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“The Road” to nowhere.

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08192008_theroad.jpgThe complete Toronto line-up has finally been unveiled — Eugene Hernandez at indieWIRE has the long list of 312 films from 64 countries, 249 of those features.

Among the last round of announcements is the Paris Hilton documentary no one knew they wanted, Adria Petty’s “Paris, Not France,” a film that’s intrigued Spout‘s Karina Longworth into a link round-up; “The Illusionist” director Neil Burger’s post-Iraq War road trip film “The Lucky Ones,” with Rachel McAdams and Tim Robbins; a work-in-progress screening of “New York, I Love You,” Gotham’s answer to short film omnibus “Paris, je t’aime”; and the Coens’ “Burn After Reading,” fresh from its August 27th premiere as the opening night film at Venice.

Looking over the line-up, I do wonder — where the hell’s John Hillcoat’s “The Road”? It has a release date of November 14th and as shiny and festival-friendly a pedigree as a film can really manage, with Pulitzer Prize-winning source material, a lead whose last role was a gala premiere at Toronto in 2007 and got him an Oscar nomination, and a director whose previous film screened at Toronto 2005 — and yet, nothing. IMDb has, for a while now, had its premiere listed as taking place on September 29 at the New York Film Festival, but that’s hardly an official pronouncement, and it’s certainly not part of the NYFF line-up at the moment. I wouldn’t read forewarnings of quality into any of this, it just seem unusual that the Weinsteins wouldn’t take a prestige title like that out for the standard festival unveiling. Just look at how skinny and dirty Viggo is in the picture — give that man an award, 30 seconds of acceptance speech time and a sandwich.

At the LA Times over the weekend, John Horn checked in on the film, reporting that “Fox Searchlight passed on distributing the film, fearful that its apocalyptic plot and unspeakable atrocities were too demanding to sell to a wide audience. ‘People do rationalize’ about why ‘The Road’ is too difficult, says 2929 production chief Mark Butan, who nevertheless dismissed such worries as unfounded.”

[Photo: “The Road,” MGM, 2008]

+ TORONTO ’08 | 249 Features for 33rd TIFF; 61 From First-Timers (indieWIRE)
+ Paris Hilton Doc: Here’s What We Know (Spout)
+ Cormac McCarthy’s ‘The Road’ comes to the screen (LA Times)


Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.


Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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GIFs via Giphy

Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:


The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.


They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!


Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.


Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.



Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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GIFs via Giphy

Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”


IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?

Betsy: I wasn’t sure I knew what it was, I just knew I loved it!

Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.

Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 


IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.