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DID YOU READ

Critic wrangle: “The Exiles.”

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07112008_theexiles.jpg“The Exiles,” Kent MacKenzie’s 1961 black and white film about a Native American couple living in a now-demolished Los Angeles neighborhood, has been restored and finally gets a theatrical release today from Milestone Films, the company that last year brought Charles Burnett’s long-lost “Killer of Sheep” to cinemas and plenty of critics’ top ten lists. “The Exiles,” while getting a fair amount of love, doesn’t quite have “Killer of Sheep”s cinematic holy glow.

Manohla Dargis at the New York Times calls the film “a beautifully photographed slice of down-and-almost-out life, a near-heavenly vision of a near-hell that Mr. Mackenzie situated at the juncture of nonfiction and fiction.” She does point out “the film’s great flaw” — the characters have “no sense of the larger world, no politics, no exit, and neither does the film, which swaddles its subjects in shadows and ravishing despair.” Andrew O’Hehir at Salon describes it as both “an awkward, somewhat dated blend of fiction and documentary” and “an astonishing, heartbreaking viewing experience.” “The Exile’s modest but elegant style (sometimes awkward acting and off-sync dialogue) never detracts from its impact; every gesture is redolent of effort and aspiration,” counters Armond White at the New York Press. “If there’s a flaw, it’s that there’s little of the leavening wit in Killer of Sheep’s daily-life panoply.”

“It would oversell this movie to say it’s still as fresh as it must have seemed in its day,” writes Noel Murray at the Onion AV Club. “Better then to admire The Exiles for its specific docu-realist elements, which preserve places and moments that viewers won’t find in any other film.” But Jim Ridley at the Village Voice finds “this 50-year-old film about a Los Angeles neighborhood on the skids and its barely tethered dwellers stands as the freshest movie in theaters.”

For Amy Taubin at Art Forum, the film (and the acclaim it has received) comes with more than a whiff of exploitation:

I have no doubt that Mackenzie was committed to honestly documenting a ghettoized, desperately impoverished minority that a wealthy city chose to ignore, as well as to finding moments of wild poetry in the experience of people with whom he empathized. Still, I could not help but notice that what was on the screen was in fact a bunch of drunken Indians–not Indians acting drunk and pawing at women but, well, the real thing, aided and abetted by the film’s director. I didn’t need to read in the production notes that “8% of the budget went for alcohol” to understand what I was seeing.

A more positive spin of a related sentiment from Steven Boone at the House Next Door:”The film’s conclusion left me longing for a sequel, or some once-a-decade check-ins. Whatever happened to Homer and Yvonne? I mean the real ones as much as their characters. It’s that kind of movie.”

[Photo: “The Exiles,” 1961 – Milestone Films]

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Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

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Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

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The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

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They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

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Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

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Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.