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An Appreciation of Anna Faris

An Appreciation of Anna Faris (photo)

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Anna Faris may finally be getting her due. After years of fearless and sparkling work in lowbrow spoofs and indie doodles, she’s starring in and executive producing a big Hollywood comedy, “The House Bunny.” Whether it’s worthy of her talents is yet to be seen, but it definitely heralds a new stage in her circuitous career, one in which she can start calling her own shots. If given the chance, she’s capable of out-dumbing Judy Holliday and out-ditzing Carole Lombard, or at least give them a run for their heiress money.

With the Apatow boys dominating the comedy circuit, there’s been little room for feisty female comediennes. Apatow’s art is based on absurdist riffs on macho man-children, the women serving as sullen straight gals. There are some exceptions, of course (Kathryn Hahn’s sex-starved wife in “Step Brothers,” Molly Shannon’s boozehound in “Talledega Nights”), but they simply serve to prove the rule. And that’s why Faris is such a bracing talent, with her brash physicality, slow-burn timing and endlessly expressive eyes that promise the kind of screwball pluck that David Denby is constantly mourning as lost in his New Yorker columns. While I’m much fonder of Apatow and the severely underrated Adam McKay than Denby, he’s right about the disappearance of the comic actress. Performers like Faris, Amy Adams and Isla Fisher are enormous talents, but there’s no room for female clowns when teenage males are the targeted customer.

08212008_annafaris4.jpgPlucked from relative obscurity in Washington state to star in Keenan Ivory Wayans’s “Scary Movie,” Faris started her career in the raunchiest way possible. As a parody of the virginal scream queens that came before her, Faris’ Cindy Campbell was so pure that she shaved her tongue — though not the massive tuft of pubic hair beneath her electrified chastity belt — and she was funny because Faris played the insanity straight. Faris never oversells a joke, but lets it build around her until her incredulous puppy dog eyes expand to capacity and await the rapidly approaching punchline. With such comic instincts, she’s been compared to everybody from Lombard to Goldie Hawn. David Zucker, the director of the third and fourth “Scary Movies,” told Sara Corbett of the New York Times that “to do good comedy, you have to be smart, and Anna is smart. You could have an actual dumb blonde playing the dumb blonde role, but she wouldn’t have nearly the range.”

Faris was a brunette for the first two “Scary Movies,” and kept the dark hair for 2002’s indie “May,” where she plays the vamp, though a dotty one at that. Her Polly is a lesbian lothario with a thing for the title character, the mousy May (Angela Bettis), and her overeager come-ons are hilarious bits of bravado. She’s the devilish highlight in an otherwise uneven Carrie take-off.

It was with 2003’s small role in “Lost in Translation” that Faris established herself as the dumb blonde for the oughts. Stealing every scene she’s in with bubbly small talk banality, her shallow actress seems like a lot more fun than ScarJo’s morose misanthrope. The film has aged poorly, steeped in condescension towards modern Japan as well as Faris’ character Kelly. Kelly shows kooky vivacity in her few scenes on screen, pimping a power cleanse and belting out “Nobody Does it Better” as the main couple sneak on by. But watching it now, I’d much rather linger with Kelly’s screwy antics than bathe in the anomie of the rest of the film’s curdled hipsterism.

08212008_annafaris3.jpgAfter this star-making performance… she didn’t become a star. Her small role in “Brokeback Mountain” aside, she soldiered through some middling fare in supporting roles, dishing an emasculating monologue in “Waiting…” (2005), nabbing a recurring role on “Friends” during the sitcom’s final season, and suffering through “My Super Ex-Girlfriend” (2006) as the doting third of a love triangle between Luke Wilson and Uma Thurman. It wasn’t until 2007, with Gregg Araki’s barely seen “Smiley Face,” that Faris displayed the full range of her talents. On screen for the whole film as stoner/slacker extraordinaire Jane, she manages a true comedic tour-de-force. Slouching through the film’s shaggy dog tale with slack-jawed grace, Faris hoods her eyes and slows down her delivery as she makes her way from Los Angeles to Venice, CA. There are a series of stunning sequences here, including an acting audition turned pot bust and an incoherent Marxist call to action, where every intonation is pregnant with humor as she shifts her patter from a slow murmur to a guttural shout. Every scene carries a surprise. It’s the kind of high-wire act that wouldn’t feel out of place in a screwball classic like “Twentieth Century,” only if the weed was replaced with champagne.

[Additional photos: “Scary Movie,” Dimension Films, 2000; “Smiley Face,” First Look International, 2007]

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Give Back

Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

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GIFs via Giphy, Photos via The Everett Collection

It’s the final countdown to Christmas and thanks to IFC’s movie marathon all Christmas Eve and Christmas Day, you can revel in classic ’80s films AND find inspiration for your last-minute gifts. Here are our recommendations, if you need a head start:

Musical Instrument

Great analog entertainment substitute when you refuse to give your kid the Nintendo Switch they’ve been drooling over.

Breakfast In Bed

Any significant other or child would appreciate these Uncle Buck-approved flapjacks. Just make sure you’re not stuck on clean up duty.

Cocktail Supplies

You’ll need them to get through the holidays.

Dance Lessons

So you can learn to shake-shake-shake (unless you know ghosts willing to lend a hand).

Comfy Clothes

With all the holiday meals, there may be some…embigenning.



Get even more great inspiration all Christmas Eve and Day on IFC, and remember…

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A-O Rewind

Celebrating Portlandia One Sketch at a Time

The final season of Portlandia approaches.

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GIFs via Giphy

Most people measure time in minutes, hours, days, years…At IFC, we measure it in sketches. And nothing takes us way (waaaaaay) back like Portlandia sketches. Yes, there’s a Portlandia milepost from every season that changed the way we think, behave, and pickle things. In honor of Portlandia’s 8th and final season, Subaru presents a few of our favorites.

via GIPHY

Put A Bird On It

Portlandia enters the pop-culture lexicon and inspires us to put birds on literally everything.

Colin the Chicken

Who’s your chicken, really? Behold the emerging locavore trend captured perfectly to the nth degree.

Dream Of The ’90s

This treatise on Portland made it clear that “the dream” was alive and well.

No You Go

We Americans spend most of our lives in cars. Fortunately, there’s a Portlandia sketch for every automotive situation.

A-O River!

We learned all our outdoor survival skills from Kath and Dave.

One More Episode

The true birth of binge watching, pre-Netflix. And what you’ll do once Season 8 premieres.

Catch up on Portlandia’s best moments before the 8th season premieres January 18th on IFC.

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WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

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Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…

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IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.

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IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).

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IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.

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IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

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