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Disappearing Acts: 15 Big Screen Characters Who Didn’t Make Final Cut

Disappearing Acts: 15 Big Screen Characters Who Didn’t Make Final Cut (photo)

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After beating out throngs of big name actors for the part and filming for four months in Queensland, Australia with 6am call times every day, Adrien Brody thought he was sitting pretty when he attended a press screening for Terrence Malick’s “The Thin Red Line” in 1998. But 170 minutes later, Brody felt more like a soldier than ever as he saw his performance as Corporal Fife winnowed down to a supporting and largely silent role. As he recalled to The New York Press‘ Matt Zoller Seitz, “You spend all this time in an unfamiliar place, you experience incredible things, and then you come home, you’re wounded psychologically, and you have nothing to show for it.”

At least Brody made the cut. Here are a few from recent years who weren’t as lucky:

Jon Stewart: “The First Wives Club”

Imagine, if you will, the future host of “The Daily Show” sitting by his TV watching “Laugh-In” and wishing for the day he could play boy toy to Goldie Hawn in a big motion picture. You can’t? Neither could Hawn, who told USA Today in 1996 that “As much as I love Jon, before it was even cast I said to Scott (Rudin, the film’s producer), ‘Let’s get rid of this. It’s not pertinent to the plot. You are going to cut this.’ And sure enough it was the first to go.” So much for the vote of confidence, but the film was supposed to be Stewart’s big break into movies after his first talk show on MTV came to an end in 1995.

Kevin Costner: “The Big Chill”

Perhaps the most famous character to be left on the cutting room floor, Costner’s Alex commits suicide before “The Big Chill” begins, but appeared in a series of flashbacks throughout the film after his friends from college reunite for his funeral. Audiences had their best chance at seeing the performance in 1998 when Columbia wanted to re-release the film with the Costner scenes as a selling point, but director Lawrence Kasdan was “very adamant” about keeping the film the way it was, according to the studio’s Michael Schlesinger, who spoke to USA Today at the time. Still, there was no harm done between Costner and Kasdan, who made amends by casting Costner in his next film, “Silverado.”

01072008_cutcharacters1.jpgChris Cooper: “The Ring”

Considering “The Ring” became a sleeper hit largely thanks to teenagers, DreamWorks execs probably made the right call when they decided to open the film with a perky Amber Tamblyn than a dour Chris Cooper. Cooper, who would earn an Oscar nomination for “Adaptation” the same year, found his portrayal of an imprisoned serial killer of children left on the cutting room floor, including an opening sequence where the character attempts to persuade Naomi Watts’ journalist that’s he’s rehabilitated in his bid for parole. The kicker was that Watts would deliver the killer videotape to his cell at the end of the film as a bookend.

Janeane Garofalo: “Southland Tales”

And to think Mandy Moore was worried she might not make the final cut — after the disastrous premiere of Richard Kelly’s sophomore film at Cannes in 2006, no one was safe from the chopping block as Kelly tried to appease potential distributors with a shorter running time. Eventually, Garofalo’s militant General Teena MacArthur who operated out of a Venice Beach storefront was excised. All that remains of Garofalo’s performance is a shot of the General celebrating the end of the world at the film’s conclusion.

Michelle Monaghan: “Unfaithful,” “Syriana,” “Constantine”

Three strikes usually means you’re out, but Monaghan appears to have beat the odds. Before landing leads in “Gone Baby Gone” and the upcoming indie “Trucker,” the actress was trimmed from a bit part as Richard Gere’s secretary in “Unfaithful” before being poised for a banner year in 2005 with roles as a demon-human hybrid in “Constantine” and a beauty pageant queen who travels to the Middle East in “Syriana.” The only problem was that her subplots in both films were dropped from the final product. Fortunately for Monaghan, she still appeared in meaty roles in “North Country” and “Kiss Kiss Bang Bang,” and even her turn in “Constantine” wasn’t for naught — J.J. Abrams brought the actress on “Mission: Impossible III” after seeing her audition tape from the Keanu Reeves thriller.

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A-O Rewind

Celebrating Portlandia One Sketch at a Time

The final season of Portlandia approaches.

