Venice 2008 lines up.

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07292008_thewrestler.jpgThe 65th Venice Film Festival announced its line-up today — among the juicy offerings are the new Darren Aronofsky film “The Wrestler,” with Mickey Rourke playing Randy “The Ram” Robinson, a retired pro wrestler struggling to get back into the ring; Kathryn Bigelow’s Iraq drama “The Hurt Locker”; Takeshi Kitano’s comedy “Achilles and the Tortoise”; the new Miyazaki movie “Ponyo on the Cliff by the Sea,” which is already in theaters in Japan; Jia Zhang-ke cinematographer Nelson Yu Lik-wai’s São Paulo-set multi-ethnic thriller “Plastic City”; and Jonathan Demme’s “Rachel Getting Married,” in which Anne Hathaway plays a girl fresh out of rehab.

Premiering out of competition, as already announced, will be the Coen brothers “Burn After Reading,” along with Claire Denis’ “35 Rhums,” Abbas Kiarostami’s “Shirin” and Agnés Varda’s documentary “Les Plages d’Agnès.” “Chop Shop” director Ramin Bahrani’s “Goodbye Solo” and Ross McElwee’s “In Paraguay” will play in the sidebar.

Full competition line-up after the jump:

Darren Aronofsky: The Wrestler – USA, 105′
Mickey Rourke, Marisa Tomei, Evan Rachel Wood

Guillermo Arriaga: The Burning Plain – USA, 147′
Charlize Theron, Kim Basinger, Joaquim de Almeida

Pupi Avati: Il papà di Giovanna – Italy, 104′
Silvio Orlando, Alba Rohrwacher, Francesca Neri, Ezio Greggio, Serena Grandi

Marco Bechis: BirdWatchers – Italy, 108′
Claudio Santamaria, Alicélia Batista Cabreira, Chiara Caselli, Abrisio Da Silva Pedro

Patrick Mario Bernard, Pierre Trividic: L’Autre – France, 97′
Dominique Blanc, Cyril Gueï, Peter Bonke, Christèle Tual

Kathryn Bigelow: The Hurt Locker – USA, 131′
Ralph Fiennes, Guy Pearce, David Morse, Jeremy Renner

Pappi Corsicato: Il seme della discordia – Italy, 85′
Caterina Murino, Alessandro Gassman, Martina Stella, Michele Venitucci, Isabella Ferrari

Jonathan Demme: Rachel Getting Married – USA, 116′
Anne Hathaway, Debra Winger, Rosemarie Dewitt, Bill Irwin, Tunde Adebimpe

Haile Gerima: Teza – Ethiopia / Germany / France, 140′
Aron Arefe, Abiye Tedla, Takelech Beyene

Aleksey German Jr.: Bumažnyj soldat (Paper Soldier) – Russia, 116′
Chulpan Khamatova, Merab Ninidze, Anastasya Shevelyova

Semih Kaplanoglu: Süt – Turkey / France / Germany, 102′
Melih Selcuk, Basak Koklukaya

Takeshi Kitano: Akires to kame (Achilles and the Tortoise) – Japan, 119′
Beat Takeshi, Kanako Higuchi, Yurei Yanagi, Kumiko Aso

Hayao Miyazaki: Gake no ue no Ponyo (Ponyo on Cliff by the Sea) – Japan, 101′

Amir Naderi: Vegas: Based on a True Story – USA, 102′
Mark Greenfield, Nancy La Scala, Zach Thomas

Mamoru Oshii: The Sky Crawlers – Japan, 122′

Ferzan Özpetek: Un giorno perfetto – Italy, 95′
Isabella Ferrari, Valerio Mastandrea, Valerio Binasco, Nicole Grimaudo, Stefania Sandrelli

Christian Petzold: Jerichow – Germany, 93′
Nina Hoss, Benno Fürmann, Hilmi Sözer

Barbet Schroeder: Inju, la Bête dans l’ombre – France, 105′
Magimel Benoît, Minamoto Lika, Shun Sugata, Maurice Bénichou, Ryo Ishibashi

Werner Schroeter: Nuit de chien – France / Germany / Portugal, 110′
Pascal Greggory, Bruno Todeschini, Amira Casar, Jean-François Stevenin

Tariq Teguia: Gabbla (Inland) – Algeria / France, 140′
Kader Affak, Ines Rose Djakou, Ahmed Benaïssa, Fethi Ghares, Kouider Medjahed, Djalila Kadi-Hanifi

YU Lik-wai: Dangkou (Plastic City) – Brazil / China / Hong Kong/China / Japan, 118′
Joe Odagiri, Anthony Wong, Huang Yi, Jeff Chen

[Photo: Darren Aronofsky’s “The Wrestler,” Protozoa Pictures/Saturn Films, 2008]

+ 65th Venice Film Festival Line-up (LaBiennale.org)


New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…


IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. 

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number! 

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time. 

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by. 


IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo. 

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim. 

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t? 

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?” 

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud. 

See the whole season of Neurotica right now on IFC’s Comedy Crib.


The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”


Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).



Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.


And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.


Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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GIFs via Giffy

In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.


Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.


Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!



Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.


Self Defense

You can’t throw a download like a ninja star. Think about it.


If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.