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Opening This Week: August 10th, 2007

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By Christopher Bonet

IFC News

[Photo: Louis Garrel and Romain Duris in “Dans Paris,” IFC Films, 2007]

A round-up of the best (or worst) $10 you’ll spend this week.

“2 Days in Paris”

Julie Delpy’s directorial follow-up to 2002’s “Looking for Jimmy” finds Delpy and Adam Goldberg playing a New York couple vacationing in Europe and trying to reignite the passion in their relationship. As non-English speaking French parents, flirtatious ex-boyfriends and constant insecurities test their relationship, the couple must find out if they are able to salvage what they have left. Kudos to Delpy for getting Goldberg to play her neurotic New York boyfriend — we couldn’t think of anyone better.

Opens in limited release (official site).

“Crossing the Line”

This British documentary, directed by Daniel Gordon, follows James Dresnok, a US Army defector currently living in North Korean after having defected to in 1962.

Opens in New York (official site).

“Cut Sleeve Boys”

Director Ray Yeung directs this import about an aging British Chinese gay man who undergoes a midlife crisis and decides to begin life as a drag queen.

Opens in Los Angeles (official site).

“Daddy Day Camp”

We think it’s safe to say that Cuba Gooding Jr. can’t sink any lower. In this unnecessary sequel to the 2003 comedy “Daddy Day Care,” the former Oscar winner takes over for Eddie Murphy as a father who expands his day care business into a camp for kids. And why exactly is Kevin Arnold from “The Wonder Years” directing this?

Opens wide (official site).

“Dans Paris”

While director Christophe Honoré’s 2004 “Ma Mère” may have received a less-than-favorable reception from critics, reviews for his latest film claim the director presents an honest and well-studied take on depression. “The Beat That My Heart Skipped”‘s Romain Duris stars as a depressed man devastated by the erosion of his relationship who must move in with his divorced father and younger brother in order to overcome the pain. The film premiered at last year’s Cannes Film Festival.

Opens in New York (official site).


Rosario Dawson plays a promising college student whose life devolves after she’s raped by a fellow classmate. Director Talia Lugacy makes her feature film debut.

Opens in limited release (official site).

“Rocket Science”

The film’s trailer reminds us a bit of Wes Anderson’s “Rushmore,” though Reece Thompson’s Hal Hefner seems a lot less confident than Max Fischer as a high school student with a stuttering problem who joins his school debate team to try to win the heart of the girl of his dreams. The film is the first narrative feature from Oscar-nominated director Jeffrey Blitz, who previously directed the documentary “Spellbound.”

Opens in New York and Los Angeles (official site).

“Rush Hour 3”

Yeah, we’re just as put off as you are by the thought of sitting through a third “Rush Hour” movie, yet alone another Brett Ratner film. This time, fast-talking detective (and $20 million dollar man) Chris Tucker must once again team up with Hong Kong cop Jackie Chan to face off against Chinese gangsters in Paris. Roman Polanski makes a cameo as a French policeman.

Opens wide (official site).


Pushed back from earlier this summer, this supernatural thriller finds a 13-year-old boy targeted by two werewolf packs caught amidst a brutal civil war — the only one able to protect him is the boy’s mother. “Jason X” director (and David Cronenberg enthusiast) James Isaac directs.

Opens wide (official site).


Cult graphic novelist Neil Gaiman’s previous cinematic adaptations been less than successful (2005’s snoozer “Mirrormask,” anyone?). While we’re willing to give his latest a shot, we have no idea what the hell the movie is about: something with a young man living in a countryside town making a promise to his beloved that he’ll retrieve a fallen star by venturing into the magical realm on the outskirts of town. The film has an all-star cast, with Robert De Niro, Peter O’Toole, Ricky Gervais, Claire Danes and an evil Michelle Pfeiffer. “Layer Cake” director Matthew Vaughn opted out of the third “X-Men” film so that he could film “Stardust,” so that’s something.

Opens wide (official site).

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A-O Rewind

Celebrating Portlandia One Sketch at a Time

The final season of Portlandia approaches.

