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DID YOU READ

NYFF 2008: “The Wrestler.”

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10082008_thewrestler.jpgMickey Rourke is one magnificent wreck. “The Wrestler” holds off from giving you the full-frontal of his face for a while, as if he were the monster in a low-budget horror flick. When it does finally creep around, you see misplaced tautness, semi-mobile features, starlet lips, an overall impression of carved putty. One of the film’s visual jokes is that Rourke’s character, faded pro wrestler Randy “The Ram” Robinson, is a shambling but still formidable hunk of meat, but he’s aging in the style of a South Beach matron. It’s not just the too often overhauled mug — we follow as he gets the roots of his long, brittle hair (which he often keeps in a bun) bleached to cover the grey, as he bronzes himself against the colorless New Jersey winter in a tanning bed, as he puts on a pair of prim wire-frame glasses in order to read. Then he buys several hundred bucks worth of steroids and growth hormones from an amiable locker room dealer who he tells, with a wrenching capacity for denial, about his plans to “get big and strong.” Randy has only a rocky downhill slope ahead of him, but no one would ever tell him that — the guy’s got nothing but his past, a few lingering die-hard fans, and a friendship with a similarly past-her-prime stripper Cassidy (Marisa Tomei), the only one to whom he can tell his only half-believed tales about how he’ll clamber back to the big leagues.

It’s a fantastic performance from Rourke, even as it’s all tangled up with everything we know about his own life and career. But it’s an even better performance from director Darren Aronofsky, who turns from “The Fountain,” a film I’d be the first to defend, but that feels like it was created in the isolation of the space bubble in which Future Hugh Jackman spent so much time meditating, to something unexpectedly funny, ready and rough and tumble that runs at a dozen clichés and tosses them over the ropes. Exotic dancer with a secret kid and a heart of gold? Estranged, embittered offspring? Down-on-his-luck athlete/entertainer with one last shot at grander things? Check, check and check, and “The Wrestler” reinvents these characters from scratch. Cassidy, whose name in the light of day is the more mundane Pam, turns out to be the perfect parallel to Randy, two decades past the average age for her own profession, and keeping him, her lone regular, at arm’s length out of habit and because she’s worried he’ll been turned off by the ordinariness of her life once she breaks character. Evan Rachel Wood is Stephanie, Randy’s grown-up, gothy daughter, who has plenty of justifications for wanting him out of her life, but who hasn’t quite sealed off the chinks in her armor.

And there’s Randy himself, plodding from his rented singlewide to his grocery store job to whatever community center or American Legion hall is host to that weekend’s bottom-tier wrestling event, the camera often bobbing a few feet behind his heavy shoulders in its semi-naturalistic way as he continues along in a lifestyle that’s killing him. It’s not that Randy doesn’t understand that his time has passed — he’s just refused to contemplate a life that doesn’t revolve around wrestling, though the places at which he does it keep getting smaller and shabbier, and fewer and fewer people show up. He’s still a big deal among the aspiring wrestling community, which “The Wrestler” treats with greatest affection — massive men in spandex, tattoos and piercings slapping each other on the back backstage, discussing in detail how to put on the best show (“Don’t work his head, man, everybody does that!”), applauding performances and commiserating over injuries. They’re all crowd-pleasers, heroic faces and glowering heels hamming it up, grappling, taking stage punches, throwing themselves onto the mat and leaping from the top ropes in mock battles of good and evil. And Randy’s willingness to keep suffering for his audience — beyond the wear and tear of the years, in one early match he deliberately cuts himself for dramatic effect, and in a later, more sadistic one, takes on an opponent who makes use of a staple gun, barbed wire and a broken sheet of glass — starts to seem like something noble. “The Wrestler”‘s greatest trick is that it’s not the story of redemption you thought it was at all, but rather one of a man embracing the lot he’s chosen, and insisting on performing his signature finishing move. It’s called the Ram Jam, and it, like this film, is something to see.

“The Wrestler” will open on December 19th. For more coverage of the New York Film Festival, click here.

[Photo: “The Wrestler,” Fox Searchlight, 2008]

+ “The Wrestler” (NYFF)
+ “The Wrestler” (Fox Searchlight)

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Give Back

Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

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GIFs via Giphy, Photos via The Everett Collection

It’s the final countdown to Christmas and thanks to IFC’s movie marathon all Christmas Eve and Christmas Day, you can revel in classic ’80s films AND find inspiration for your last-minute gifts. Here are our recommendations, if you need a head start:

Musical Instrument

Great analog entertainment substitute when you refuse to give your kid the Nintendo Switch they’ve been drooling over.

Breakfast In Bed

Any significant other or child would appreciate these Uncle Buck-approved flapjacks. Just make sure you’re not stuck on clean up duty.

Cocktail Supplies

You’ll need them to get through the holidays.

Dance Lessons

So you can learn to shake-shake-shake (unless you know ghosts willing to lend a hand).

Comfy Clothes

With all the holiday meals, there may be some…embigenning.



Get even more great inspiration all Christmas Eve and Day on IFC, and remember…

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A-O Rewind

Celebrating Portlandia One Sketch at a Time

The final season of Portlandia approaches.

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GIFs via Giphy

Most people measure time in minutes, hours, days, years…At IFC, we measure it in sketches. And nothing takes us way (waaaaaay) back like Portlandia sketches. Yes, there’s a Portlandia milepost from every season that changed the way we think, behave, and pickle things. In honor of Portlandia’s 8th and final season, Subaru presents a few of our favorites.

via GIPHY

Put A Bird On It

Portlandia enters the pop-culture lexicon and inspires us to put birds on literally everything.

Colin the Chicken

Who’s your chicken, really? Behold the emerging locavore trend captured perfectly to the nth degree.

Dream Of The ’90s

This treatise on Portland made it clear that “the dream” was alive and well.

No You Go

We Americans spend most of our lives in cars. Fortunately, there’s a Portlandia sketch for every automotive situation.

A-O River!

We learned all our outdoor survival skills from Kath and Dave.

One More Episode

The true birth of binge watching, pre-Netflix. And what you’ll do once Season 8 premieres.

Catch up on Portlandia’s best moments before the 8th season premieres January 18th on IFC.

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WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

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Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…

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IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.

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IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).

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IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.

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IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

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