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The Whitest Kids U’Know on “The Whitest Kids U’Know”

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We’ve all enjoyed great sketch comedy, suffered through terrible sketch comedy and furrowed our brows at totally inexplicable sketch comedy. But how does sketch comedy, you know, work? I sat down with Sam Brown and Trevor Moore of IFC’s own sketch comedy show “The Whitest Kids U’Know” to find out how the magic happens.

What’s your writing process like?

Trevor Moore: Everything’s written different ways. If someone has an idea for a sketch, they can come in and be like, “I really want to do this,” but when we’re actually writing for a deadline, we’re like, “Okay, everybody take five minutes and write down as many ideas as come to mind.” And then we go around the circle, and it’s everybody pitching out their ideas. And we’ll just kind of be like, “Okay, that one—” depending on what everybody laughs at.

Sam Brown: And a lot of times it’ll even get to the point where we’ll work on something until we decide, “Eh, maybe it wasn’t the best idea.”

TM: Yeah, and then some of our sketches are like— you know, Sam’s nut popping out in the first episode of season two. That just came about when we were outside of one of our live shows…

SB: …I think, “What if we had a sketch where the joke was that I had one nut out?” I think it was that simple.

TM: And we’re talking about that— “Yeah, and what if you come back later and it’s hanging out of your collar?” And then we wrote a sketch for that.

So it’s just basically a lot of drunken conversation.

As connoisseurs of a certain type of comedy that… pushes boundaries, where do you figure the line is? Or is there a line?

TM: It’s all tone. I don’t think there’s any issue that you can’t talk about. A lot of our sketches deal with race or homophobia and stuff like that. The person that the joke is on tends to be the racist character or the homophobic character. They’re the odd man out, not like they’re the norm.

SB: You’re not gonna be mean to people for no reason.

TM: Well, that can be funny, too. [laughs]

Where did the name of the group come from?

TM: It was like really early in the troupe, and we had a couple of names that weren’t very good that we were considering. We used to go out and film stuff with video cameras, just on the street. We were doing some sort of freestyle rapping thing on the subway, and this one guy who was friends with us was like, “You guys are the whitest kids I know.” We were in the market for a name, so we were like, “That’ll do!”

Who do you guys like out there, in terms of influences or just people you think are doing great things in comedy right now?

TM: Well, everyone in the troupe has different influences. I think one consistent influence for me is Monty Python. There’ll never be anyone better. They’re the Beatles of comedy. The troupe kind of goes down into two groups — Sam and I are into Monty Python, Steve Coogan and some comedians that no one’s ever heard. And Zack and Timmy and Darren really like Dane Cook and—

SB:—the Blue Collar [Comedy Tour].


SB: Yeah, they are. They have the DVD. They watched it a lot when we were on tour.

TM: That and “Full House.”

SB: Timmy just got that. He ordered it. It comes in a little house, like the actual house—

TM: And it’s just full of DVDs. It’s a full house of DVDs. That’s their influence.

Any plans to work on movies?

TM: Yeah, Zack and I just finished a movie [a Fox comedy called “Playboys”] that we’re editing right now. We actually have to turn in our first cut next Friday. The Whitest Kids have a movie written that we’re actually about to go out and try to set up somewhere.

A sketch comedy movie?

TM: It’s not a sketch comedy movie. It’s a linear story — we don’t play multiple characters, but it’s got the same tone and mentality of the TV show. The hard thing was having an arc for each character — they all have to learn something along the way. I think we took care of that pretty well. It’s kind of like a live action “Duck Tales” episode.

[Trevor Moore and Sam Brown of “The Whitest Kids U’Know”; Andre Vippolis, 2008]

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A-O Rewind

Celebrating Portlandia One Sketch at a Time

The final season of Portlandia approaches.

