DID YOU READ

The First-Ever Cinema Eye Honors.

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03192008_cinemaeye.jpgLooking over the many documentarians in the crowd gathered at the first-ever Cinema Eye Honors for nonfiction film last night, awards co-chair AJ Schnack (himself a filmmaker) proclaimed “I don’t see journalists, I don’t see activists — I see filmmakers and I see artists.” Not that there’s anything wrong with journalism or activism, but it’s a fair point — subject matter so often comes first and foremost when people look at a documentary film, and everyone working behind the camera is relegated to the role of a chronicler. One of the common themes of the evening, and one of the reasons the Cinema Eye Honors were created, was that nonfiction films deserve just as serious a consideration of their craftsmanship, of their art, as narratives, which is why there were awards given out for editing, cinematography and production, in addition to ones recognizing films and directors.

Over the course of two friendly and informal hours that featured presenters like recent Oscar-winner Alex Gibney (“Taxi to the Dark Side”) and Joe Berlinger and Bruce Sinofski (“Metallica: Some Kind of Monster”), thoughts on the state of documentaries, the difficulties and making them and the frequent lack of recognition were unveiled, and nifty statuettes were dispensed. “Manda Bala (Send a Bullet,)” Jason Kohn’s look at class issues, corruption and kidnapping in Brazil, walked away with the most awards — three, for editing, cinematography and overall outstanding achievement. The winners were selected by an invited pool of filmmakers, festival directors and distributors, with the exception of the audience award, which was determined by public vote and which went, appropriately, to the Seth Gordon’s crowd-pleasing look at competitive video gaming, “The King of Kong.”

After the jump, a complete list of winners and a way low quality video of Jason Kohn’s funny and fervent acceptance speech for the night’s big prize (that’s Barbara Kopple presenting the award).

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[Winners are in bold.]

Outstanding Achievement in Nonfiction Filmmaking
* INTO GREAT SILENCE РDir. Philip Gr̦ning, Prods. Philip Gr̦ning, Elda Guidinetti, Andres Pfaffli & Michael Weber
* LAKE OF FIRE – Dir., Prod. – Tony Kaye
* MANDA BALA (SEND A BULLET – Dir. Jason Kohn, Prods. Joey Frank, Jared Goldman & Jason Kohn)
* THE MONASTERY – MR. VIG AND THE NUN – Dir. Pernille Rose Grønkjær, Prod. Sigrid Dyekjær
* NO END IN SIGHT – Dir. Charles Ferguson, Prods. Jennie Amias, Charles Ferguson & Jessie Vogelson

Outstanding Achievement in Direction
* INTO GREAT SILENCE РPhilip Gr̦ning
* LAKE OF FIRE – Tony Kaye
* MANDA BALA (SEND A BULLET) – Jason Kohn
* TAXI TO THE DARK SIDE – Alex Gibney
* ZOO – Robinson Devor

Outstanding Achievement in Production
* BLINDSIGHT – Sybil Robson Orr
* CHICAGO 10 – Brett Morgan & Graydon Carter
* GHOSTS OF CITE SOLEIL – Seth Kanegis, Tomas Radoor & Mikael Rieks
* INTO GREAT SILENCE РPhilip Gr̦ning, Elda Guidinetti, Andres Pfaffli & Michael Weber
* LAKE OF FIRE – Tony Kaye
* MANDA BALA – Joey Frank, Jared Goldman & Jason Kohn

Outstanding Achievement in Cinematography
* INTO GREAT SILENCE РPhilip Gr̦ning
* LAKE OF FIRE – Tony Kaye
* MANDA BALA (SEND A BULLET) – Heloisa Passos
* MANUFACTURED LANDSCAPES – Peter Mettler
* ZOO – Sean Kirby

Outstanding Achievement in Editing
* CRAZY LOVE – David Zieff
* FLYING: CONFESSIONS OF A FREE WOMAN – Niels Pagh Andersen
* GHOSTS OF CITE SOLEIL – Adam Nielsen
* LAKE OF FIRE – Peter Goddard
* MANDA BALA (SEND A BULLET) – Doug Abel, Jenny Golden & Andy Grieve
* NO END IN SIGHT – Chad Beck and Cindy Lee

Outstanding Achievement in Graphic Design and Animation
* CHICAGO 10 – Animation by Curious Pictures
* HELVETICA – Motions Graphics by Trollbäck & Co.
* THE PRISONER OR: HOW I PLANNED TO KILL TONY BLAIR – Graphic Design by Petra Epperlein
* THE UNFORESEEN – Motion Graphics by Jef Sewell
* SUPER AMIGOS – Animation by David Quesnelle

Outstanding Debut Feature
* BILLY THE KID – Jennifer Venditti
* MANDA BALA (SEND A BULLET) – Jason Kohn
* THE MONASTERY – MR. VIG AND THE NUN – Pernille Rose Gronkjær
* NO END IN SIGHT – Charles Ferguson
* A WALK INTO THE SEA: DANNY WILLIAMS AND THE WARHOL FACTORY – Esther B. Robinson

Outstanding International Feature
* GHOSTS OF CITE SOLEIL – Dir. Asger Leth, Prods. Seth Kanegis, Tomas Radoor and Mikael Rieks
* INTO GREAT SILENCE РDir. Philip Gr̦ning, Prods. Philip Gr̦ning, Elda Guidinetti, Andres Pfaffli & Michael Weber
* MANUFACTURED LANDSCAPES – Dir. Jennifer Baichwal, Prods. Jennifer Baichwal, Daniel Iron & Nick de Pencier
* THE MONASTERY – MR. VIG & THE NUN – Dir. Pernille Rose Grønkjær, Prod. Sigrid Dyekjær
* PLEASE VOTE FOR ME – Dir. Weijun Chen, Prod. Don Edkins

Audience Choice Prize
* DEEP WATER – Dirs. Louise Osmond and Jerry Rothwell
* IN THE SHADOW OF THE MOON – Dir. David Sington
* INTO GREAT SILENCE РDir. Philip Gr̦ning
* JOE STRUMMER: THE FUTURE IS UNWRITTEN – Dir. Julien Temple
* THE KING OF KONG: A FISTFUL OF QUARTERS – Dir. Seth Gordon
* MANUFACTURED LANDSCAPES – Dir. Jennifer Baichwal
* NO END IN SIGHT – Dir. Charles Ferguson
* SICKO – Dir. Michael Moore

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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Draught Pick

Sam Adams “Keeps It Brockmire”

All New Brockmire airs Wednesdays at 10P on IFC.

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From baseball to beer, Jim Brockmire calls ’em like he sees ’em.

via GIPHY

It’s no wonder at all, then, that Sam Adams would reach out to Brockmire to be their shockingly-honest (and inevitably short-term) new spokesperson. Unscripted and unrestrained, he’ll talk straight about Sam—and we’ll take his word. Check out this new testimonial for proof:

See more Brockmire Wednesdays at 10P on IFC, presented by Samuel Adams. Good f***** beer.

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