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Opening This Week: April 6th, 2007

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By Christopher Bonet

IFC News

[Photo: Richard Gere in “The Hoax,” Miramax Films, 2007]

A round-up of the best (or worst) $10 you’ll spend this week.

“Are We Done Yet”?

The follow-up to Ice Cube’s 2005 family comedy “Are We There Yet?” finds our second-favorite former N.W.A. member married and living in suburbia with the same two kids who bothered him in the first film. After moving into a new house, Cube must battle with an eccentric contractor (the irascible John C. McGinley, most well-known for his role as Dr. Cox in “Scrubs”). What began as a remake of Cary Grant comedy “Mr. Blandings Builds His Dream House” unfortunately turned into yet another bland family comedy sequel, but really, we weren’t expecting much to begin with.

Opens wide (official site).

“Black Book”

Paul Verhoeven’s American filmmaking career wasn’t all that bad (who can forget the three-boobed alien from “Total Recall” and Peter Weller’s death scene in the beginning of “RoboCop”?), but he’s suffered after “Showgirls.” We’re excited to see Verhoeven return to his homeland for his latest picture, a WWII-based drama about a Jewish singer’s fight for survival. “Black Book” has won critical acclaim for the Dutch filmmaker and even served as the Dutch entry for this past year’s Academy Awards — not bad for a former Razzie winner.

Opens in New York and Los Angeles (official site).

“Firehouse Dog”

Spuds McKenzie + firehouse + kids = this. Maybe something good will come out of “this,” as the premise was quirky enough for “Wonderfalls” co-creator and TV veteran Todd Holland, but really, we miss nagging toy animals.

Opens wide (official site).


What’s there to say about this Quentin Tarantino-Robert Rodriguez mash-up that hasn’t already been said? All we can add is that we’re excited as hell for this double billing of two of the most influential filmmakers of the 21st century. Though Rodriguez and Tarantino shot to fame in the mid 90s as directors of “cool” cinema (the Mariachi trilogy and “Pulp Fiction,” most notably), this collaboration cites the B-movies of the exploitation yesteryears. Plus, Rose McGowan has a machine gun for a leg — how cool is that?

Opens wide (official site).

“The Hoax”

We didn’t expect to get excited about a film directed by Lasse Hallstrom (ho-hum) and starring Richard Gere, but when that film tells the story of fraudulent author Clifford Irving, what’s not to get excited about? Gere reportedly does some of his best acting in years in this film festival favorite about an author whose “official” biography of reclusive millionaire Howard Hughes turns out to be bogus, leading to one of the biggest media frenzies in history. Marcia Gay Harden and Alfred Molina co-star as Irving’s wife and collaborator, respectively.

Opens in limited release (official site).

“The Reaping”

We’re trying to ignore the irony of the fact that production of this film was interrupted by Hurricane Katrina. This religious-themed thriller from genre director Stephen Hopkins finds a former Christian missionary inspecting a town suffering from supernatural occurrences similar to the Biblical plagues. Hilary Swank’s genre pictures generally seem to strike out, and, considering the way this one sounds like a bad M. Night Shyamalan pitch, we’re not expecting much.

Opens wide (official site).

“The TV Set”

Director Jake Kasdan may be more well-known for his filmmaking family (father Lawrence wrote the fifth and sixth “Star Wars” films) than his own career (the quirky “Zero Effect” and studio comedy dud “Orange County”), but his latest film offers some promise as it tracks an idealistic writer trying to navigate his TV pilot through the madness of the television industry. We love the idea of Sigourney Weaver as a headstrong network president.

Opens in New York and Los Angeles (official site).

“Whole New Thing”

“The Fishing Trip” director Annon Buchbinder’s latest film has been making the festival rounds since its premiere at Toronto in 2005, garnering a series of awards, including a win at the Commonwealth Film Festival and a Genie Award nomination (Canadian Oscars, eh). The film tells the story of a former home schooled middle school student who develops a crush on his gay English teacher when he’s enrolled at his local high school.

Opens in New York (official site).

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A-O Rewind

Celebrating Portlandia One Sketch at a Time

The final season of Portlandia approaches.

