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DID YOU READ

Gotham City, A Visual History

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Since 1940’s “Batman” #4, and his first movie serial three years later, the Caped Crusader has called Gotham City his home. On screen and on the printed page, its visual representation has changed quite a bit over almost 70 years. At times, the look of the metropolis has been an afterthought; at others, directors have paid more attention to Gotham’s appearance than to the characters living in it, and its latest appearance, in Christopher Nolan’s “The Dark Knight,” may be its most unusual yet. (None the least for sparking a heated New York/Chicago debate.) Here’s a look at eight movies full of gargoyles, dark alleys, and, yes, big naked statues.

07232008_batman1943.jpgBatman (1943)
Directed by Lambert Hillyer
Production Designer: Uncredited

This bargain basement production didn’t even bother giving the Dynamic Duo a Batmobile, letting them make do with a generic black sedan, so it’s no surprise Gotham is equally indistinct. The “Gotham City Foundation” is just a backlot street, and the chase scenes look an awful lot like the Bronson Canyon back roads where the ’60s “Batman” would eventually house its Batcave. The only memorable location is Gotham’s “Little Tokyo” where the serial’s shockingly racist narrator informs us “a wise government” has rounded up all the residents and sent them off to internment camps, turning it into a “virtual ghost street.” It makes for a nice contrast with the numerous scenes set on streets with some un-Gotham-like white picket fences; apparently, Mayberry is one of the town’s rarely discussed suburbs.

07232008_batman1966.jpgBatman (1966)
Directed by Leslie H. Martinson
Art Direction by Serge Krizman and Jack Martin Smith

This big-screen adaptation of the iconic mid-’60s “Batman” television show was filmed between the series’ first and second series, which explains the series’ notably small scale and scope. Little to no attempt is made to disguise the fact that the production was shot in and around Los Angeles; when the Batcopter winds its way over Gotham, it looks suspiciously like the Hollywood Hills. Most of the action takes around water: at the docks where the super-villains have their hideout, in the Batboat, or atop the Penguin’s pre-atomic submarine. None of these sequences, all shot in water tanks, include any shots of a Gotham skyline. The only major municipal landmark we see is the United World Building, headquartered on “Gotham East River.” This, of course, is simply stock footage of the real life United Nations Building in New York City.

07232008_batman1989.jpgBatman (1989)
Directed by Tim Burton
Production Design by Anton Furst

If audiences still had the Adam “Pow!”-“Zot!” West’s Batman on their minds when they walked into movie theaters in the summer of 1989, the first shot of Tim Burton and production designer Anton Furst’s Gotham City erased all of that in a moment. Their Gotham was a moody, messy tangle of granite and steel peaks and spires. When Burton takes us down to street level, the city assumes even more nightmarish proportions: buildings, which look like they’ve been built on foundations of garbage, are encased in tentacle-like steam pipes. Jack Napier’s transformation into the Joker takes place at Axis Chemicals, a factory that looks like some kind of cancerous growth of concrete, and the finale is set inside the tallest church bell tower in history. Furst’s creations are weird amalgams of different types of structures: apartment buildings with smokestacks, an art museum that looks like a bank vault, as if the place itself is as schizophrenic as its wildly costumed citizens.

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Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

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Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

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The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

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They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

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Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

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Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.