hearing the song?

Weird Al: Yeah, that’s happened a few times. More often than not, I have to think about it and analytically work out all the variations on a theme that I can and pick out the one with the most potential. But there’s been a few times where the idea came to me spontaneously. I think the first time I saw Michael Jackson’s “Bad” video, before it was even over, I thought, “Oh! I gotta do ‘Fat’! Super-plus-sized actors trying to get through a turnstile on a subway! I gotta do that!”

Do you have a favorite of your many hilarious videos?

Weird Al: Oh boy, it’s hard to say. “White and Nerdy” has been my biggest hit and that was a really fun video to do. But in terms of making a video, “Tacky” was really fun to do because it was so easy and I got to work with amazing people like Jack Black, Margaret Cho, Kristen Schaal, Eric Stonestreet, and Aisha Tyler. And we knocked it out in a couple of hours. We were having so much fun while making it, I kinda wish we weren’t so efficient and professional. [Laughs] I could’ve done that all night.

Was it filmed all in one take or was it stitched together?

Weird Al: That was all one take. Some people say, “Oh, I see where the edit is,” but it was all one shot. We did a total of six takes, and I think four of those takes were usable, but the last one was the best.

And you were directing while performing?

Weird Al: I directed that one, yeah. We location scouted and found a building in downtown LA that I thought was good for the shoot. I’ve since seen that building in a lot of other movies and TV shows — I think it was used in The Big Lebowski and a few others. It was difficult because I start the video in one set of clothes and I also end the video in a completely different set of clothes. So while the cameras were off me, because there’s only one elevator in the building, I had to run down five flights of stairs, quickly change my clothes, and hit my mark for the end. And after the take, we’d all just watch what we did, and say, “OK, let’s do it again.”

Is there a director you’d love to work with in the future?

Weird Al: Oh gosh, yeah, but I mean, music videos are notoriously low-budget so that’s why I end up directing them myself. [Laughs] But I’d love to be in a movie codirected by Steven Spielberg and Quentin Tarantino.

Do you have a particular genre of music that you love parodying the most? Or is it more of the moment and different for each song?

Weird Al: It doesn’t necessarily revolve around personal taste so much. It really depends more on the song than the genre. But I found rap songs tend to lend themselves to parody, mostly because there’s a lot of words to play with. A lot of pop songs are repetitive, and that’s sometimes been an issue. With rap, there’s no shortage of syllables to mess around with.

Given that you’ve been so prolific and done so much, is there any type of art left that you’d like to dip your toe in? Dramatic acting, perhaps?

Weird Al: Well, if Spielberg and Tarantino want me for their film, I wouldn’t want to turn them down. But there’s no burning desire to do drama. I love doing comedy and feel comfortable doing that. Writing a musical might be something I do down the line. I don’t know when but I might take a shot at something in that area. Other than that, I’ve done pretty much all I wanted to do in my life so far. A lot of it not successfully. [Laughs] But I took a stab at it and feel gratified by that.

You’ve had such a eclectic career in music and comedy. What do you attribute your longevity to?

Weird Al: [Laughs] I don’t know what I’d attribute the longevity to. There’s a modicum of talent, but it’s mostly because I surround myself with very talented people. I’ve got a great support group, I’ve got the same band since the early ’80s, and I’ve worked with the same people for decades. And I got a very loyal fan base and I love what I do. And somehow I’ve been very lucky and it’s worked out so far.

Watch “Weird Al” in an episode from the new season of Comedy Bang! Bang! right now, before the season premiere on Friday June 3rd at 11P.

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