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“The Air I Breathe”

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By Matt Singer

IFC News

[Photo: “The Air I Breathe,” ThinkFilm, 2008]

Why do so many “independent” movies look and sound exactly alike? Isn’t that kind of a contradiction with the whole independent thing? Nothing in “The Air I Breathe” feels particularly indie; most everything in it is familiar. For any audience member who spends a significant portion of their free time in the arthouse, “Deja Vu” would make a fine alternate title.

The plot is one of those contraptions where four seemingly unrelated stories are all inherently intertwined. Such films try to imbue the minutia of the everyday with a kind of spiritual importance — everything means something, they insist, even if we don’t realize it at first. And perhaps it does. But at this point, it is also one of the most tiresome of indie movie clichés. Eventually, there will so many of these movies that some young director will come full circle and rebel against the indie establishment by creating a work about how one person’s horrible existence has absolutely no bearing whatsoever on the horrible existence of the person they meet at a bus stop.

But that day has not come yet. Instead, we still live in a world where the fates of Forest Whitaker, Brendan Fraser, Sarah Michelle Gellar, and Kevin Bacon all rest on one another, though they are completely unaware of that fact. Whitaker is a man in desperate need of cash; Fraser is a debt collector for a gangster (Andy Garcia) to whom Whitaker owes money, and he can also see the future. Sarah Michelle Gellar plays a less ironic version of Krysta Now from “Southland Tales” and falls for Fraser, but finds herself also in debt to Garcia. And Bacon needs to save his wife’s life by acquiring blood of a very rare type (bonus points to you, dear reader, if you can guess which other character has said very rare blood type).

Each section has its own title: they are, in order, “Happiness,” “Pleasure,” “Sorrow” and “Love.” Characters appear briefly in one story and then get fleshed out in others. To my shock, the only portion that works at all was Fraser’s; he gives an admirable performance amongst truly adverse circumstances. Grappling with his leaden dialogue (“Sometimes things you can’t change end up changing you”) and a character that is, yes, both a mob heavy and a clairvoyant, Fraser manages to deliver a certain amount of gravitas and makes you believe, despite all other visual and verbal evidence to the contrary, that he’s appearing in a genuinely hard-boiled crime story. In a perfect world, it’d be something that would earn “The Mummy” star some new, more interesting work and pull him from the depths of the kiddie film ghetto that dominates his résumé. Rarely have I been more impressed by an actor and less impressed by a film as a whole.

Beyond the hackneyed premise, “The Air I Breathe” also contains numerous uses of a trick so tired that its mere presence can ruin an entire movie. It’s the gag, so prevalent in recent years, where a character blithely walks in the street when, out of nowhere, they are run over by a speeding car. You can always tell it’s going to happen because the person is standing in the middle of the street, looking extremely happy when all of the sound drops out of the soundtrack; the better to give the impact extra shock value. It’s supposed to give viewers a jolt, but the ploy is so played out that only the most naïve audience members (and of course, these doofy, careless pedestrians) don’t see it coming. Please, I beg you moviemakers. No more.

“The Air I Breathe” is occasionally amusing; particularly when Kevin Bacon’s wife refuses to wear her protective suit while working with deadly snakes. “I’ll be fine!” she insists, whereupon she is promptly bitten. And we’re supposed to care about this future Darwin Award winner? Connecting four mediocre stories together does not necessarily make them more interesting. Longer, sure. But interesting? Not so much.

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A-O Rewind

Celebrating Portlandia One Sketch at a Time

The final season of Portlandia approaches.

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Most people measure time in minutes, hours, days, years…At IFC, we measure it in sketches. And nothing takes us way (waaaaaay) back like Portlandia sketches. Yes, there’s a Portlandia milepost from every season that changed the way we think, behave, and pickle things. In honor of Portlandia’s 8th and final season, Subaru presents a few of our favorites.


Put A Bird On It

Portlandia enters the pop-culture lexicon and inspires us to put birds on literally everything.

Colin the Chicken

Who’s your chicken, really? Behold the emerging locavore trend captured perfectly to the nth degree.

Dream Of The ’90s

This treatise on Portland made it clear that “the dream” was alive and well.

No You Go

We Americans spend most of our lives in cars. Fortunately, there’s a Portlandia sketch for every automotive situation.

A-O River!

We learned all our outdoor survival skills from Kath and Dave.

One More Episode

The true birth of binge watching, pre-Netflix. And what you’ll do once Season 8 premieres.

Catch up on Portlandia’s best moments before the 8th season premieres January 18th on IFC.

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WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

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Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…


IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.


IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).


IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.


IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

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Reality? Check.

Baroness For Life

Baroness von Sketch Show is available for immediate consumption.

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Baroness von Sketch Show is snowballing as people have taken note of its subtle and not-so-subtle skewering of everyday life. The New York Times, W Magazine, and Vogue have heaped on the praise, but IFC had a few more probing questions…

IFC: To varying degrees, your sketches are simply scripted examples of things that actually happen. What makes real life so messed up?

Aurora: Hubris, Ego and Selfish Desires and lack of empathy.

Carolyn: That we’re trapped together in the 3rd Dimension.

Jenn: 1. Other people 2. Other people’s problems 3. Probably something I did.

IFC: A lot of people I know have watched this show and realized, “Dear god, that’s me.” or “Dear god, that’s true.” Why do people have their blinders on?

Aurora: Because most people when you’re in the middle of a situation, you don’t have the perspective to step back and see yourself because you’re caught up in the moment. That’s the job of comedians is to step back and have a self-awareness about these things, not only saying “You’re doing this,” but also, “You’re not the only one doing this.” It’s a delicate balance of making people feel uncomfortable and comforting them at the same time.


IFC: Unlike a lot of popular sketch comedy, your sketches often focus more on group dynamics vs iconic individual characters. Why do you think that is and why is it important?

Meredith: We consider the show to be more based around human dynamics, not so much characters. If anything we’re more attracted to the energy created by people interacting.

Jenn: So much of life is spent trying to work it out with other people, whether it’s at work, at home, trying to commute to work, or even on Facebook it’s pretty hard to escape the group.

IFC: Are there any comedians out there that you feel are just nailing it?

Aurora: I love Key and Peele. I know that their show is done and I’m in denial about it, but they are amazing because there were many times that I would imagine that Keegan Michael Key was in the scene while writing. If I could picture him saying it, I knew it would work. I also kind of have a crush on Jordan Peele and his performance in Big Mouth. Maya Rudolph also just makes everything amazing. Her puberty demon on Big Mouth is flawless. She did an ad for 7th generation tampons that my son, my husband and myself were singing around the house for weeks. If I could even get anything close to her career, I would be happy. I’m also back in love with Rick and Morty. I don’t know if I have a crush on Justin Roiland, I just really love Rick (maybe even more than Morty). I don’t have a crush on Jerry, the dad, but I have a crush on Chris Parnell because he’s so good at being Jerry.



IFC: If you could go back in time and cast yourselves in any sitcom, which would it be and how would it change?

Carolyn: I’d go back in time and cast us in The Partridge Family.  We’d make an excellent family band. We’d have a laugh, break into song and wear ruffled blouses with velvet jackets.  And of course travel to all our gigs on a Mondrian bus. I feel really confident about this choice.

Meredith: Electric Mayhem from The Muppet Show. It wouldn’t change, they were simply perfect, except… maybe a few more vaginas in the band.

Binge the entire first and second seasons of Baroness von Sketch Show now on and the IFC app.

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