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Cannes 08: “The Class” Graduates With Honors

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05272008_theclass.jpgThe 61st Annual Cannes Film Festival wrapped this past Sunday, having been the scene of big Hollywood premieres like “Indiana Jones and the Kingdom of the Crystal Skull” and smaller but no less anticipated ones from filmmakers like the Dardenne brothers, Arnaud Desplechin and Atom Egoyan. In the end, it was a French film that won the Palme d’Or — the first homegrown feature to take the top prize since 1987’s “Under Satan’s Sun.” The film, a late entry in the competition, was directed by Laurent Cantet, whose past work includes “Time Out” and “Heading South,” and follows a year in the life of a teacher in an inner city Parisian school. Opening remarks from jury Sean Penn, who told the press that “We are going to feel very confident that the filmmaker of [the winning film] was very aware of the times within which he (or she) lives,” had many guessing that one of the fest’s many somber-themed flicks would end up getting lauded, but Cantet’s critically acclaimed work was also applauded for being enjoyable and entertaining. Here’s a complete list of the prizewinners.

IN COMPETTION – FEATURE FILMS

    Palme d’Or:
    “Entre les murs” (The Class), directed by Laurent Cantet

    Grand Prix:
    “Gomorra,” directed by Matteo Garrone

    Prize of the 61st Festival de Cannes ex-aequo:
    Catherine Deneuve for “Un conte de Noël,” directed by Arnaud Desplechin
    Clint Eastwood for “Changeling”

    Award for the Best Director:
    “Üç maymun” (Three Monkeys), directed by Nuri Bilge Ceylan

    Jury Prize:
    “Il Divo,” directed by Paolo Sorrentino

    Best Performance from an Actor:
    Benicio Del Toro in “Che,” directed by Steven Soderbergh

    Best Performance from an Actress:
    Sandra Corveloni in “Linha de Passe,” directed by Walter Salles and Daniela Thomas

    Award for the Best Screenplay:
    “Le Silence de Lorna” (Lorna’s Silence), directed by Jean-Pierre and Luc Dardenne

IN COMPETITION – SHORT FILMS

    Palme d’Or:
    “Megatron,” directed by Marian Crisan

    Jury Prize:
    “Jerrycan,” directed by Julius Avery

CAMÉRA D’OR

    Caméra d’Or (for best first film):
    “Hunger,” directed by Steve McQueen (Un Certain Regard)

    Caméra d’Or Special Mention:
    “Vse Umrut a Ja Ostanus” (They Will All Die Except Me), directed by Valeria Gaï Guermanika (Critics Week)

UN CERTAIN REGARD

    Un Certain Regard Prize:
    “Tulpan,” directed by Sergey Dvortsevoy

    Jury Prize:
    “Tokyo Sonata,” directed by Kiyoshi Kurosawa

    Heart Throb Jury Prize:
    “Wolke 9,” directed by Andreas Drese

    The Knockout of Un Certain Regard:
    “Tyson,” directed by James Toback

    Prize of Hope:
    “Johnny Mad Dog,” directed by Jean-Stéphane Sauvaire

CINEFONDATION

    First Cinéfondation Prize:
    “Himnon” (Hymn), directed by Elad Keidan (The Sam Spiegel Film and TV School, Israël)

    Second Cinéfondation Prize:
    “Forbach,” directed by Claire Burger (La fémis, France)

    Third Cinéfondation Prize:
    “Stop,” directed by Park Jae-ok (The Korean Academy of Film Arts, Corée du Sud)
    “Kestomerkitsijät” (Roadmarkers), directed by Juho Kuosmanen (University of Art and Design Helsinki, Finlande)

[Photo: “The Class,” Haut et Court, 2008]

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. 

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number! 

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time. 

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by. 

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo. 

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim. 

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t? 

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?” 

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud. 

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.

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Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

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Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

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Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!

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Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.

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Self Defense

You can’t throw a download like a ninja star. Think about it.

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If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.