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DID YOU READ

Cannes 08: “The Class” Graduates With Honors

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05272008_theclass.jpgThe 61st Annual Cannes Film Festival wrapped this past Sunday, having been the scene of big Hollywood premieres like “Indiana Jones and the Kingdom of the Crystal Skull” and smaller but no less anticipated ones from filmmakers like the Dardenne brothers, Arnaud Desplechin and Atom Egoyan. In the end, it was a French film that won the Palme d’Or — the first homegrown feature to take the top prize since 1987’s “Under Satan’s Sun.” The film, a late entry in the competition, was directed by Laurent Cantet, whose past work includes “Time Out” and “Heading South,” and follows a year in the life of a teacher in an inner city Parisian school. Opening remarks from jury Sean Penn, who told the press that “We are going to feel very confident that the filmmaker of [the winning film] was very aware of the times within which he (or she) lives,” had many guessing that one of the fest’s many somber-themed flicks would end up getting lauded, but Cantet’s critically acclaimed work was also applauded for being enjoyable and entertaining. Here’s a complete list of the prizewinners.

IN COMPETTION – FEATURE FILMS

    Palme d’Or:
    “Entre les murs” (The Class), directed by Laurent Cantet

    Grand Prix:
    “Gomorra,” directed by Matteo Garrone

    Prize of the 61st Festival de Cannes ex-aequo:
    Catherine Deneuve for “Un conte de Noël,” directed by Arnaud Desplechin
    Clint Eastwood for “Changeling”

    Award for the Best Director:
    “Üç maymun” (Three Monkeys), directed by Nuri Bilge Ceylan

    Jury Prize:
    “Il Divo,” directed by Paolo Sorrentino

    Best Performance from an Actor:
    Benicio Del Toro in “Che,” directed by Steven Soderbergh

    Best Performance from an Actress:
    Sandra Corveloni in “Linha de Passe,” directed by Walter Salles and Daniela Thomas

    Award for the Best Screenplay:
    “Le Silence de Lorna” (Lorna’s Silence), directed by Jean-Pierre and Luc Dardenne

IN COMPETITION – SHORT FILMS

    Palme d’Or:
    “Megatron,” directed by Marian Crisan

    Jury Prize:
    “Jerrycan,” directed by Julius Avery

CAMÉRA D’OR

    Caméra d’Or (for best first film):
    “Hunger,” directed by Steve McQueen (Un Certain Regard)

    Caméra d’Or Special Mention:
    “Vse Umrut a Ja Ostanus” (They Will All Die Except Me), directed by Valeria Gaï Guermanika (Critics Week)

UN CERTAIN REGARD

    Un Certain Regard Prize:
    “Tulpan,” directed by Sergey Dvortsevoy

    Jury Prize:
    “Tokyo Sonata,” directed by Kiyoshi Kurosawa

    Heart Throb Jury Prize:
    “Wolke 9,” directed by Andreas Drese

    The Knockout of Un Certain Regard:
    “Tyson,” directed by James Toback

    Prize of Hope:
    “Johnny Mad Dog,” directed by Jean-Stéphane Sauvaire

CINEFONDATION

    First Cinéfondation Prize:
    “Himnon” (Hymn), directed by Elad Keidan (The Sam Spiegel Film and TV School, Israël)

    Second Cinéfondation Prize:
    “Forbach,” directed by Claire Burger (La fémis, France)

    Third Cinéfondation Prize:
    “Stop,” directed by Park Jae-ok (The Korean Academy of Film Arts, Corée du Sud)
    “Kestomerkitsijät” (Roadmarkers), directed by Juho Kuosmanen (University of Art and Design Helsinki, Finlande)

[Photo: “The Class,” Haut et Court, 2008]

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Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

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Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

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The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

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They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

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Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

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Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.