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DID YOU READ

Vintage Altman.

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It don't worry me.
Of all the vintage Altman coverage being reprinted, it’s the New Yorker‘s Pauline Kael "Nashville" review that we love best. Printed months before the film hit theaters and based on a rough cut, it’s both unwise (and earned her plenty of derision) and helplessly euphoric: "I’ve never before seen a movie I loved in quite this way: I sat there smiling at the screen, in complete happiness. It’s a pure emotional high, and you don’t come down when the picture is over; you take it with you."

At the Village Voice, what Andrew Sarris and Molly Haskell wrote (or at least dialogued about) on the film:

Andrew: I like the very beginning and I like the very end, but I find a lot in the middle very ordinary. People have been telling me for weeks that the movie is very "novelistic," and I think I know what they mean. It’s all these characters lurking in the background of one shot and then suddenly lurching into the foreground of the next shot. But for me "novelistic" is not just network, but nuance too. Altman has given star billing to 24 performers, but he’s cheating on at least half a dozen of them. Bert Remsen as Star, for example, is one of the Altman regulars, but all he does here is chase half-heartedly after Barbara Harris. Or Jeff Goldblum as the Tricycle Man. He’s more a visual figure of style then a character. And when you think about the link-up to Easy Rider and the Kennedys and the fact Nashville turns out to be part musical and part murder mystery, then a great many figures in the background turn out to be suspects in some impending violence. But I’m not knocking the movie itself, just some of its advance critiques. I hate to go out on a limb after only one viewing, but Nashville strikes me as Altman’s best film, and the most exciting dramatic musical since Blue Angel. And, like you said, it’s the music that puts it over.

Molly: I think that the power and the theme of the film lie in the fact that while some characters are more "major" than others, they are all subordinated to the music itself. It’s like a river, running through the film, running through their life. They contribute to it, are united for a time, lose out, die out, but the music, as the last scene suggests, continues. It diminishes them, as death itself diminishes us, and ennobles them. And it’s the people who live and breathe country music who are finally less ridiculous, less hollow, than the "sophisticates" who condescend to them: Michael Murphy‘s advance man and Geraldine Chaplin as the bleeding heart BBC reporter.

At Esquire, a more recent reprint — Scott Raab extracted a "What I’ve Learned" list from Altman in 2004:

Mr. and Mrs. Smith get married, they have problems, they get back together, and they live happily ever after. End of the movie. Two weeks later, he kills her, grinds her body up, feeds it to his girlfriend, who dies of ptomaine poisoning, and her husband is prosecuted and sent to the electric chair for it—but here’s our little story with a happy ending. What is an ending? There’s no such thing. Death is the only ending.

+ Coming: “Nashville” (New Yorker)
+ A Critics’ Duet on Nashville
(Village Voice)
+ Robert Altman: Director, 78, New York City (Esquire)

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Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

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GIFs via Giphy, Photos via The Everett Collection

It’s the final countdown to Christmas and thanks to IFC’s movie marathon all Christmas Eve and Christmas Day, you can revel in classic ’80s films AND find inspiration for your last-minute gifts. Here are our recommendations, if you need a head start:

Musical Instrument

Great analog entertainment substitute when you refuse to give your kid the Nintendo Switch they’ve been drooling over.

Breakfast In Bed

Any significant other or child would appreciate these Uncle Buck-approved flapjacks. Just make sure you’re not stuck on clean up duty.

Cocktail Supplies

You’ll need them to get through the holidays.

Dance Lessons

So you can learn to shake-shake-shake (unless you know ghosts willing to lend a hand).

Comfy Clothes

With all the holiday meals, there may be some…embigenning.



Get even more great inspiration all Christmas Eve and Day on IFC, and remember…

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A-O Rewind

Celebrating Portlandia One Sketch at a Time

The final season of Portlandia approaches.

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GIFs via Giphy

Most people measure time in minutes, hours, days, years…At IFC, we measure it in sketches. And nothing takes us way (waaaaaay) back like Portlandia sketches. Yes, there’s a Portlandia milepost from every season that changed the way we think, behave, and pickle things. In honor of Portlandia’s 8th and final season, Subaru presents a few of our favorites.

via GIPHY

Put A Bird On It

Portlandia enters the pop-culture lexicon and inspires us to put birds on literally everything.

Colin the Chicken

Who’s your chicken, really? Behold the emerging locavore trend captured perfectly to the nth degree.

Dream Of The ’90s

This treatise on Portland made it clear that “the dream” was alive and well.

No You Go

We Americans spend most of our lives in cars. Fortunately, there’s a Portlandia sketch for every automotive situation.

A-O River!

We learned all our outdoor survival skills from Kath and Dave.

One More Episode

The true birth of binge watching, pre-Netflix. And what you’ll do once Season 8 premieres.

Catch up on Portlandia’s best moments before the 8th season premieres January 18th on IFC.

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WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

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Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…

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IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.

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IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).

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IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.

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IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

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