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DID YOU READ

Odds: Thursday – “Cloverfield” named, that Tarzan yell.

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AaaAAAaaaAAAaaaaAAAAAaaaaaaaaa!
The hype machine formerly known as "Cloverfield" now has a title. That title is… "Cloverfield." We feel empty inside… why? [Via CHUD]

The Tarzan yell can’t be trademarked, an EU court has ruled. David Brown at the London Times reports:

Stephen James, a partner in R G C Jenkins & Co, the London-based intellectual-property firm that lodged the application, said: “I have spent the past ten years trying to get Tarzan’s yell trademarked but the difficulty has been putting a sound down on paper.

“We say that anybody, from the age of 5 to 105, who heard that sound would say it is Tarzan. There is still a lot of interest from people who want to license the Tarzan name and also to use the yell.”

Seymour Chatman at Artforum on Antonioni:

Beyond brilliantly meshing visual form with theme—empty canvases with empty lives—Antonioni contributed early to cinema’s migration from Victorian narrative modes, as necessary and welcome a move as was that from Great Expectations to Mrs. Dalloway for literature. Beginning with L’avventura, his films are firmly liberated from Hollywood’s obsessive insistence on the conclusive denouement, on tying things up, whether for better (Mildred Pierce; Stagecoach) or worse (Sunset Boulevard).

Larry McMurtry writes about Diane Keaton on photography at the New York Review of Books.

JC Gabel and James Hughes interview Thom Anderson of "Los Angeles Plays Itself" in Stop Smiling.

At the LA Weekly, a kid-centric twofer: Ella Taylor takes on the plague of cuteness in children’s cinema, "virtually monopolized by studios where, thematically, every last picture boils down to AFOG — Another Fucking Opportunity for Growth." And John Anderson covers the fall of what Eli Roth labeled "the last taboo," the killing of children on film.

And at David Edelstein‘s New York mag blog, thoughts on "Romance & Cigarettes":

Turturro’s musical Romance & Cigarettes poses another sort of challenge. I know people who think it’s a masterpiece and I know people who think it’s an embarrassment. With regard to this movie, oddly enough, those judgments are not mutually exclusive. Characters swamped with emotion burst into well-known pop songs, and although there is (inevitably) an element of camp, there’s no protective shell of irony (as in Dennis Potter’s Pennies From Heaven and The Singing Detective). The actors sometimes look foolish. The transitions are jarring. But you can make a case that the awkwardness is central to the film’s design. The mixture of the stylized and raw is brave and original.

+ EXCLUSIVE! THE CLOVERFIELD TRAILER – SEEN! (CHUD)
+ Anyone can ape Tarzan as court rules his yell is public property (London Times)
+ End of Story (Artforum)
+ Diane Keaton on Photography (NY Review of Books)
+ BLADE RUNNER IS A CITY PLANNER’S DREAM: THOM ANDERSEN (Stop Smiling)
+ Too Cute for Their Own Good (LA Weekly)
+ Short People, Short Lives (LA Weekly)
+ Odds and Bodkins: Isabella Rossellini Awkwardness, Much More (New York)

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Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

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Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

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The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

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They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

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Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

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Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.