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“Sleeping Dogs Lie.”

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"Stay."[Reposted in slightly altered form from here.]

Comedian Bobcat Goldthwait‘s second directorial effort "Sleeping Dogs
is sort of a social experiment — like, what if you tried to make a
fairly straightforward romantic comedy fueled by a truly over-the-top
premise? We’re talking more ridiculous than having to get your gay best
friend to pretend he’s your fiancé so that you can make your ex jealous
at his wedding. More ridiculous than pretending the guy you had a crush
on is your fiancé after he ends up in a coma. More ridiculous
than…well, romantic comedies are already fucked up, when you lay it
out like that.

Amy (Melinda Page Hamilton, last seen as the nun on "Desperate
) was in college when she impulsively got a little too
friendly with her pet dog. Years later, she’s engaged to John (Bryce
), an aspiring writer and seemingly nice guy who will insist on
their telling each other all their darkest secrets, now that they’re about to
get married. On a trip to introduce him to her eccentric parents, Amy
is persuaded to spill the one thing she might have good reason to be
reluctant to share — and it doesn’t go over so well, particularly once
her mom, dad and meth-addict brother are also informed.

Dirty talk aside, "Sleeping Dogs Lie" is startlingly forthright
— it really attempts to imagine how people would react at hearing that
their sweet, blonde, kindergarten-teaching daughter/girlfriend once
gave a canine hummer. Amy spends a good part of the film in tears over
the wreckage of her relationships. Wacky hijinks, there ain’t.

We can honestly say we had no idea where "Sleeping Dogs Lie" was
going — it does expand out into territory not covered by your average
festival flick, and in that it felt fresh. But it does
still feel like a festival flick, something that was probably a
pleasant, slight and slightly titillating surprise at Sundance, but that on
screen in theaters seems more than a little amateurish. The scenes are
timed awkwardly; the cinematography ranges from bluntly functional to
awful, and the acting leaves something to be desired. The film has an admirably frank attitude about sex and a socially pragmatic
heroine who knows when enough is enough, but it never escapes its own
novelty niche. It does manage, in a slightly off-key
instrumental rendition of Roy Orbison‘s "You Got It," one of the
funnier musical cues we can think of. More of that would have been nice.

Opens in limited release October 20th.

+ "Sleeping Dogs Lie" (Roadside Attractions)


Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.


Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:


The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.


They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!


Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.


Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.



Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”


IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?

Betsy: I wasn’t sure I knew what it was, I just knew I loved it!

Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.

Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 


IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.