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IT’S LIKE THAT: Seeing the Music

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I made Nike look like a genius today.

While I was working out this afternoon, I felt a surge of adrenaline run through my body when The Killer’s “All These Things I’ve Done” shuffled through my iPod. If you don’t know the song, I’m sure you know the breakdown: I’ve got soul, but I’m not a soldier.

(left: Mary Lou Retton, one of the many great athletes appearing in the newest Nike commercial featuring the Killer’s, “All These Things I’ve Done.”

Like the recent Nike commercial that features the tune–I envisioned a quick montage of athletic achievement and struggle. But instead of Lance Armstrong, Mary Lou Retton, or antelopes galloping through the wild, I took center stage in this quick clip of cinema verite that played out in my head. You–or Nike–would have never known about it either, unless I told you (which I just did right now).

A previous Nike ad featuring Saul Williams’ “List of Demands (Reparations)” had the same effect on me. Because I grew up on Rocky soundtracks, or maybe because I have a knack for putting the right music to my workouts, both of these tracks were on my iPod Shuffle long before they became songs for commercials. In all fairness though, the Nike clips have given the songs a second life.

Somewhere in the back of my brain I’ve felt this feeling before, the sensation of hearing a song then automatically putting visuals with the music. Why am I having déjà vu? Ah yes, I remember now–the music video.

Remember those? They were the ultimate marriage of sight and sound.

If done correctly, a music video could either make a great song better or a mediocre song great. Before Radiohead made a video for “Just,” I thought the song was so-so. After seeing the video though, “Just” became (and to this day is still) my favorite Radohead tune of all-time. In 1992, I became a life-long Beastie Boys fan after watching their video for “So What’cha Want?” The distorted hip-hop tune mixed with the ever so simple visual of three dudes jumping around the forest in t-shirts and sock caps created the perfect booby-trap that triggered something deep within my soul.

Since the music video was put on life support at the turn of the century, music fans, like myself, have turned to other alternatives for music and video pairings. One of the most obvious sources these days is the television commercial. Sometimes they’re done with great results (M.I.A.’s “Paper Planes” promoting the film Pineapple Express) and sometimes they’re not (Santogold’s “Lights Out” and “Creator” schlepping Bud Light Lime).

When a song and visuals don’t mix, disastrous results can occur. The Transplants’ tune, “Diamonds and Guns“–a catchy little number on their debut album–was ruined after Garnier Fructis made it their official theme song. I no longer picture the rough-and-tough Tim Armstrong, instead, all I see when I hear that song are good-looking teenage kids shampooing their hair. Band of Horses’ “The Funeral” lost some of its profound luster after it was used in a Ford Edge commercial. I still can’t get the image of that wide-eyed girl stupidly staring through the moon-roof out of my head.

But who am I to say if a song works for a commercial or not? Maybe someone connected with that Ford ad and has since become a fan of Band of Horses? I’m sure there are a bunch of Killers fans who don’t think “All These Things I’ve Done” is necessarily a perfect tune for a Nike commercial. To others, maybe Saul Williams’ song about reparations loses all meaning when placed in the context of selling sneakers (especially considering that the kids in China making Nike shoes may be asking for reparations themselves one day).

The marriage of music and video has always been subjective. I couldn’t tell you why I didn’t like The Rapture until hearing their song “Heaven” in a skateboard video. Behind the visuals of kick-tricks and rail-slides, it somehow all made sense to me. Just last night I got goose bumps after hearing Muse’s “Knights of Cydonia” in a Michael Phelps Olympic montage. And sometimes the beauty of sight and sound play out through my own eyes. If I’m listening to my iPod and the visuals around me (a mother walking down the sidewalk hand-in-hand with her child, teenage kids playing basketball, an old man hobbling down the street) connect with the music, the experience can give me the same satisfaction of a great music video.

So what I’m trying to say is this, with or without Nike, MTV, Garnier Fructis, sports montages, beer commercials, or homemade YouTube clips, the music video will always exist in one form or another and will always have the potential to transform a song into a magnificent life experience–even if it’s just inspiring you to do one more rep of dumbbell curls.

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Give Back

Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

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GIFs via Giphy, Photos via The Everett Collection

It’s the final countdown to Christmas and thanks to IFC’s movie marathon all Christmas Eve and Christmas Day, you can revel in classic ’80s films AND find inspiration for your last-minute gifts. Here are our recommendations, if you need a head start:

Musical Instrument

Great analog entertainment substitute when you refuse to give your kid the Nintendo Switch they’ve been drooling over.

Breakfast In Bed

Any significant other or child would appreciate these Uncle Buck-approved flapjacks. Just make sure you’re not stuck on clean up duty.

Cocktail Supplies

You’ll need them to get through the holidays.

Dance Lessons

So you can learn to shake-shake-shake (unless you know ghosts willing to lend a hand).

Comfy Clothes

With all the holiday meals, there may be some…embigenning.

Get even more great inspiration all Christmas Eve and Day on IFC, and remember…

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A-O Rewind

Celebrating Portlandia One Sketch at a Time

The final season of Portlandia approaches.

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GIFs via Giphy

Most people measure time in minutes, hours, days, years…At IFC, we measure it in sketches. And nothing takes us way (waaaaaay) back like Portlandia sketches. Yes, there’s a Portlandia milepost from every season that changed the way we think, behave, and pickle things. In honor of Portlandia’s 8th and final season, Subaru presents a few of our favorites.


Put A Bird On It

Portlandia enters the pop-culture lexicon and inspires us to put birds on literally everything.

Colin the Chicken

Who’s your chicken, really? Behold the emerging locavore trend captured perfectly to the nth degree.

Dream Of The ’90s

This treatise on Portland made it clear that “the dream” was alive and well.

No You Go

We Americans spend most of our lives in cars. Fortunately, there’s a Portlandia sketch for every automotive situation.

A-O River!

We learned all our outdoor survival skills from Kath and Dave.

One More Episode

The true birth of binge watching, pre-Netflix. And what you’ll do once Season 8 premieres.

Catch up on Portlandia’s best moments before the 8th season premieres January 18th on IFC.

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WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

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Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…


IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.


IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).


IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.


IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

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