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DID YOU READ

TALK: Vampire Weekend

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In an internet second, Vampire Weekend went from playing college house parties to being heralded by SPIN magazine as “The Year’s Best New Band…Already.” Pretty amazing stuff, considering the band posed for the publication’s cover before their debut album was even released. In the last three months alone, the recent college grads have played a string of sold-out shows, performed on Saturday Night Live, and had to turn people away at their “filled-to-capacity” showcase at this year’s SXSW.

How did it happen so quickly for Vampire Weekend? Are they just that good? Or did the internet bloggers of the world help give them a shortcut to success?

Jim Shearer: Are you tired of the word blog yet?

Chris Baio: To be honest, I never really read blogs when I was in college, as far as music blogs go. I guess since they started writing about us, I followed them [some], but I’m a little bit tired of them.

Rostam Batmanglij: The idea of writing and documenting your thoughts can be a very good thing, but now there’s almost this certain culture and type of writing that’s not thoughtful and just sort of silly.

Chris: We’re definitely grateful for all the support that certain websites have given us, but you can also understand when it’s overkill too.

Jim: Do you guys ever read any of the articles written about you?

Chris: You try not to. There was definitely a novelty to it at first. It was really encouraging and exciting–when we were starting out–that people were writing about us. At this point, I don’t think we really gain anything by reading about ourselves.

Jim: I ask, because it’s almost impossible reading about you guys without coming across the word “blog”.

Rostam: To some extent, with any band, what’s written about you early on perpetuates itself–that’s the nature of journalism. I think we’ll definitely get away from that as we make our next album. I’m not worried about that sticking with us at all.

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(left to right: Ezra Koenig, Chris Tomson, Rostam Batmanglij, Chris Baio)

Chris: I think that blogs, for whatever reason, become the go-to story for new bands that are emerging. With us, we did have support from blogs, but we were also getting written up in the New York Times fairly early on. I don’t view ourselves as a “blog band” phenomenon. I think that’s something that’s kind of overplayed, and it’s a somewhat clichéd media story, that bloggers have [built] these bands up. I don’t think it really works like that.

Jim: Various media outlets have also talked about your quick rise to fame. To me, you guys seem like you’re handling it very well. Was it difficult to go from playing house parties to the band everyone’s talking about?

Chris: As a band, we we’re living a day-to-day existence and not really thinking about a big picture like, “Oh my God, we were formed two years ago and now our first album’s doing really well.” For us, with day-to-day stuff, we’re just focusing on playing good shows and going out there trying to connect with as many people as possible.

Jim: Do you get nervous? When you played Saturday Night Live, did you feel any pressure?

Chris: I mean it’s sort of nice, they give you a whole dress rehearsal before the show, so by the time it’s live you’re used to it. Ultimately, you’re just playing in a studio for however many people. I had a good time playing on SNL, I wasn’t freaking out.

Jim: Can you take us through Vampire Weekend’s practice regimen?

Rostam: (laughs) We don’t really get the opportunity to practice that much, because we’ve been touring a lot. I guess we practiced for SNL once. We have sound-check on tour, so we get a little practice everyday. At this point for us, I think that stands in for practice. When we get home from all this touring we’ll definitely set up a real regimen.

Jim: Before you ever hit the road, how often did you practice?

Rostam: We don’t, we just write new songs.

Chris: Maybe we’d have a practice before a show whenever we were playing in New York, which would maybe be every other week.

Jim: For the type of music you play, it seems like the band has to be pretty “tight”?

Rostam: I mean we fine-tune it as we go. I think that we’re all pretty good with our instruments–I think that helps.

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Jim: Rostam, you’re the group’s super producer. Before you produced Vampire Weekend’s album, how much production experience did you have?

(left: Rostam Batmanglij)

Rostam: I guess throughout college I was always trying to record stuff and get better at it. By the end of school, I got better.

Jim: Any good recording stories? Did you guys have to sneak into anyone’s dorm room to record certain parts of the album?

Rostam: Chris Tomson, our drummer, he worked for the official radio station of Columbia [University], so that let him sign-out these practice rooms, that were originally built for bands to practice in. [The bands] were too loud, so they lost their practice [privileges]. The rooms were just left there for acapella groups–I guess those were the only people quiet enough to use them. We kind of did our own thing and got in there late at night. We started recording the drums for “Oxford Comma” in one of those rooms.

Jim: Was it all done in Pro Tools?

Rostam: Yes, all Pro Tools, so we could start on drums, and then bring it back to our apartments and add bass, strings, and vocals.

Jim: Will you produce the next Vampire Weekend album?

Chris: I would like Rostam to produce our [next] album. I think he did a good job on the first one.

Jim: Any pressure from “the powers that be” to enlist an outside producer?

Chris: We make all the decisions, it’s up to us.

Rostam: I’m tempted to work with other producers, I think it could be fun. I think I have an idea of how things could sound on our next album, and I’m excited to make it happen.

Jim: Anything in the can yet?

Rostam: We have a couple songs now that we can play live.

Jim: Can you explain the “flavor” of these songs?

Rostam: (laughs) I guess we’re trying to get deeper, in some ways, with African music. Hopefully the album will sound like a “grime” record. That’s all I’ll say.

Jim: Are you going to get Dizzee Rascal to rhyme on it?

Chris: We’re not opposed to that at all. I think Dizzee Rascal’s great.

