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DID YOU READ

Critic wrangle: “What Just Happened?”

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10172008_whatjusthappened.jpg“And Bruce Willis as himself” — Barry Levinson’s industry satire “What Just Happened?” wasn’t the buzzy Sundance hit those who made it clearly had expected, despite a bright and shiny cast of biggish names like Robert De Niro, Robin Wright Penn, John Turturro, Stanley Tucci. Catherine Keener and the aforementioned Willis. In theaters today, it’s generated mixed reviews — I’d count myself amongst the many that seem impatient with continued tales of high-larious Hollywood woe.

“What Just Happened? is a doodle, but its aura of dread seems earned,” writes David Edelstein at New York, saluting De Niro’s “killer timing” and the fact that “Barry Levinson directs snappily.” Owen Gleiberman at Entertainment Weekly agrees that the film “rambles a bit, but it has dryly obscene, laugh-out-loud lines, and its portrait of Hollywood as a giant anxiety attack is fused by De Niro, who musters a desperate, nagging warmth beneath his grumbly facade.” Nathan Rabin at the Onion AV Club lauds the way the film “retains its [source novel’s] sustained melancholy mood of low-key existential dread and dyspeptic wit.”

But everyone else finds “What Just Happened?” either toothless, stale or irrelevant. The New York TimesA.O Scott, who dismisses the film as mocking studio shallowness while having no sense of what depth is, wonders “Who, exactly, do Mr. Levinson and the screenwriter, Art Linson, expect to invest time and interest — to say nothing of thought or feeling — in this meandering, passive-aggressive comedy of Hollywood inconsequence?” Anthony Lane at the New Yorker has a question of his own: “Levinson has assembled a fine field of actors, no question, but the going is too easy for them underfoot; movies about movies are old ground, and what could be sweeter–cozier, even–than trampling on the follies of your trade, knowing that nothing will ever change?” Stephanie Zacharek at Salon calls it “more self-congratulatory than it is vicious, or even illuminating,” while Ella Taylor at the LA Weekly suggests that “begging for sympathy, What Just Happened? invites only schadenfreude.” “There’s not a whole lot in ‘What Just Happened?’ that would be out of place in a good ‘SNL’ skit,” writes Roger Ebert.

And I’ll give the final word to Armond White of the New York Press, recently re-elected chairman of the New York Film Critics Circle: “Every joke in Tropic Thunder, The Player, The Muse, I’ll Do Anything, even HBO’s Entourage is sharper, more incisive and funnier than those in What Just Happened.”

[Photo: “What Just Happened?”, Magnolia Pictures, 2008]

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Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

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Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

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The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

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They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

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Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

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Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.