DID YOU READ

Lou Adler on “Ladies and Gentlemen, The Fabulous Stains”

Lou Adler on “Ladies and Gentlemen, The Fabulous Stains” (photo)

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How did you decide to cast Lane?

I liked her in “A Little Romance,” which showed that she could act. She had a certain quality about her in the meetings that was tough and vulnerable at the same time, which is unusual for a 15-year-old. That was what we were looking for. We were looking for that vulnerability, but also somebody who could be very tough when she had to be. Diane seemed to have those qualities.

How tough was it convincing punk musicians to take part in a big studio film?

Surprisingly easy. When I look back at it — to be able to get two of the Sex Pistols, and Simonon from The Clash, they were just coming from the right environment from the music scene, to understand what we were trying to do within [the story’s fictional] groups. I look back and am sort of surprised that it was fairly easy to get them. I’d only done one film before that, so it’s not as if I was a director that they knew. Fee Waybill, who is really great in the film, he was an easy choice for that, because of the work that he did with the Tubes.

What compelled you to make a film about punk rock?

You know, I was making a movie about the music industry. Even though the film was probably originally written as a punk film, the film that I saw in it was much broader than that. It also took in the exploitation throughout the industry, and also the media. Those were the things that attracted me to the script.

It strikes me as particularly cynical about the industry.

I didn’t realize I was that cynical until I made the film.

So you didn’t set out to make a critique?

No. As I said, it was the second time I had ever directed a film. I was pretty much going on instinct and knowledge of the music business and knowledge of the different types of music groups. My interpretation of the script probably was a little softer than the script itself, but it was much more from an insider perspective, seeing those things happen from the inside. And not with a cynical attitude towards them, but just wanting a chance to explore them — or expose them. But I wasn’t trying to make a statement that it was wrong or right. I just wanted to show it.

How did your experiences working in the music business inform the film?

I think I was on both sides of it. I think I was probably one of those that exploited, and one of those that had seen exploitation. It was just the way the industry ran, and it’s not to say that it’s right or wrong. It’s like I said — I was probably a part of it. I produced and managed groups, and I probably did some of those things. That’s why they were easy for me to put on film. Or, at least, I was accused of doing some of those things.

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What was the music industry’s response?

I don’t think anybody knew I made the film. [laughs] I don’t think there’s been a comment until now. Really, the film was probably screened in a theater once, and then really late night cable. So the people that found it definitely weren’t the executives at record companies.

Did you always plan on ending the film with the Saints music video?

No. [laughs] And if you ask me today why I did it, I don’t know that I can answer the question except to say that I could have ended the film before that, and probably had a more subtle way of showing that the group had some success when it came over the boombox. But sitting around for a length of time, I just decided to really show it. It might have been that I had the idea of the Andrews Sisters. I don’t know. A lot of it is so far back, I don’t recall why I did that. But obviously, it was to show the success of the group. It was sort of tailored after The Go-Go’s, who were big by that time.

Do you feel any differently about the music industry today?

There’s a very thin line between promotion and exploitation. My son, Cisco Adler, is in a group called Shwayze, which is doing really well. And I’ve watched the label, Suretone, promote that group over a year before the release, which is today’s music business. There’s a thin line, but it is promotion. It’s how you do it. Who’s doing it and what their reasons are…the person that was doing it with the Stains also did it with the group before, and he shows that he would do it with a group in the future. He had no particular passion for the group. He had passion for exploitation. I think it’s different now, although I’m not that active in the music business anymore.

To what do you attribute the film’s enduring popularity?

I think we hit a nerve with girls, and some of the girls who became rock stars, Courtney Love and others like her, were real fans of the film. If somebody connected that [Courtney Love and the film], they became fans of the film. If they could see who Courtney Love was — what she was thinking about, how she acted, how she dressed, what her attitude was — we showed that attitude in the Stains film. And that must have hit a nerve. Because I heard back mostly from women. Although Jon Bon Jovi is a big fan — I think he has a Stains tattoo, in the same way that we use it in the film. But I think he also dated Diane Lane for a while.

[Photos: “Ladies and Gentlemen, The Fabulous Stains,” Paramount Pictures, 1982]

“Ladies and Gentlemen, The Fabulous Stains” will be available on DVD on September 16th.

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Forget Oscar

Find Your Spirit Animal

The Spirit Awards are LIVE this Saturday at 2p PT/5p ET.

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In just a few precious days, the greatest, most epic, most star-studded awards ceremony of the year comes to IFC.

And please, we’re definitely not talking about the Oscars. We’re talking about the Spirit Awards. Hosted by iconic comedy duo Nick Kroll and John Mulaney, it’s a relatively under-the-radar awards show with serious cred. And if the past is any indicator, we’re in for a wild night.

If you feel like doing your homework, you can find a full list of nominees and performance excerpts here. It reads like a who’s who of everyone that matters – those larger-than-life personalities with status that borders on mythological. Our celebrity spirit animals, if you will.

This isn’t hyperbole. Literally everyone who takes the stage at the awards show is spirit animal material. Let’s see if we can help you find yours…

Do you

Live in someone else’s shadow despite shining like the sun? Do you inexplicably vandalize your pretty-boy good looks with a sloppy-joe man bun and a repellent pubic-hair beard? Do you think sounding stoned and sounding thoughtful are kinda the same thing?

Congratulations, your spirit animal is Casey Affleck.

He’s the self-canonized patron saint of anyone who’s got the goods but doesn’t give a damn.

Do you

Have mid-length hair and exude a certain feminine masculinity that is universally appealing? Are you drawn to situations that promise little to nothing in the way of grooming or hygiene as a transparently self-conscious attempt to conceal your radiant inner glow? Does that fail miserably?

Way to go, your spirit animal is Viggo Mortensen.

He’s the yoga teacher of actors, in that what should make him super nasty only increases his curb appeal.

Do you

Get zero recognition for work that everyone knows is unrivaled? Do you inspire greatness in others yet get shortchanged when it comes to your own acclaim? Are you a goddam B-52 bomber in an industry of biplanes?

Bingo, your spirit animal is Annette Bening.

What does it take for this artist to win an Oscar? Honestly now, if her performance in 20th Century Women doesn’t earn her every award on the planet, consider it proof that the Universe truly is a cold dark void absent of reason or compassion.

Do you

Walk into a room full of strangers and walk out with a room full of friends? Have you been hiding under the radar just waiting for the right moment to leap out into the spotlight and stay there FOREVER? Do you possess the almost messianic ability to elevate Shia LaBeouf’s on-screen charisma?

You guessed it (or not), your spirit animal is 100% Sasha Lane.

If you haven’t seen American Honey, then you haven’t heard of her. She came out of the blue with a performance both subtle and powerful, and now she’s going to be in all the movies from this moment on. Or she should be, at any rate.

Don’t see your spirit animal there? Worry not. There are many more nominees to choose from, and you can see them all (yes, including Shia LaBeouf) during the Independent Spirit Awards, this Saturday at 2pm PT/5pm ET only on IFC.

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

car notes note

This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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