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DID YOU READ

NYFF: “The Darjeeling Limited.”

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"I guess I still have some more healing to do."
Wes Anderson
, we love you, but you’re bringing us down. The hermetically sealed world of your films — the man-children, the inexplicable melancholy, the flat, wide shots, the fetishized artifacts of adolescence and carefully chosen vintage pop soundtracks — has always resonated so strongly for us. We shrugged off all accusations of tweeness, we defended "The Life Aquatic" against the most virulent of critics, we saw in that AmEx commercial promising signs of self-awareness and gentle self-mockery. But with "The Darjeeling Limited" you may have finally vanished into your own well-contemplated navel and, we’re sorry to say, lost us entirely.

"The Darjeeling Limited"’s dysfunctional family includes the three wealthy Whitman brothers: Francis (Owen Wilson), Peter (Adrien Brody) and Jack (Jason Schwartzman). A year ago their father was hit by a taxi and killed in New York, and the three haven’t spoken or seen each other since his funeral. A near-death experience prompts Francis to organize a sibling reunion aboard a train traveling through India, where they’ll attempt to achieve spiritual enlightenment by visiting shrines and following the advice of a guru, all things laid out on daily laminated agendas by Francis’ assistant. Francis is the controlling one, Peter the nervous one and Jack the writer/ladies’ man/runaway, but they barely conform to those identifiers — mostly, they’re a squabbling three-headed, puppy-eyed monster wolfing down prescription meds and toting around a lot of figurative and literal baggage (designed by Marc Jacobs for Louis Vuitton — this may be the first film to costar a matching suitcase set). The three are all in the grip of the kind of bruise-eyed, deep-rooted malaise that so often plagues Anderson characters, on the Whitmans’ part because the they’re still mourning their father and because their mother has abandoned them. It’s hard to blame her — the Whitman brothers, despite the considerable charm of the actors playing them, just aren’t very likable. They’re stylized imaginings of poor little rich boys whose main burden in life is a search of meaning, a tough sell even without the petulance and the fighting over $6,000 belts. They mistreat people until they’re thrown off to fend for themselves, leading them to the inevitable moment of real-life trauma that breaks the film’s bubble of whimsy and forces the characters to find their way to an emotional epiphany, a segment that, when it arrives, feels jarringly and insultingly unearned.

Anderson’s world is shrinking, from the full run of Rushmore Academy to 111 Archer Avenue to the Belafonte to "The Darjeeling Limited"’s titular train, which in one shot is shown to contain all of the characters of the film in their own cramped, themed compartments. The natural progression is for his next film to take place entirely in a series of intricate dioramas (which we suppose is one way you could look at the planned stop-motion "Fantastic Mr. Fox"). There’s no denying that Anderson could use a bit of fresh air and a look outward. The film is still rife with reminders of his talent: the aforementioned pan along the train; another encounter out of two separate windows as it travels in the night; an early shot in luxurious slow-mo as Adrien Brody runs past Bill Murray — in a tiny role, billed simply as "The Businessman," he seems, more poignantly, in retrospect, to be a stand-in for Whitman Sr. — while the Kinks’ "This Time Tomorrow" surfaces to overwhelm the soundtrack. But these moments are adrift in a whole lot of half-hearted crap. Maybe it really is time to put the prolonged boyhood to rest — there are plenty of genuinely sad things happening out there in the world to make all this unaccountable, fanciful woe seem past its due date.

"The Darjeeling Limited" screens September 28 at 7:45pm at Frederick P. Rose Hall and 9pm at Avery Fisher Hall. It opens September 29th in New York.

+ "The Darjeeling Limited" (FilmLinc)
+ "The Darjeeling Limited" (Fox Searchlight)

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A-O Rewind

Celebrating Portlandia One Sketch at a Time

The final season of Portlandia approaches.

