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DID YOU READ

Critic wrangle: “A Christmas Tale.”

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11142008_christmastale.jpgArnaud Desplechin’s haute holiday tale “A Christmas Tale” is probably my favorite film of the year, barring a few yet-unseen stragglers like “Benjamin Button,” and from the reviews it’ll probably make plenty of critic top ten lists. Therefore Armond White at the New York Press dutifully dislikes it, though despite the requisite snipe at the hipster hoards, he can’t summon much heat, sighing that the film is “the latest pretext for director Arnaud Desplechin to wax ironic,” but allowing that “A Christmas Tale isn’t repugnant, just regressive.”

Elsewhere, praise ranges from measured to ecstatic. At the New York Times, A.O. Scott calls “A Christmas Tale” “a movie that is almost indecently satisfying and at the same time elusive, at once intellectually lofty — marked by allusions to Emerson, Shakespeare and Seamus Heaney as well as Nietzsche — and as earthy as the passionate provincial family that is its heart and cosmos and reason for being.” “[I]ts large down payments of nastiness are put toward well-earned, heartwarming reconciliations,” finds Leo Goldsmith at indieWIRE, while Ella Taylor at the LA Weekly cautions “[D]on’t mistake this movie for one of those mawkish domestic autopsies that begins with a gasp-inducing revelation from a designated black sheep and ends with a group hug and a voice-over whining on about how family relations are all very complex. They surely are, and there surely is rapprochement…but the tone is one of palate-cleansing astringency.”

Having seen the film twice, Stephanie Zacharek at Salon admits “I’m no closer to understanding how Desplechin works his weird magic… He lays out a large, potentially incomprehensible story in tattered pieces that somehow come together into an extraordinary whole.” “A Christmas Tale is a film experience to be seen and savored for its exquisite delineation of human feelings and foibles,” agrees Andrew Sarris at the New York Observer. (Unrelated: Why must the Observer have headlines like that?)

For Scott Tobias at the Onion AV Club, “It’s the definition of a film meant to be admired more than loved, but Desplechin’s fierce intelligence and uncompromising sense of character come through,” while J. Hoberman at the Village Voice declares that Desplechin has “invented a form of domestic magic realism,” and uses the opportunity to deflate two of the year’s other critical darlings, “Rachel Getting Marries” and “Synecdoche, New York”: “one hopes that they haven’t sucked the critical oxygen out of the atmosphere or overdrawn all available superlatives from the dictionary.”

“Is A Christmas Tale a masterpiece?” wonders David Edelstein at New York. “Maybe. I have to play with it longer. It’s certainly Desplechin’s most accessible film, in part because its dysfunctional-family-holiday-reunion genre is so comfy and its palette so warm.” “[O]ut of the most ordinary ingredients — an ailing mother, estranged adult siblings, a good meal ruined by bad behavior — the endlessly inventive French filmmaker Arnaud Desplechin has made the old look fresh,” writes Lisa Schwarzbaum at Entertainment Weekly.

[Photo: “A Christmas Tale,” IFC Films, 2008]

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Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

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Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

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The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

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They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

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Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

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Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.