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DID YOU READ

Batman, Batman, Batmaaaaaaan. Na-na-na-na…

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"Constant motion is the new laziness."
You may remember that last year IFP’s Gotham Awards (always first off the bat in awards season) chose to salute such neglected but spunky little flicks as "The Departed" and "Marie Antoinette" amongst the traditional indie fare, claiming the awards were "about honoring films made with a single vision versus films made by committee." This year, the nominations are back in the undeniably indie if still generally not microbudget range:

Best Feature:

"Great World of Sound"Craig Zobel (Magnolia)
"I’m Not There"Todd Haynes (Weinstein Co.)
"Into the Wild"Sean Penn (Paramount Vantage)
"Margot at the Wedding"Noah Baumbach (Paramount Vantage)
"The Namesake"Mira Nair (Fox Searchlight)

Best Documentary:

"The Devil Came on Horseback" – Annie Sundberg & Ricki Stern (International Film Circuit)
"Jimmy Carter Man From Plains" – Jonathan Demme (Sony Pictures Classics)
"My Kid Could Paint That" – Amir Bar-Lev (Sony Pictures Classics)
"Sicko" – Michael Moore (Weinstein Co.)
"Taxi to the Dark Side" – Alex Gibney (ThinkFilm)

Best Ensemble Cast:

"Before the Devil Knows You’re Dead" – Albert Finney, Rosemary Harris, Ethan Hawke, Philip Seymour Hoffman, Brian F. O’Byrne, Amy Ryan, Michael Shannon, Marisa Tomei (ThinkFilm)
"The Last Winter" – Connie Britton, Kevin Corrigan, Zach Gilford, James LeGros, Ron Perlman (IFC First Take)
"Margot at the Wedding" – Jack Black, Flora Cross, Ciarán Hinds, Nicole Kidman, Jennifer Jason Leigh, Zane Pais, John Turturro (Paramount Vantage)
"The Savages" – Philip Bosco, Philip Seymour Hoffman, Laura Linney (Fox Searchlight)
"Talk to Me" – Cedric the Entertainer, Don Cheadle, Chiwetel Ejiofor, Mike Epps, Vondie Curtis Hall, Taraji P. Henson, Martin Sheen (Focus Features)

Breakthrough Director:

Lee Isaac Chung, "Munyurangabo"
Stephane Gauger, "Owl and the Sparrow"
Julia Loktev, "Day Night Day Night" (IFC First Take)
David Von Ancken, "Seraphim Falls" (Samuel Goldwyn Films)
Craig Zobel, "Great World of Sound" (Magnolia Pictures)

Breakthrough Actor:

Emile Hirsch, "Into the Wild" (Paramount Vantage)
Kene Holliday, "Great World of Sound" (Magnolia)
Ellen Page, "Juno" (Fox Searchlight)
Jess Weixler, "Teeth" (Roadside Attractions)
Luisa Williams, "Day Night Day Night" (IFC First Take)

Best Film Not Playing at a Theater Near You:

"August the First" – Lanre Olabisi
"Frownland" – Ronald Bronstein
"Loren Cass" – Chris Fuller
"Mississippi Chicken" – John Fiege
"Off the Grid: Life on the Mesa" – Jeremy Stulberg & Randy Stulberg

The Gotham Awards will be held at Steiner Studios in Brooklyn this year on November 27th.

+ Gothams shy away from studios with noms (Hollywood Reporter)

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Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

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Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

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The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

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They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

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Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

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Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.