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Welcome to Lost Treasures, a brand new section here on the Indie Ear Blog, where every so often, I’ll go up in the attic, pull out some old boxes, and blow the dust off of some forgotten gems. These items, for whatever reason, have slipped through the cracks of music and pop-culture, yet managed to make an indelible impression on me.

There’s a well-known saying: One man’s trash is another man’s treasure. Hopefully my treasures don’t leave you running for the nearest garbage bin.

LOST TREASURE: XL & DBD, Sodom and America

It’s kind of hard to believe now, but when I was a child I was only allowed to listen to Christian music (no MTV, no radio, no secular music whatsoever). Eventually, with the help of my sister, I slowly broke my parents down. By the 10th grade, I was listening to secular radio and watching MTV on a daily basis. My Dad, not wanting me to lose my Christian-edge, would frequently buy me contemporary music from religious recording artists. I would always give my Dad the courtesy of listening to these albums, but in all honesty, most of the music was horrendous.

During my senior year of high school in 1993, my Dad brought home an album from a group called XL & DBD, titled Sodom and America. Like I did with all the cassettes he got me I gave it my one courtesy listen, but after I got through the album, I thought, “Hmm, that wasn’t half bad.” I actually starting listening to it more and more, and before long it was resting in heavy rotation alongside my Beastie Boys, Public Enemy, and Helmet tapes.


Considering it was released off a Christian record label (BAI), the music was actually a bit before it’s time. Back then it seemed like certain Christian labels would jump on a musical trend, assemble a group together, and have them sing an album’s worth of material about the awesomeness of Jesus (don’t get me wrong, I believe that Jesus is awesome too, however, soulless songs about him are not). XL & DBD was different though.

So you might be wondering what they sounded like, right?

Okay, I’ll tell you, but I’m going to say a bad word right now (gulp), “rap-rock”. There, I said it. Keep in mind this was years before the whole genre got completely out-of-hand. Some rap-rock was done to perfection (a la Rage Against the Machine). From my understanding back then, XL was actually a legitimate emcee, and DBD (aka, Death Before Dishonor) was a metal band. When they combined forces, they became–XL & DBD (duh). Sodom and America came out only a few months after the first Rage Against the Machine album, so it’s not like rap-rock was the new craze sweeping the nation. Eddie Vedder and Kurt Cobain were still ruling the airwaves.

XL & DBD definitely expressed their Christian beliefs, but they did it in a very creative and thoughtful way, applying it to themes of racism, self-image, drug abuse, and capitalism. XL even boasted about using firearms in a clever manner, putting him on par with early 90’s tough-guy-talking rappers, “In 1993 racism trudges on and on, it seems it can’t be tamed/And if racism was a man and I had a 12-gauge I’d shoot him in the head in the Lord God’s name.” Years later this rhyme might scare a few non-Christians (and Christians for that matter), considering a certain world leader likes to do a lot of things in the “Lord God’s name”, but back then I thought it was pretty neat to hear a rhyme like this from a “Christian” artist.

For years I had trouble tracking down Sodom and America on CD. Only recently has it popped up on ebay. Sadly, one of the only informational pieces available on the band is their outdated webpage, which looks like an AV high school project from the early 90’s–which it very well could be.

If you ever come across XL & DBD at a used CD store or a yard sale at Pastor Ron’s house, definitely slap down the $1.50 for it–you won’t regret it at all.


Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.


Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:


The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.


They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!


Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.


Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.



Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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GIFs via Giphy

Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”


IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?

Betsy: I wasn’t sure I knew what it was, I just knew I loved it!

Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.

Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 


IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.