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Jim: Speaking of rapping, do you guys remember any of the hooks from Ezra Koenig’s (Vampire Weekend’s frontman) rap group, L’Homme Run?

(left: Columbia University rappers, L’Homme Run)

Rostam: Like I was saying before how I got better at recording throughout college, one of the things we did was record [L’Homme Run] songs in our dorm room.

Jim: Are those up on the internet?

Chris: The myspace page for L’Homme Run should still be up.

Jim: Rostam, you’re responsible for getting the world “crunk” in the Oxford English Dictionary?

Rostam: I guess so. I was an intern there one summer and at the end I got to choose three words and define them. At the Oxford English Dictionary they revise everything really extensively. Having read the final version [of “crunk”], it’s pretty close to what I had.

Jim: When was the first time you heard the word “crunk”?

Rostam: Maybe in the Outkast song.

Jim: Rosa Parks“?

Rostam: “Rosa Parks”–definitely. That was one of the citations we had in the database. They have a bunch of people who read and then send in examples of words that they think have not been defined yet.

Jim: Were there any other good words that were added when you were there?

Rostam: (laughs) Actually as funny as it may seem, I remember something about the word “blogosphere”.

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A-O Rewind

Celebrating Portlandia One Sketch at a Time

The final season of Portlandia approaches.

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Most people measure time in minutes, hours, days, years…At IFC, we measure it in sketches. And nothing takes us way (waaaaaay) back like Portlandia sketches. Yes, there’s a Portlandia milepost from every season that changed the way we think, behave, and pickle things. In honor of Portlandia’s 8th and final season, Subaru presents a few of our favorites.

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Put A Bird On It

Portlandia enters the pop-culture lexicon and inspires us to put birds on literally everything.

Colin the Chicken

Who’s your chicken, really? Behold the emerging locavore trend captured perfectly to the nth degree.

Dream Of The ’90s

This treatise on Portland made it clear that “the dream” was alive and well.

No You Go

We Americans spend most of our lives in cars. Fortunately, there’s a Portlandia sketch for every automotive situation.

A-O River!

We learned all our outdoor survival skills from Kath and Dave.

One More Episode

The true birth of binge watching, pre-Netflix. And what you’ll do once Season 8 premieres.

Catch up on Portlandia’s best moments before the 8th season premieres January 18th on IFC.

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WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

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Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…

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IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.

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IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).

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IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.

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IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

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Reality? Check.

Baroness For Life

Baroness von Sketch Show is available for immediate consumption.

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Baroness von Sketch Show is snowballing as people have taken note of its subtle and not-so-subtle skewering of everyday life. The New York Times, W Magazine, and Vogue have heaped on the praise, but IFC had a few more probing questions…

IFC: To varying degrees, your sketches are simply scripted examples of things that actually happen. What makes real life so messed up?

Aurora: Hubris, Ego and Selfish Desires and lack of empathy.

Carolyn: That we’re trapped together in the 3rd Dimension.

Jenn: 1. Other people 2. Other people’s problems 3. Probably something I did.

IFC: A lot of people I know have watched this show and realized, “Dear god, that’s me.” or “Dear god, that’s true.” Why do people have their blinders on?

Aurora: Because most people when you’re in the middle of a situation, you don’t have the perspective to step back and see yourself because you’re caught up in the moment. That’s the job of comedians is to step back and have a self-awareness about these things, not only saying “You’re doing this,” but also, “You’re not the only one doing this.” It’s a delicate balance of making people feel uncomfortable and comforting them at the same time.

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IFC: Unlike a lot of popular sketch comedy, your sketches often focus more on group dynamics vs iconic individual characters. Why do you think that is and why is it important?

Meredith: We consider the show to be more based around human dynamics, not so much characters. If anything we’re more attracted to the energy created by people interacting.

Jenn: So much of life is spent trying to work it out with other people, whether it’s at work, at home, trying to commute to work, or even on Facebook it’s pretty hard to escape the group.

IFC: Are there any comedians out there that you feel are just nailing it?

Aurora: I love Key and Peele. I know that their show is done and I’m in denial about it, but they are amazing because there were many times that I would imagine that Keegan Michael Key was in the scene while writing. If I could picture him saying it, I knew it would work. I also kind of have a crush on Jordan Peele and his performance in Big Mouth. Maya Rudolph also just makes everything amazing. Her puberty demon on Big Mouth is flawless. She did an ad for 7th generation tampons that my son, my husband and myself were singing around the house for weeks. If I could even get anything close to her career, I would be happy. I’m also back in love with Rick and Morty. I don’t know if I have a crush on Justin Roiland, I just really love Rick (maybe even more than Morty). I don’t have a crush on Jerry, the dad, but I have a crush on Chris Parnell because he’s so good at being Jerry.

Jenn: I LOVE ISSA RAE!

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IFC: If you could go back in time and cast yourselves in any sitcom, which would it be and how would it change?

Carolyn: I’d go back in time and cast us in The Partridge Family.  We’d make an excellent family band. We’d have a laugh, break into song and wear ruffled blouses with velvet jackets.  And of course travel to all our gigs on a Mondrian bus. I feel really confident about this choice.

Meredith: Electric Mayhem from The Muppet Show. It wouldn’t change, they were simply perfect, except… maybe a few more vaginas in the band.

Binge the entire first and second seasons of Baroness von Sketch Show now on IFC.com and the IFC app.

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