DID YOU READ

Interview: Melissa Leo, Misty Upham and Courtney Hunt on “Frozen River”

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07292008_frozenriver1.jpgBy Stephen Saito

When Melissa Leo went home for Christmas last year, she took a copy of “Frozen River” to show her family. It was a month before the film would go on to pick up the Grand Jury Prize for drama at Sundance, but those closest to Leo wasting no time in observing that “this is different.” Therein lies part of the charm of Courtney Hunt’s debut feature, a thriller that veers with the same reckless abandon in its narrative as its two leads do behind the wheel of a rickety Dodge Spirit, ferrying illegal immigrants across the St. Lawrence River in the trunk. “Homicide” alum Leo and Misty Upham play Ray and Lila, the prickly pair of single mothers/smugglers who struggle to make ends meet by forming an unlikely partnership that utilizes Ray’s car and Lila’s status as a Mohawk protected from the cops by her residency on tribal land. As a director, Hunt had to be even more resourceful in translating “River” from its previous incarnations — first, as a poem, then a short film — into a feature that could be shot over 24 days in sub-zero conditions in Plattsburgh, New York. The result is a chick flick that Quentin Tarantino could love — and does, as Hunt, Upham and Leo recently told me during a sit-down at, ironically enough, the Los Angeles Film Festival.

How did the short become the feature?

Courtney Hunt: I wrote a poem, I had a central image — women driving across the ice. There’s a smuggling culture that exists at the border up there and I was fascinated by why people would do that. The poem came out as an interior monologue of Ray’s character, and I went up and shot the short with Melissa and Misty and then we waited to see…is this going to catch on? Are we onto something here? We went to the New York Film Festival and I got a strong sense that there was an idea there people wanted to hear more about, so I went home and just poured out the idea as it was kind of coming together in my head. I threw out the short and started over again and wrote the story from beginning to end.

Was the chemistry there between you two from the start?

Misty Upham: The first night of the short when we met and we spent time together, I think I fell in love with her immediately and through the short, we really just became sisters.

Melissa Leo: We really bonded as actors. There were a lot of dimensions to our relationship — teasing each other, being hard on one another, being gentle and kind — all those different colors. Ray and Lila have certain ways they deal with each other, but Misty and Melissa dealt with each other on all those [levels]. It was a great working relationship.

07292008_frozenriver2.jpgThis film almost plays like a heist film in terms of its energy, and I remember seeing an interview where you mentioned you were disappointed with how female-driven films were usually referred dismissively as “character studies” or “relationship dramas.” How did that impact what you ended up putting on screen?

CH: I was concerned with that because sometimes women-driven films are criticized for being too talky or too concerned with relationships and not committed to just [telling] a good yarn that keeps you on the edge of your seat. When I stumbled upon the situation of these women who smuggled, I was like this is good, because they’re doing something. I had to work backwards and figure out why, so I could put the relationship in. The action part of it appealed to me first, even though it’s not an action picture.

ML: Oh! I thought it was!

CH: It was…[both laugh] because she did all the driving. [points to Leo] But the action part of it, you set it up that way and then the relationships take care of themselves. You set up the motivation, you set up the action.

And because of the budget level, I’m assuming you had to do your own driving.

ML: That was primarily why Courtney cast us. We had a driving test and she and I both passed. [laughs] She lucked out she had Misty and me behind the wheel.

CH: She’s good. [nodding towards Upham]

ML: People driving in films are…it’s a scary thing. Misty did a remarkable job.

MU: I used to race illegally in Seattle in high school, so…

ML: When Misty got behind the wheel, I thought oh, put me to shame.

CH: But the truth is there’s so much car stuff in the movie and there are situations where you really have to just [direct the car] — “can you move the car back and over just a hair?”

ML: The car is a beloved character in the film.

Courtney, what were the worst case scenarios running through your head before production started?

07292008_frozenriver3.jpgCH: The ice melting…[slight laugh] Mainly we wanted to make sure that we made our days. It was a lot of scheduling…we started days, we worked into nights, we went back to days — that’s really hard because you go from being a daytime creature to a nocturnal creature and then back. [That was] my main worry, personally, and for the cast and crew, that the weather would somehow run us down because you know how bitter cold can slow you down. Your engine has to really warm up, except if you’re her… [points to Leo] Her engine’s always warm.

ML: I went in a sauna to raise my internal temperature so I didn’t have to work so hard keeping warm. I was training my body to keep warm while we worked. Part of our difficulty was as you’d shoot, it would snow in the morning, it would be bright sunshine by noon, and snow again in the afternoon.

CH: It would start snowing between a two-shot. We’d do her close-up, snow…no snow.

ML: But that’s how the days go up there. What might seem incontiguous is in fact how the weather goes up there by the lakes. The crew liked to call the film “Frozen Feet.” I was well-prepared for it. Playing the role, having my focal point be on that character and not the weather was very important to me. Ray lives in that cold weather. She survives it. I just put myself in her shoes with it. There was an arduousness to the shoot, [which] I as an actor choose to use for the role, much in the same way as shooting in Western Texas on “Three Burials [of Melquiades Estrada].” The climate informs the character.

Quentin Tarantino famously remarked when he gave you the Grand Jury Prize at this year’s Sundance Film Festival, “It put my heart in a vise and proceeded to twist that vise until the last frame.” Were you surprised by the attention?

MU: That was the cherry on top.

ML: He’s a cherry, isn’t he?

CH: He is a cherry on top.

MU: He’s so behind the film and us as a trio. I can’t say enough how grateful I will be to him for plugging us that much. But yeah, Tarantino has [put the film] on a level that’s almost surreal, with the amount of attention, devotion and support he’s given us. It’s amazing how much he cares and how much he wants us to succeed.

CH: I didn’t even know he was a juror [at Sundance] because I didn’t look to see who the jurors were because it’d make me nervous. I walked by him at the director’s brunch and I thought “oh God, he’s going to hate this movie.” And I was soooo wrong.

[Photos: “Frozen River,” Sony Pictures Classics, 2008]

“Frozen River” opens in limited release on August 1st.

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.

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Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

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Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

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Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!

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Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.

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Self Defense

You can’t throw a download like a ninja star. Think about it.

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If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.