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Odds: Tuesday – Cinema Scope, Cahiers.

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"Smooth. That's how we do it."
New Cinema Scope! Editor Mark Peranson calls this issue "the annual ‘let’s throw things together ahead of schedule, cross our fingers, and pray we’re done in time’" one, and among the online goodies are Michael Sicinski‘s interview with Scott MacDonald, Robert Koehler on the "seven-disc-plus-booklet box set of the works of Norman McLaren produced by the National Film Board of Canada" and Christoph Huber on Vienna’s New Crowned Hope Festival.

While you’re at it, there are also two new translated offerings on the Cahiers Du Cinema site: Cyril Neyrat writes about "Miami Vice" and attempts to crown Michael Mann a sort of new Brian De Palma:

At first glance, Miami Vice would only confirm the most widespread critical opinion about Michael Mann as an artist of exceptional talent, whose stylistic virtuosity makes up for the lightness of his intentions, the intensity of the form having the tendency to mask the incoherence of the intrigue or the vagueness of the thought. But his last film belongs to those that would require two viewings. The first, to make a list of its disappointed expectations and weaknesses, and the second, to attend to what it does do: exploit the aesthetic possibilities of high definition and to draw all the consequences for the narrative. Then the weaknesses are changed into hypotheses, undoubtedly fragile but unfailingly innovative, of a new regime of the visible, generating a new kind of action film.

Also, Jean-Michel Frodon on two exhibitions: Agnès Varda‘s "L’Ile et Elle" and Jean-Luc Godard‘s "Voyage(s) in Utopia."

At the New York Times, Lawrence Levi reviews David Thomson’s "Nicole Kidman": "Ostensibly a critical biography, it comes off as a weird and unseemly mash note." At the London Times, more of Thomson‘s mashing — on Kidman‘s upcoming project "The Visiting": "I’m not sure how proven a director [Oliver] Hirschbiegel is, but I suspect he was a large attraction in this project for Kidman. (If you were doing that story, would you have Kidman as the valiant heroine or the ultimate alien, with her staring blue eyes and her luminous pale skin?) It’s hard to be sure how these films will turn out." And over at the Independent, Shane Danielsen conducts an argument with Thomson over the merits of his subject, musing "Ah, you’ve got it bad…"

And a few quick things: Via Empire, John Krasinski of the US "The Office" has written a script based on David Foster Wallace‘s "Brief Interviews With Hideous Men," and plans to shoot it in November. We love DFW, and we cannot begin to comprehend how someone would adapt any of his books or stories for the screen, particularly that one.

Parker Posey makes fun of Patrick Goldstein‘s Toronto wiener at the LA Times:

One day, having grabbed a steaming hot dog from a street vendor to tide me over till dinner, I got into an elevator, hoping to slip upstairs unnoticed, when suddenly a swarm of festival-goers crowded into the elevator, led by Parker Posey, who mercilessly mocked my choice of condiment, wondering why I had picked ketchup when there were now so many other tantalizing alternatives available.

Also at the LA Times, Lorenza Muñoz reports that Fox "plans to produce as many as a dozen films a year under a banner called FoxFaith. At least six of those films will be released in theaters under an agreement with two of the nation’s largest chains, AMC Theatres and Carmike Cinemas." Transparently cynical marketing ploy, or savvy courting of ignored market? We report, you decide (ploy).

And Saeed Taji Farouky at BBC News sends a dispatch from Cinema Days of Beirut:

The city’s only art-house cinema had its official opening on 11 July, the day before the Israeli bombardment of the city began.

Hania Mroue, festival director and Metropolis founder, began housing refugees in the cinema space and organised workshops and screenings to keep the city’s besieged residents distracted.

"People continued coming to the cinema the next day, even though war had started," she says. "They came. I don’t understand how and why they came even though Beirut was being bombed, but they came. And even the third day they kept coming."