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Most people measure time in minutes, hours, days, years…At IFC, we measure it in sketches. And nothing takes us way (waaaaaay) back like Portlandia sketches. Yes, there’s a Portlandia milepost from every season that changed the way we think, behave, and pickle things. In honor of Portlandia’s 8th and final season, Subaru presents a few of our favorites.


Put A Bird On It

Portlandia enters the pop-culture lexicon and inspires us to put birds on literally everything.

Colin the Chicken

Who’s your chicken, really? Behold the emerging locavore trend captured perfectly to the nth degree.

Dream Of The ’90s

This treatise on Portland made it clear that “the dream” was alive and well.

No You Go

We Americans spend most of our lives in cars. Fortunately, there’s a Portlandia sketch for every automotive situation.

A-O River!

We learned all our outdoor survival skills from Kath and Dave.

One More Episode

The true birth of binge watching, pre-Netflix. And what you’ll do once Season 8 premieres.

Catch up on Portlandia’s best moments before the 8th season premieres January 18th on IFC.

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WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

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Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…


IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.


IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).


IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.


IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

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Reality? Check.

Baroness For Life

Baroness von Sketch Show is available for immediate consumption.

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Baroness von Sketch Show is snowballing as people have taken note of its subtle and not-so-subtle skewering of everyday life. The New York Times, W Magazine, and Vogue have heaped on the praise, but IFC had a few more probing questions…

IFC: To varying degrees, your sketches are simply scripted examples of things that actually happen. What makes real life so messed up?

Aurora: Hubris, Ego and Selfish Desires and lack of empathy.

Carolyn: That we’re trapped together in the 3rd Dimension.

Jenn: 1. Other people 2. Other people’s problems 3. Probably something I did.

IFC: A lot of people I know have watched this show and realized, “Dear god, that’s me.” or “Dear god, that’s true.” Why do people have their blinders on?

Aurora: Because most people when you’re in the middle of a situation, you don’t have the perspective to step back and see yourself because you’re caught up in the moment. That’s the job of comedians is to step back and have a self-awareness about these things, not only saying “You’re doing this,” but also, “You’re not the only one doing this.” It’s a delicate balance of making people feel uncomfortable and comforting them at the same time.


IFC: Unlike a lot of popular sketch comedy, your sketches often focus more on group dynamics vs iconic individual characters. Why do you think that is and why is it important?

Meredith: We consider the show to be more based around human dynamics, not so much characters. If anything we’re more attracted to the energy created by people interacting.

Jenn: So much of life is spent trying to work it out with other people, whether it’s at work, at home, trying to commute to work, or even on Facebook it’s pretty hard to escape the group.

IFC: Are there any comedians out there that you feel are just nailing it?

Aurora: I love Key and Peele. I know that their show is done and I’m in denial about it, but they are amazing because there were many times that I would imagine that Keegan Michael Key was in the scene while writing. If I could picture him saying it, I knew it would work. I also kind of have a crush on Jordan Peele and his performance in Big Mouth. Maya Rudolph also just makes everything amazing. Her puberty demon on Big Mouth is flawless. She did an ad for 7th generation tampons that my son, my husband and myself were singing around the house for weeks. If I could even get anything close to her career, I would be happy. I’m also back in love with Rick and Morty. I don’t know if I have a crush on Justin Roiland, I just really love Rick (maybe even more than Morty). I don’t have a crush on Jerry, the dad, but I have a crush on Chris Parnell because he’s so good at being Jerry.



IFC: If you could go back in time and cast yourselves in any sitcom, which would it be and how would it change?

Carolyn: I’d go back in time and cast us in The Partridge Family.  We’d make an excellent family band. We’d have a laugh, break into song and wear ruffled blouses with velvet jackets.  And of course travel to all our gigs on a Mondrian bus. I feel really confident about this choice.

Meredith: Electric Mayhem from The Muppet Show. It wouldn’t change, they were simply perfect, except… maybe a few more vaginas in the band.

Binge the entire first and second seasons of Baroness von Sketch Show now on and the IFC app.

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