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Most people measure time in minutes, hours, days, years…At IFC, we measure it in sketches. And nothing takes us way (waaaaaay) back like Portlandia sketches. Yes, there’s a Portlandia milepost from every season that changed the way we think, behave, and pickle things. In honor of Portlandia’s 8th and final season, Subaru presents a few of our favorites.


Put A Bird On It

Portlandia enters the pop-culture lexicon and inspires us to put birds on literally everything.

Colin the Chicken

Who’s your chicken, really? Behold the emerging locavore trend captured perfectly to the nth degree.

Dream Of The ’90s

This treatise on Portland made it clear that “the dream” was alive and well.

No You Go

We Americans spend most of our lives in cars. Fortunately, there’s a Portlandia sketch for every automotive situation.

A-O River!

We learned all our outdoor survival skills from Kath and Dave.

One More Episode

The true birth of binge watching, pre-Netflix. And what you’ll do once Season 8 premieres.

Catch up on Portlandia’s best moments before the 8th season premieres January 18th on IFC.

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WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

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Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…


IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.


IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).


IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.


IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

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Reality? Check.

Baroness For Life

Baroness von Sketch Show is available for immediate consumption.

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Baroness von Sketch Show is snowballing as people have taken note of its subtle and not-so-subtle skewering of everyday life. The New York Times, W Magazine, and Vogue have heaped on the praise, but IFC had a few more probing questions…

IFC: To varying degrees, your sketches are simply scripted examples of things that actually happen. What makes real life so messed up?

Aurora: Hubris, Ego and Selfish Desires and lack of empathy.

Carolyn: That we’re trapped together in the 3rd Dimension.

Jenn: 1. Other people 2. Other people’s problems 3. Probably something I did.

IFC: A lot of people I know have watched this show and realized, “Dear god, that’s me.” or “Dear god, that’s true.” Why do people have their blinders on?

Aurora: Because most people when you’re in the middle of a situation, you don’t have the perspective to step back and see yourself because you’re caught up in the moment. That’s the job of comedians is to step back and have a self-awareness about these things, not only saying “You’re doing this,” but also, “You’re not the only one doing this.” It’s a delicate balance of making people feel uncomfortable and comforting them at the same time.


IFC: Unlike a lot of popular sketch comedy, your sketches often focus more on group dynamics vs iconic individual characters. Why do you think that is and why is it important?

Meredith: We consider the show to be more based around human dynamics, not so much characters. If anything we’re more attracted to the energy created by people interacting.

Jenn: So much of life is spent trying to work it out with other people, whether it’s at work, at home, trying to commute to work, or even on Facebook it’s pretty hard to escape the group.

IFC: Are there any comedians out there that you feel are just nailing it?

Aurora: I love Key and Peele. I know that their show is done and I’m in denial about it, but they are amazing because there were many times that I would imagine that Keegan Michael Key was in the scene while writing. If I could picture him saying it, I knew it would work. I also kind of have a crush on Jordan Peele and his performance in Big Mouth. Maya Rudolph also just makes everything amazing. Her puberty demon on Big Mouth is flawless. She did an ad for 7th generation tampons that my son, my husband and myself were singing around the house for weeks. If I could even get anything close to her career, I would be happy. I’m also back in love with Rick and Morty. I don’t know if I have a crush on Justin Roiland, I just really love Rick (maybe even more than Morty). I don’t have a crush on Jerry, the dad, but I have a crush on Chris Parnell because he’s so good at being Jerry.



IFC: If you could go back in time and cast yourselves in any sitcom, which would it be and how would it change?

Carolyn: I’d go back in time and cast us in The Partridge Family.  We’d make an excellent family band. We’d have a laugh, break into song and wear ruffled blouses with velvet jackets.  And of course travel to all our gigs on a Mondrian bus. I feel really confident about this choice.

Meredith: Electric Mayhem from The Muppet Show. It wouldn’t change, they were simply perfect, except… maybe a few more vaginas in the band.

Binge the entire first and second seasons of Baroness von Sketch Show now on and the IFC app.

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