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Most people measure time in minutes, hours, days, years…At IFC, we measure it in sketches. And nothing takes us way (waaaaaay) back like Portlandia sketches. Yes, there’s a Portlandia milepost from every season that changed the way we think, behave, and pickle things. In honor of Portlandia’s 8th and final season, Subaru presents a few of our favorites.


Put A Bird On It

Portlandia enters the pop-culture lexicon and inspires us to put birds on literally everything.

Colin the Chicken

Who’s your chicken, really? Behold the emerging locavore trend captured perfectly to the nth degree.

Dream Of The ’90s

This treatise on Portland made it clear that “the dream” was alive and well.

No You Go

We Americans spend most of our lives in cars. Fortunately, there’s a Portlandia sketch for every automotive situation.

A-O River!

We learned all our outdoor survival skills from Kath and Dave.

One More Episode

The true birth of binge watching, pre-Netflix. And what you’ll do once Season 8 premieres.

Catch up on Portlandia’s best moments before the 8th season premieres January 18th on IFC.

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WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

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Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…


IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.


IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).


IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.


IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

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Reality? Check.

Baroness For Life

Baroness von Sketch Show is available for immediate consumption.

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Baroness von Sketch Show is snowballing as people have taken note of its subtle and not-so-subtle skewering of everyday life. The New York Times, W Magazine, and Vogue have heaped on the praise, but IFC had a few more probing questions…

IFC: To varying degrees, your sketches are simply scripted examples of things that actually happen. What makes real life so messed up?

Aurora: Hubris, Ego and Selfish Desires and lack of empathy.

Carolyn: That we’re trapped together in the 3rd Dimension.

Jenn: 1. Other people 2. Other people’s problems 3. Probably something I did.

IFC: A lot of people I know have watched this show and realized, “Dear god, that’s me.” or “Dear god, that’s true.” Why do people have their blinders on?

Aurora: Because most people when you’re in the middle of a situation, you don’t have the perspective to step back and see yourself because you’re caught up in the moment. That’s the job of comedians is to step back and have a self-awareness about these things, not only saying “You’re doing this,” but also, “You’re not the only one doing this.” It’s a delicate balance of making people feel uncomfortable and comforting them at the same time.


IFC: Unlike a lot of popular sketch comedy, your sketches often focus more on group dynamics vs iconic individual characters. Why do you think that is and why is it important?

Meredith: We consider the show to be more based around human dynamics, not so much characters. If anything we’re more attracted to the energy created by people interacting.

Jenn: So much of life is spent trying to work it out with other people, whether it’s at work, at home, trying to commute to work, or even on Facebook it’s pretty hard to escape the group.

IFC: Are there any comedians out there that you feel are just nailing it?

Aurora: I love Key and Peele. I know that their show is done and I’m in denial about it, but they are amazing because there were many times that I would imagine that Keegan Michael Key was in the scene while writing. If I could picture him saying it, I knew it would work. I also kind of have a crush on Jordan Peele and his performance in Big Mouth. Maya Rudolph also just makes everything amazing. Her puberty demon on Big Mouth is flawless. She did an ad for 7th generation tampons that my son, my husband and myself were singing around the house for weeks. If I could even get anything close to her career, I would be happy. I’m also back in love with Rick and Morty. I don’t know if I have a crush on Justin Roiland, I just really love Rick (maybe even more than Morty). I don’t have a crush on Jerry, the dad, but I have a crush on Chris Parnell because he’s so good at being Jerry.



IFC: If you could go back in time and cast yourselves in any sitcom, which would it be and how would it change?

Carolyn: I’d go back in time and cast us in The Partridge Family.  We’d make an excellent family band. We’d have a laugh, break into song and wear ruffled blouses with velvet jackets.  And of course travel to all our gigs on a Mondrian bus. I feel really confident about this choice.

Meredith: Electric Mayhem from The Muppet Show. It wouldn’t change, they were simply perfect, except… maybe a few more vaginas in the band.

Binge the entire first and second seasons of Baroness von Sketch Show now on and the IFC app.

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