DID YOU READ

Interview: Melissa Leo, Misty Upham and Courtney Hunt on “Frozen River”

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07292008_frozenriver1.jpgBy Stephen Saito

When Melissa Leo went home for Christmas last year, she took a copy of “Frozen River” to show her family. It was a month before the film would go on to pick up the Grand Jury Prize for drama at Sundance, but those closest to Leo wasting no time in observing that “this is different.” Therein lies part of the charm of Courtney Hunt’s debut feature, a thriller that veers with the same reckless abandon in its narrative as its two leads do behind the wheel of a rickety Dodge Spirit, ferrying illegal immigrants across the St. Lawrence River in the trunk. “Homicide” alum Leo and Misty Upham play Ray and Lila, the prickly pair of single mothers/smugglers who struggle to make ends meet by forming an unlikely partnership that utilizes Ray’s car and Lila’s status as a Mohawk protected from the cops by her residency on tribal land. As a director, Hunt had to be even more resourceful in translating “River” from its previous incarnations — first, as a poem, then a short film — into a feature that could be shot over 24 days in sub-zero conditions in Plattsburgh, New York. The result is a chick flick that Quentin Tarantino could love — and does, as Hunt, Upham and Leo recently told me during a sit-down at, ironically enough, the Los Angeles Film Festival.

How did the short become the feature?

Courtney Hunt: I wrote a poem, I had a central image — women driving across the ice. There’s a smuggling culture that exists at the border up there and I was fascinated by why people would do that. The poem came out as an interior monologue of Ray’s character, and I went up and shot the short with Melissa and Misty and then we waited to see…is this going to catch on? Are we onto something here? We went to the New York Film Festival and I got a strong sense that there was an idea there people wanted to hear more about, so I went home and just poured out the idea as it was kind of coming together in my head. I threw out the short and started over again and wrote the story from beginning to end.

Was the chemistry there between you two from the start?

Misty Upham: The first night of the short when we met and we spent time together, I think I fell in love with her immediately and through the short, we really just became sisters.

Melissa Leo: We really bonded as actors. There were a lot of dimensions to our relationship — teasing each other, being hard on one another, being gentle and kind — all those different colors. Ray and Lila have certain ways they deal with each other, but Misty and Melissa dealt with each other on all those [levels]. It was a great working relationship.

07292008_frozenriver2.jpgThis film almost plays like a heist film in terms of its energy, and I remember seeing an interview where you mentioned you were disappointed with how female-driven films were usually referred dismissively as “character studies” or “relationship dramas.” How did that impact what you ended up putting on screen?

CH: I was concerned with that because sometimes women-driven films are criticized for being too talky or too concerned with relationships and not committed to just [telling] a good yarn that keeps you on the edge of your seat. When I stumbled upon the situation of these women who smuggled, I was like this is good, because they’re doing something. I had to work backwards and figure out why, so I could put the relationship in. The action part of it appealed to me first, even though it’s not an action picture.

ML: Oh! I thought it was!

CH: It was…[both laugh] because she did all the driving. [points to Leo] But the action part of it, you set it up that way and then the relationships take care of themselves. You set up the motivation, you set up the action.

And because of the budget level, I’m assuming you had to do your own driving.

ML: That was primarily why Courtney cast us. We had a driving test and she and I both passed. [laughs] She lucked out she had Misty and me behind the wheel.

CH: She’s good. [nodding towards Upham]

ML: People driving in films are…it’s a scary thing. Misty did a remarkable job.

MU: I used to race illegally in Seattle in high school, so…

ML: When Misty got behind the wheel, I thought oh, put me to shame.

CH: But the truth is there’s so much car stuff in the movie and there are situations where you really have to just [direct the car] — “can you move the car back and over just a hair?”

ML: The car is a beloved character in the film.

Courtney, what were the worst case scenarios running through your head before production started?

07292008_frozenriver3.jpgCH: The ice melting…[slight laugh] Mainly we wanted to make sure that we made our days. It was a lot of scheduling…we started days, we worked into nights, we went back to days — that’s really hard because you go from being a daytime creature to a nocturnal creature and then back. [That was] my main worry, personally, and for the cast and crew, that the weather would somehow run us down because you know how bitter cold can slow you down. Your engine has to really warm up, except if you’re her… [points to Leo] Her engine’s always warm.

ML: I went in a sauna to raise my internal temperature so I didn’t have to work so hard keeping warm. I was training my body to keep warm while we worked. Part of our difficulty was as you’d shoot, it would snow in the morning, it would be bright sunshine by noon, and snow again in the afternoon.

CH: It would start snowing between a two-shot. We’d do her close-up, snow…no snow.

ML: But that’s how the days go up there. What might seem incontiguous is in fact how the weather goes up there by the lakes. The crew liked to call the film “Frozen Feet.” I was well-prepared for it. Playing the role, having my focal point be on that character and not the weather was very important to me. Ray lives in that cold weather. She survives it. I just put myself in her shoes with it. There was an arduousness to the shoot, [which] I as an actor choose to use for the role, much in the same way as shooting in Western Texas on “Three Burials [of Melquiades Estrada].” The climate informs the character.

Quentin Tarantino famously remarked when he gave you the Grand Jury Prize at this year’s Sundance Film Festival, “It put my heart in a vise and proceeded to twist that vise until the last frame.” Were you surprised by the attention?

MU: That was the cherry on top.

ML: He’s a cherry, isn’t he?

CH: He is a cherry on top.

MU: He’s so behind the film and us as a trio. I can’t say enough how grateful I will be to him for plugging us that much. But yeah, Tarantino has [put the film] on a level that’s almost surreal, with the amount of attention, devotion and support he’s given us. It’s amazing how much he cares and how much he wants us to succeed.

CH: I didn’t even know he was a juror [at Sundance] because I didn’t look to see who the jurors were because it’d make me nervous. I walked by him at the director’s brunch and I thought “oh God, he’s going to hate this movie.” And I was soooo wrong.

[Photos: “Frozen River,” Sony Pictures Classics, 2008]

“Frozen River” opens in limited release on August 1st.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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