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Observations on the passing of Charlton Heston, movie star.

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04072008_charltonheston.jpgCharlton Heston, who won the 1959 best actor Oscar as the chariot-racing ‘Ben-Hur’ and portrayed Moses, Michelangelo, El Cid and other heroic figures in movie epics of the ’50s and ’60s, has died. He was 84.”

“Few films thrilled me — or scared me — as much as ‘Soylent Green,’ in which his character realizes that the stuff keeping the human race alive is made from other human beings: ‘Soylent Green is people!’ By then, he had played Moses and saved an entire people from destruction. Things didn’t look good in ‘Soylent Green,’ but somehow, I thought, surely Charlton Heston could save us.”
       —Manohla Dargis at the New York Times

“[T]here was something non-threatening, asexual even, to Heston’s beefcakeiness: While he may have clutched Sophia Loren, Senta Berger, Janet Leigh and other babes of the era to his not-inconsiderable bosom, it never got really icky. Indeed, he seemed most comfortable expressing his sensual side by slashing away at Moorish invaders or urging his horses to ever-greater exertions on the race track.”
       —James Adams at the Globe and Mail

“Where [Burt] Lancaster and [Kurt] Douglas were kinetic, bursting with restlessness, Heston was essentially static — not so much statuesque as a statue in some audio-animatronic hall of Heroes. He stood and he spoke. That’s why screenwriters loved him as much as movie audiences did. He was a hero to them all.”
       —Richard Corliss at Time

“Heston succeeded at playing these courageous, imposing, appalled, beleaguered, almost classically handsome men (too much forehead, too many teeth) by overplaying them. This manly man’s secret weapon was his histrionics — it was camp. Even at his most ridiculous, Heston was hard to resist.”
       —Wesley Morris at the Boston Globe

“Charlton Heston’s defining performance, at least for members of my generation (whether most of us realize it or not), probably came in Wayne’s World 2. He played a bit part, listed in the credits as ‘Good Actor,’ brought on in a gimmick to replace a man giving Wayne directions at a gas station whom Wayne complains isn’t a good actor. Heston delivers the man’s lines again, but does so with such pathos, such richness, that Wayne’s mugging and crying in front of the camera almost seems genuine — and Heston’s Golden Hollywood baritone overacting fits the role perfectly.”
       —Alex Remington at the Huffington Post

“The subject of the single most notorious pronouncement in the history of film criticism — Michel Mourlet’s proclamation that ‘Charlton Heston is an axiom of the cinema’ — Heston made himself easy to dismiss in his later years with his own notorious pronouncements — ‘I’ll give you my gun when you take it from my cold, dead hands’ — on behalf of the NRA. Yet I never loved him more than when he got up and walked out on a duplicitous, condescending Michael Moore in ‘Bowling for Columbine.'”
       —Dave Kehr at

“It’s funny–a few years back, one could really surprise people by pulling out that Michel Mourlet bit about Heston being an ‘axiom of cinema;’ now, thanks to the internet, almost everyone knows it. What we ought to acknowledge on his passing today is that Mourlet’s pronouncement, dismissed as almost pathological hyperbole at the time and for some time after, was accurate.”
       —Glenn Kenny at Premiere

[Photo: Heston in “Ben-Hur,” MGM, 1959]

+ Charlton Heston Dead at 84 (AP)
+ The Man Who Touched Evil and Saved the World (NY Times)
+ Charlton Heston: a hero for his time (Globe and Mail)
+ Appreciation: Charlton Heston (Time)
+ Charlton Heston 1924-2008 (Boston Globe)
+ Rest in Peace, Charlton Heston (Huffington Post)
+ Charlton Heston 1924-2008 (
+ Charlton Heston (Premiere)



Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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GIFs via Giphy

Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”


IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?

Betsy: I wasn’t sure I knew what it was, I just knew I loved it!

Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.

Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 


IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.


New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…


IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.


IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.


The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”


Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).



Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.


And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.