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In the works: Shues, Hulks, Harvey Milks.

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Make like a Kennedy.
Trailers: Here, a trailer for Emmanuel Bourdieu‘s "Poison Friends," about a French grad student… of evil!

Here’s is a trailer for "Gracie," an inspirational girl-plays-soccer-on-the-boys-team movie from Davis Guggenheim, whose last film was some doc about global warming. This one features two Shues — Elizabeth (who’s married to Guggenheim) and the long-lost Andrew (who slunk out of showbiz to play pro soccer after "Melrose Place."

And here‘s a trailer for Tribeca 2007 selection "Heckler," a Jamie Kennedy-produced doc about, yes, hecklers. We must say, "Why don’t you make like a Kennedy and die young?" is pretty good, especially for a Canadian.

Acquired: Strand Releasing has picked up André Téchiné‘s "The Witnesses" for a fall release. Strand also distributed Téchiné’s last film, Catherine Deneuve/Gérard Depardieu vehicle "Changing Times." [indieWIRE]

In the works: Ed Norton is The Incredible Hulk. Yes, it’s true, even E! Online says so. Rather eloquently, in fact:

Per Marvel, the movie will concern the Hulk being chased on account of he’s the Hulk, and he scares people, and Bruce Banner trying to figure out how not to be the Hulk anymore, so he doesn’t get chased or scare people. We paraphrase.

It was not known who or what will play the Hulk. In Lee’s version, a CGI blob handled the part. [E! Online]

"Hey, you created me. I didn’t create some loser alter-ego to make myself feel better. Take some responsibility!" says Tyler Durden.

David Mamet has written and will direct "Redbelt," "an American samurai film set in an underworld inhabited by bouncers, cage-fighters, cops and special forces operatives," for Sony Pictures Classics for a summer 2008 release. Chiwetel Ejiofor has already been cast to star; we’re waiting on the inevitable Rebecca Pidgeon news. [Variety]

Tom Tykwer, of "Run Lola Run" and, more recently and less gloriously, "Perfume: The Story of a Murderer," will direct Clive Owen in "The International,"  a thriller about an obsessive Interpol agent investigating a powerful, corrupt banking institution. [Hollywood Reporter]

John Malkovich, "Lost"‘s Evangeline Lilly and Romain Duris will star in "Afterwards," the new film from French director Gilles Bourdos: "In the feature, Duris will portray a workaholic lawyer drifting away from his ex-wife (Lilly) and daughter, who meets a mysterious doctor (Malkovich) who claims to have the power to predict people’s deaths." Hotness: Taiwanese cinematographer Mark Lee Ping-bin, of "Three Times," "In the Mood for Love" and others, is also on board. [Hollywood Reporter]

Dueling gay directorial icons! Bryan Singer and Gus Van Sant are both apparently trying to make films about Harvey Milk, San Francisco supervisor, first openly gay elected official in the U.S., assassinated in 1978, alongside Mayor George Moscone. Singer’s attached to Warner Independent’s "The Mayor of Castro Street," while Van Sant has attached himself to an untitled script on the subject by Dustin Lance Black, a writer on "Big Love." [Variety] "The Times of Harvey Milk," a documentary on the man, won the Academy Award in 1985. [Variety]

Eric Red, the writer behind the 1986 version of "The Hitcher," will write and direct "100 Feet," a thriller starring Famke Janssen as a woman who murders her abusive husband (Bobby Cannavale) and then is haunted by his presumably still abusive ghost. [Variety]

And one to grow on: Lawrence Kasdan, screenwriter on "Raiders of the Lost Ark," "The Empire Strikes Back" and others, is working on a remake of "Clash of the Titans." No word on whether the Kracken will available following its engagement in parts 2 and 3 of "Pirates of the Carribean." [Hollywood Reporter]

+ Trailer: "Poison Friends" (Yahoo Movies)
+ Trailer: "Gracie" (Yahoo Movies)
+ Trailer: Heckler (
+ Strand Eyes Techine’s "The Witnesses" for U.S. (indieWIRE)
+ Hulk Like Ed (E! Online)
+ Sony, Mamet put on ‘Redbelt’ (Variety)
+ Columbia’s ‘International’ intrigues Owen (Hollywood Reporter)
+ Malkovich, Lilly, Duris prep for ‘Afterwards’ (Hollywood Reporter)
+ Dueling directors Milk a good story (Variety)
+ Red to direct, write ‘100 Feet’ (Variety)
+ Kasdan’s mighty pen on ‘Titans’ (Hollywood Reporter)



Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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GIFs via Giphy

Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”


IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?

Betsy: I wasn’t sure I knew what it was, I just knew I loved it!

Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.

Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 


IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.


New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…


IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.


IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.


The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”


Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).



Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.


And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.