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By Matt Singer

IFC News

[Photo: Universal Pictures, 2006]


Directed by James Gunn

The most shocking thing about “Slither” is not something onscreen, it’s how poorly it did at the box office. I hear complaints all the time — especially at this time of the year — from self-proclaimed horror fans bemoaning the lack of smart, scary movies outside the tired slasher formula. People, where were you when “Slither” opened last March and grossed just $7.8 million dollars? People, do you realize how difficult it is to gross that little in this day and age? “Larry the Cable Guy: Health Inspector” made more. “Just My Luck” made more (here half of you are probably going “What the hell was ‘Just My Luck?'”). Granted, “Slither” lacked big name stars or directors, and if it had come out in October, audiences may have been more amenable. But it didn’t lack in quality scares.

Nathan Fillion, the most underrated leading man in genre films at present, plays Bill Pardy, sheriff of a small town overrun by an alien menace equal parts zombie and The Blob. If you think there’s subtext behind a film that transforms middle America into an insatiably hungry, brainless horde of cattle, well then, good work, you’re paying attention.

“Slither” marks the promising directorial debut of James Gunn, who got his start at subterranean indie horror studio Troma Films, where he co-wrote “Tromeo & Juliet.” His first Hollywood work, writing the two live-action “Scooby-Doo”s, didn’t take advantage of his talents — for a glimpse of them, you’re better off looking in his published work, co-writing Lloyd Kaufman’s memoir “All I Need to Know About Filmmaking I Learned From the Toxic Avenger” and his own twisted novel “The Toy Collector.” Gunn helped make 2004’s “Dawn of the Dead” surprisingly not terrible, and he’s applied his clear love of the genre to “Slither”; clever homages to past horror greats are nearly as frequent as the spooky stuff. He’s funny too: Gunn understands that good horror comes from a place of social satire, and exploiting our human flaws for terror rather than humor. It’s worth noting as well that Gunn’s not a snob: he loves horror movies in all their cheesy, messy, bloody, occasionally semi-nude glory, and he isn’t ashamed about appealing to our baser instincts.

Though Universal would disagree, “Slither”‘s box office thud might be the best thing that could have happened to it. So many of Gunn’s idols found their audiences and developed their cults on home video. This week he gets his chance to do the same. The DVD includes commentary by Gunn and Fillion, plus deleted and extended scenes, a gag reel, and several featurettes on the production.

“Slither” is available on DVD October 24th.


Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.


Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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GIFs via Giphy

Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:


The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.


They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!


Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.


Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.



Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”


IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?

Betsy: I wasn’t sure I knew what it was, I just knew I loved it!

Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.

Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 


IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.