DID YOU READ

Odds: Tuesday – Amerika.

Posted by on

"Nobody is going to hit as hard as life."
Watching "Hannibal Rising," Slate‘s Dana Stevens finds herself experiencing an unexpected emotion for a half-assed would-be blockbuster: shame at being an American.

First of all: As a folk archetype, a supervillain for our times, this is the best we can come up with? A vaguely Eurotrash schoolboy who eats people’s cheeks? And secondly, where do we get off using the trauma of the Second World War as an excuse for Hannibal’s (that is, our) insatiable appetite for murder? If pop-culture fantasies really do serve as a psychological X-ray of our collective fears and desires, this is one sorry-ass session on the couch.

Mmm…cheeks. Also meditating on national identity is "Shaun of the Dead"/"Hot Fuzz" star Simon Pegg, who, at the Guardian, dwells on the differences between British and American senses of humor and whether or not Americans understand or appreciate irony.

When Americans use irony, they will often immediately qualify it as being so, with a jovial "just kidding", even if the statement is outrageous and plainly ironic. For instance…

A: "If you don’t come out tonight, I’m going to have you shot… just kidding."

Of course, being America, this might be true, because they do all own guns and use them on a regular basis (just kidding). Americans can fully appreciate irony. They just don’t feel entirely comfortable using it on each other, in case it causes damage. A bit like how we feel about guns.

According to BBC, the Serbian village of Zitiste, 33 miles north of Belgrade, will construct a Rocky statue to ward off decades of bad luck.

The idea came from Bojan Marceta, a village resident, when he saw the latest Rocky film "Rocky Balboa".

"I felt as if Rocky has come from our village, he had to fight to win his place in society," he told B92 radio.

John Koopman at the San Francisco Chronicle reports that the Maltese Falcon has been stolen.

John Konstin, the owner of San Francisco’s John’s Grill on Ellis Street, said someone broke into a locked cabinet on the second floor of his establishment and took a signed reproduction of the Maltese Falcon — one used for publicity stills for the movie — along with several vintage and signed books by and about Maltese Falcon author Dashiell Hammett.

In The Australian, Michael Bodey defends Baz Luhrmann‘s "Romeo + Juliet" as "one of the few Shakespeare films to transcend cinema’s otherwise stodgy adaptations of the greatest playwright’s work."

At the New York Times, John Freeman Gill outlines the "Law & Order"ing of the death of Adrienne Shelley.

And at the New York Review of Books, Daniel Mendelsohn analyzes Pedro Almodóvar and his women. On "Volver":

It wasn’t until I myself returned and saw the film a second time—and stayed long enough to confirm the identity of the film clip you see at the very end—that the merits of this subtle new film started to affect me, and I began to see what a great change in ideas it represents. For if Bellissima is about a mother whose fantasies of glamour adversely affect her family’s ability to live real life (the Anna Magnani character uses up their small funds for grooming little Maria), what’s interesting and, finally, moving about Volver —what suggests that it’s the logical (if not quite as extraordinary) next step from the masterful All About My Mother—is that in Almodóvar’s new film, motherhood trumps Art.

+ Eurotrash Schoolboy (Slate)
+ What are you laughing at? (Guardian)
+ Serbian village venerates Rocky (BBC)
+ Maltese Falcon swiped from SF restaurant (SF Chronicle)
+ Baz as a Bard man
(The Australian)
+ Murder, They Wrote (NY Times)
+ The Women of Pedro Almodóvar (NY Review of Books)

Neurotica_105_MPX-1920×1080

New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

Posted by on

Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

IFC_CC_Neurotica_Series_Image4

IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.

Neurotica_series_image_1

IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

Posted by on
Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

via GIPHY

Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

via GIPHY

via GIPHY

Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

via GIPHY

And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.

PL_409_MPX-1920×1080

Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

Posted by on
GIFs via Giffy

In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

via GIPHY

Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

via GIPHY

Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!

via GIPHY

Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.

via GIPHY

Self Defense

You can’t throw a download like a ninja star. Think about it.

via GIPHY

If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.