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DID YOU READ

Someone should be making martinis.

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"New York was his town, and it always would be..."
It’s one of our great cinematic shames that we seem congenitally unable to enjoy, or sometimes even sit through, the films of Woody Allen — yes, not even "Manhattan," a shiny new print of which opens at Film Forum tomorrow for a week-long run. The prickly, rationalizing Californian in us finds the film a concentrated dose of so many of the things we’ve disliked about New York, even as we years ago packed up and moved here to benefit from closer proximity to those very things. But J. Hoberman‘s article on the film in the Village Voice , in which he argues that "Manhattan" is Allen’s "dream of the movies," both makes us feel better about this stance and ready to try to watch it again:

What’s most authentic about Manhattan is its fantasy. The New York City that Woody so tediously defended in Annie Hall was in crisis. And so he imagined an improved version. More than that, he cast this shining city in the form of those movies that he might have seen as a child in Coney Island—freeing the visions that he sensed to be locked up in the silver screen. In a way, Manhattan is Allen’s personal Purple Rose of Cairo—the movie in which he successfully projects himself into Hollywood make-believe. It’s his version of an Astaire and Rogers musical, as romantic as Casablanca, as slickly metropolitan as Sweet Smell of Success. It’s also as haunting a celebration of the transitory as a Lumiére actualité.

In New York, Bilge Ebiri has his own thoughts on the film:

I’ve always believed that it was Woody’s response to 2001: A Space Odyssey:
The scene in the planetarium, and the scene framing Woody next to a
skeleton suggest that it’s a very human and ground-level reply to those
who would seek to find the meaning of life from Olympian heights (or
expensive sci-fi epics). Even the celebrated shots of Manhattan
emerging to "Rhapsody in Blue" evoke the Monolith emerging to "Thus
Spake Zarathustra."

Both Stephen Garrett at Time Out New York and S.T. VanAirsdale at The Reeler catch up with the film’s cinematographer, the great Gordon Willis, if only on email. From Garrett’s interview:

In The Paper Chase and All the President’s Men, you make atmospheric use of Boston and Washington, respectively. How do other cities compare to New York?

Boston is very fife-and-drum: small, conservative, lots of students and lawyers—a little more starch in their underwear. Not always a knockout visually. Washington is monolithic. It’s not a place I much like looking at. I get the sense there’s no one really living there. New York has great soul. The light in the city is wonderful: canyon upon canyon, changing all day long. And the relativity of the graphics: So much buried in and around buildings, stuffed between two rivers. I love all of that.

Meanwhile, Allen claims his new, yet-untitled film about Barcelona will present the city "the same way I presented Manhattan to the world through my eyes." [Via the AP.]

+ Defending Manhattan (Village Voice)
+ AFI 100 List Takes ‘Manhattan.’ And Shoves It. (New York)
+ Take five with Gordon Willis (Time Out New York)
+ Letters From Gordon (The Reeler)
+ Woody Allen to begin work on new movie (AP)

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Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

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Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

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The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

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They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

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Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

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Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.