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In the works: Skinheads, Welles, “The Road.”

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"I'm wearin ‘em for a bet. What's your excuse? "
Trailer: A trailer for "This is England," the latest from the always promising Shane Meadows (of "Dead Mans Shoes"), here. The film, which is based on Meadows’ experiences as a child, follows a 12-year-old boy who’s taken in by a friendly group of local skinheads in 80s England. This looks to be the UK trailer; IFC First Take picked up the film for a US release in July.

Acquired: Orson Welles‘s final film, the unfinished "The Other Side of the Wind," is reportedly about to be acquired (and completed) by a "well-known cable network," according to Peter Bogdanovich, talking to the New York Sun‘s Howard Swains in an inconclusive but tantalizing piece. Welles was unable to complete the film due to legal problems stemming from one of this investors, Mehdi Bousheri, the brother-in-law of the former Shah of Iran — he was denied access to the film’s original negatives, but claimed the film was nearly complete, save for the editing.

"Orson said to me, ‘If anything happens to me, you will make sure you finish it, won’t you?’" Mr. Bogdanovich recalled. "It was, of course, a compliment and also a terrible moment. He pressed me to give some assurance, and it’s been hanging over us for 22 years now."

And, while it doesn’t quite count as an acquisition, Wallace & Gromit creators Aardman Features, dumped by Dreamworks not so long ago, have signed a three-year deal with Sony Pictures. Burrowing bounders! [Guardian]

In the works: John Hillcoat will direct an adaptation of Cormac McCarthy‘s recent post-apocalyptic novel "The Road," which is splendid, given the way McCarthy’s work clearly informed Hillcoat’s last film, the bleak Australian Western "The Proposition." Joe Penhall will write the script; Oprah’s just added the novel to her damn book club. [Variety]

Neil Jordan (♥!) will rewrite and direct "Heart-Shaped Box," an adaptation of Joe Hill’s horror novel about, er, a rock star who buys a haunted suit on eBay. Hill is the son of Stephen King; Jordan’s moving from fantasy-horror to straight-up horror and we must say, we’re looking forward to it. [Hollywood Reporter]

Gabriele Salvatores will direct an adaptation of Niccolò Ammaniti‘s "Come Dio Comanda" (As God Commands), the second pairing of the director and author — Salvatores’ 2004 kidnap drama  "I’m Not Scared"
was also an adaptation of one of Ammaniti’s books. "As God Commands"
will focus on an 11-year old living in a dystopic Italian suburb with
his neo-nazi dad. [Variety]

Sydney Pollack will direct "Recount," a narrative film about the 2000 presidential election and the Florida recount, for HBO Films. The film will premiere on the network (no theaters) next spring. [Variety] Richard Glatzer and Wash Westmoreland, the directorial pair behind last year’s strangely adored "Quinceañera,"  have also made a deal with HBO Films — they’ll write and direct "Sensational," "a drama that chronicles a scandalous affair Errol Flynn had with a 15-year-old girl." Also, "Quinceañera" is turning into a series for the ABC Family Channel — yay. [Variety]

James "Hey, Zeus!" Caviezel is in negotiations to star in "Only in New York," an indie crime thriller from single-monikered French wonder Pitof, of, yes, "Catwoman." [Hollywood Reporter]

And, for you 80s babies out there: A remake of sleepover standard "Adventures in Babysitting" is in the works. "Further Adventures in Babysitting" (though if this is indeed a remake, we’d presume these are actually the self-same recycled adventures) will star tweener favorites Raven Symone and Miley Cyrus. [Variety]

+ Trailer: "This is England" (
+ Deal Near on a Lost Welles (NY Sun)
+ Wallace & Gromit creators join Sony (Guardian)
+ Penhall paves ‘Road’ (Variety)
+ Jordan will build ‘Box’ for Warners (Hollywood Reporter)
+ Salvatores takes ‘Commands’ (Variety)
+ Pollack to direct ‘Recount’ (Variety)
+ Directing duo are ‘Sensational’ (Variety)
+ Caviezel: ‘N.Y.’ state of mind (Hollywood Reporter)
+ Paulsen to write ‘Babysitting’ (Variety)



Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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GIFs via Giphy

Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”


IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?

Betsy: I wasn’t sure I knew what it was, I just knew I loved it!

Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.

Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 


IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.


New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…


IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.


IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.


The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”


Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).



Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.


And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.