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Most people measure time in minutes, hours, days, years…At IFC, we measure it in sketches. And nothing takes us way (waaaaaay) back like Portlandia sketches. Yes, there’s a Portlandia milepost from every season that changed the way we think, behave, and pickle things. In honor of Portlandia’s 8th and final season, Subaru presents a few of our favorites.


Put A Bird On It

Portlandia enters the pop-culture lexicon and inspires us to put birds on literally everything.

Colin the Chicken

Who’s your chicken, really? Behold the emerging locavore trend captured perfectly to the nth degree.

Dream Of The ’90s

This treatise on Portland made it clear that “the dream” was alive and well.

No You Go

We Americans spend most of our lives in cars. Fortunately, there’s a Portlandia sketch for every automotive situation.

A-O River!

We learned all our outdoor survival skills from Kath and Dave.

One More Episode

The true birth of binge watching, pre-Netflix. And what you’ll do once Season 8 premieres.

Catch up on Portlandia’s best moments before the 8th season premieres January 18th on IFC.

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WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

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Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…


IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.


IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).


IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.


IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

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Reality? Check.

Baroness For Life

Baroness von Sketch Show is available for immediate consumption.

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Baroness von Sketch Show is snowballing as people have taken note of its subtle and not-so-subtle skewering of everyday life. The New York Times, W Magazine, and Vogue have heaped on the praise, but IFC had a few more probing questions…

IFC: To varying degrees, your sketches are simply scripted examples of things that actually happen. What makes real life so messed up?

Aurora: Hubris, Ego and Selfish Desires and lack of empathy.

Carolyn: That we’re trapped together in the 3rd Dimension.

Jenn: 1. Other people 2. Other people’s problems 3. Probably something I did.

IFC: A lot of people I know have watched this show and realized, “Dear god, that’s me.” or “Dear god, that’s true.” Why do people have their blinders on?

Aurora: Because most people when you’re in the middle of a situation, you don’t have the perspective to step back and see yourself because you’re caught up in the moment. That’s the job of comedians is to step back and have a self-awareness about these things, not only saying “You’re doing this,” but also, “You’re not the only one doing this.” It’s a delicate balance of making people feel uncomfortable and comforting them at the same time.


IFC: Unlike a lot of popular sketch comedy, your sketches often focus more on group dynamics vs iconic individual characters. Why do you think that is and why is it important?

Meredith: We consider the show to be more based around human dynamics, not so much characters. If anything we’re more attracted to the energy created by people interacting.

Jenn: So much of life is spent trying to work it out with other people, whether it’s at work, at home, trying to commute to work, or even on Facebook it’s pretty hard to escape the group.

IFC: Are there any comedians out there that you feel are just nailing it?

Aurora: I love Key and Peele. I know that their show is done and I’m in denial about it, but they are amazing because there were many times that I would imagine that Keegan Michael Key was in the scene while writing. If I could picture him saying it, I knew it would work. I also kind of have a crush on Jordan Peele and his performance in Big Mouth. Maya Rudolph also just makes everything amazing. Her puberty demon on Big Mouth is flawless. She did an ad for 7th generation tampons that my son, my husband and myself were singing around the house for weeks. If I could even get anything close to her career, I would be happy. I’m also back in love with Rick and Morty. I don’t know if I have a crush on Justin Roiland, I just really love Rick (maybe even more than Morty). I don’t have a crush on Jerry, the dad, but I have a crush on Chris Parnell because he’s so good at being Jerry.



IFC: If you could go back in time and cast yourselves in any sitcom, which would it be and how would it change?

Carolyn: I’d go back in time and cast us in The Partridge Family.  We’d make an excellent family band. We’d have a laugh, break into song and wear ruffled blouses with velvet jackets.  And of course travel to all our gigs on a Mondrian bus. I feel really confident about this choice.

Meredith: Electric Mayhem from The Muppet Show. It wouldn’t change, they were simply perfect, except… maybe a few more vaginas in the band.

Binge the entire first and second seasons of Baroness von Sketch Show now on and the IFC app.

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