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What’s Up In March

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By Christopher Bonet

IFC News

[Photo: “Rear Window,” Paramount Picture, 1954 — screening as part of the Fashion in Film Festival]

Miami International Film Festival

Mar. 2-11

For early spring breakers hitting South Florida, the Miami International Film Festival might be a great time to check out Paul Verhoeven’s latest film, “Black Book,” or perhaps the Luc Bresson tribute. Regardless of what film is playing, the frostbitten IFC News team is jealous.

Pimps, Prostitutes and Pigs: Shohei Imamura’s Japan

Mar. 2-29

2006 saw the loss of one of Japan’s premier New Wave directors, as Shohei Imamura passed away at the age of 79. Often seen as the “anti-Ozu,” Imamura rejected the middle-classicism of the celebrated 1950s Japanese filmmakers and instead focused on the portrayals of the downbeat and downtrodden of Japan’s lower classes. Films to be screened in this series include “Vengeance is Mine,” “Warm Water Under a Red Bridge” and “The Pornographers.”

“Infernal Affairs”: The Complete Trilogy

Mar. 9

Check out the original Hong Kong police thriller recently re-made by Martin Scorsese into 2006’s Best Picture Oscar winner, “The Departed,” at the AFI Silver Theatre and Cultural Center in D.C. Also included in the screening of the original “Infernal Affairs” are the two sequels that followed, which each explore what happened before and after the events of the first film.

A Panel on “Ferris Bueller’s Day Off”

Mar. 15

As Matthew Broderick continues his career as one of the strongest stage actors in New York, we still think of his fondly as our favorite 80s teenager, Ferris Bueller. From a pre-nose job Jennifer Grey to an ever-quotable Ben Stein, John Hughes’ “Ferris Bueller” remains as one of the smartest-written films in a decade most of us would rather forget. To celebrate the release of “Don’t You Forget About Me: Contemporary Writers on the Films of John Hughes,” a new collection of essays based on the works of John Hughes, the IFC Center will feature a panel discussion with the writers (of which there are many). Anyone? Anyone? Bueller? Bueller?

Fashion in Film Festival

Mar. 17-25

The Museum of Moving Image in Queens presents this interesting collection of feature films, documentaries, video art, experimental films and newsreels that investigate how the art of fashion is presented through film. Films to be screened include Alfred Hitchcock’s Anita Colby-inspired “Rear Window,” the Howard Hawks silent satire “Fig Leaves” and a collection of newsreel and doc footage curated by fashion expert Marketa Uhlirova.

“Network,” with special guest Sidney Lumet

Mar. 19

Legendary director Sidney Lumet (“The Wiz”!) will be on hand for this screening of his Oscar-nominated 1976 television satire “Network” at the Academy Theater in Beverly Hills.

“Live Free or Die” with Andy Robin

Mar. 22

Stamford, CT native and former “Seinfeld” writer Andy Robin directs his first independent feature, “Live Free or Die,” about a ragtag group of criminals attempting to stage a heist in the Granite State. Robin will be on hand at the Avon Theatre in Stamford for a Q & A session after the film.

Lost & Found: “The Curse of Quon Gwon” and “Her Wild Oat”

Mar. 29

“The Curse of Quon Gwon,” long thoughts of as a lost example of early Asian-American cinema, and “Her Wild Oat,” an early Colleen Moore flapper comedy of the silent era, receive restoration treatments from the Academy and will screen at the Linwood Dunn Theater in Hollywood. Michael Mortilla will provide a live piano accompaniment at the screenings — swank!

The 9th Annual Method Fest Independent Film Festival

Mar. 29 – Apr 5

The only film festival solely dedicated to the art of acting, the Method Film Festival hits Calabassas, CA, for a week, showcasing independent features and shorts of actors embracing their inner Stanislavsky. Somewhere, Ryan Gosling is stoked.



Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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GIFs via Giphy

Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”


IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?

Betsy: I wasn’t sure I knew what it was, I just knew I loved it!

Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.

Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 


IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.


New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…


IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.


IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.


The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”


Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).



Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.


And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.