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Most people measure time in minutes, hours, days, years…At IFC, we measure it in sketches. And nothing takes us way (waaaaaay) back like Portlandia sketches. Yes, there’s a Portlandia milepost from every season that changed the way we think, behave, and pickle things. In honor of Portlandia’s 8th and final season, Subaru presents a few of our favorites.

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Put A Bird On It

Portlandia enters the pop-culture lexicon and inspires us to put birds on literally everything.

Colin the Chicken

Who’s your chicken, really? Behold the emerging locavore trend captured perfectly to the nth degree.

Dream Of The ’90s

This treatise on Portland made it clear that “the dream” was alive and well.

No You Go

We Americans spend most of our lives in cars. Fortunately, there’s a Portlandia sketch for every automotive situation.

A-O River!

We learned all our outdoor survival skills from Kath and Dave.

One More Episode

The true birth of binge watching, pre-Netflix. And what you’ll do once Season 8 premieres.

Catch up on Portlandia’s best moments before the 8th season premieres January 18th on IFC.

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WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

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Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…

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IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.

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IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).

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IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.

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IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

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Reality? Check.

Baroness For Life

Baroness von Sketch Show is available for immediate consumption.

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Baroness von Sketch Show is snowballing as people have taken note of its subtle and not-so-subtle skewering of everyday life. The New York Times, W Magazine, and Vogue have heaped on the praise, but IFC had a few more probing questions…

IFC: To varying degrees, your sketches are simply scripted examples of things that actually happen. What makes real life so messed up?

Aurora: Hubris, Ego and Selfish Desires and lack of empathy.

Carolyn: That we’re trapped together in the 3rd Dimension.

Jenn: 1. Other people 2. Other people’s problems 3. Probably something I did.

IFC: A lot of people I know have watched this show and realized, “Dear god, that’s me.” or “Dear god, that’s true.” Why do people have their blinders on?

Aurora: Because most people when you’re in the middle of a situation, you don’t have the perspective to step back and see yourself because you’re caught up in the moment. That’s the job of comedians is to step back and have a self-awareness about these things, not only saying “You’re doing this,” but also, “You’re not the only one doing this.” It’s a delicate balance of making people feel uncomfortable and comforting them at the same time.

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IFC: Unlike a lot of popular sketch comedy, your sketches often focus more on group dynamics vs iconic individual characters. Why do you think that is and why is it important?

Meredith: We consider the show to be more based around human dynamics, not so much characters. If anything we’re more attracted to the energy created by people interacting.

Jenn: So much of life is spent trying to work it out with other people, whether it’s at work, at home, trying to commute to work, or even on Facebook it’s pretty hard to escape the group.

IFC: Are there any comedians out there that you feel are just nailing it?

Aurora: I love Key and Peele. I know that their show is done and I’m in denial about it, but they are amazing because there were many times that I would imagine that Keegan Michael Key was in the scene while writing. If I could picture him saying it, I knew it would work. I also kind of have a crush on Jordan Peele and his performance in Big Mouth. Maya Rudolph also just makes everything amazing. Her puberty demon on Big Mouth is flawless. She did an ad for 7th generation tampons that my son, my husband and myself were singing around the house for weeks. If I could even get anything close to her career, I would be happy. I’m also back in love with Rick and Morty. I don’t know if I have a crush on Justin Roiland, I just really love Rick (maybe even more than Morty). I don’t have a crush on Jerry, the dad, but I have a crush on Chris Parnell because he’s so good at being Jerry.

Jenn: I LOVE ISSA RAE!

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IFC: If you could go back in time and cast yourselves in any sitcom, which would it be and how would it change?

Carolyn: I’d go back in time and cast us in The Partridge Family.  We’d make an excellent family band. We’d have a laugh, break into song and wear ruffled blouses with velvet jackets.  And of course travel to all our gigs on a Mondrian bus. I feel really confident about this choice.

Meredith: Electric Mayhem from The Muppet Show. It wouldn’t change, they were simply perfect, except… maybe a few more vaginas in the band.

Binge the entire first and second seasons of Baroness von Sketch Show now on IFC.com and the IFC app.

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