+ Issue 28 (Cinema Scope)
+ Very High Definition (Cahiers Du Cinema)
+ Godard and Varda in Space (Cahiers Du Cinema)
+ Star Struck (NY Times)
+ Nicole at forty (London Times)
+ Nicole Kidman: a debate (Independent)
+ John Krasinski Finds Hideous Men (Empire)
+ Toronto scene: Stars and substance (LA Times)
+ New Fox Unit to Produce Christian Films (LA Times)
+ Beirut festival’s defiant gesture (BBC)

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WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

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Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…


IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.


IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).


IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.


IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

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Reality? Check.

Baroness For Life

Baroness von Sketch Show is available for immediate consumption.

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GIFs via Giphy

Baroness von Sketch Show is snowballing as people have taken note of its subtle and not-so-subtle skewering of everyday life. The New York Times, W Magazine, and Vogue have heaped on the praise, but IFC had a few more probing questions…

IFC: To varying degrees, your sketches are simply scripted examples of things that actually happen. What makes real life so messed up?

Aurora: Hubris, Ego and Selfish Desires and lack of empathy.

Carolyn: That we’re trapped together in the 3rd Dimension.

Jenn: 1. Other people 2. Other people’s problems 3. Probably something I did.

IFC: A lot of people I know have watched this show and realized, “Dear god, that’s me.” or “Dear god, that’s true.” Why do people have their blinders on?

Aurora: Because most people when you’re in the middle of a situation, you don’t have the perspective to step back and see yourself because you’re caught up in the moment. That’s the job of comedians is to step back and have a self-awareness about these things, not only saying “You’re doing this,” but also, “You’re not the only one doing this.” It’s a delicate balance of making people feel uncomfortable and comforting them at the same time.


IFC: Unlike a lot of popular sketch comedy, your sketches often focus more on group dynamics vs iconic individual characters. Why do you think that is and why is it important?

Meredith: We consider the show to be more based around human dynamics, not so much characters. If anything we’re more attracted to the energy created by people interacting.

Jenn: So much of life is spent trying to work it out with other people, whether it’s at work, at home, trying to commute to work, or even on Facebook it’s pretty hard to escape the group.

IFC: Are there any comedians out there that you feel are just nailing it?

Aurora: I love Key and Peele. I know that their show is done and I’m in denial about it, but they are amazing because there were many times that I would imagine that Keegan Michael Key was in the scene while writing. If I could picture him saying it, I knew it would work. I also kind of have a crush on Jordan Peele and his performance in Big Mouth. Maya Rudolph also just makes everything amazing. Her puberty demon on Big Mouth is flawless. She did an ad for 7th generation tampons that my son, my husband and myself were singing around the house for weeks. If I could even get anything close to her career, I would be happy. I’m also back in love with Rick and Morty. I don’t know if I have a crush on Justin Roiland, I just really love Rick (maybe even more than Morty). I don’t have a crush on Jerry, the dad, but I have a crush on Chris Parnell because he’s so good at being Jerry.



IFC: If you could go back in time and cast yourselves in any sitcom, which would it be and how would it change?

Carolyn: I’d go back in time and cast us in The Partridge Family.  We’d make an excellent family band. We’d have a laugh, break into song and wear ruffled blouses with velvet jackets.  And of course travel to all our gigs on a Mondrian bus. I feel really confident about this choice.

Meredith: Electric Mayhem from The Muppet Show. It wouldn’t change, they were simply perfect, except… maybe a few more vaginas in the band.

Binge the entire first and second seasons of Baroness von Sketch Show now on and the IFC app.

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G.I. Jeez

Stomach Bugs and Prom Dates

E.Coli High is in your gut and on IFC's Comedy Crib.

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Brothers-in-law Kevin Barker and Ben Miller have just made the mother of all Comedy Crib series, in the sense that their Comedy Crib series is a big deal and features a hot mom. Animated, funny, and full of horrible bacteria, the series juxtaposes timeless teen dilemmas and gut-busting GI infections to create a bite-sized narrative that’s both sketchy and captivating. The two sat down, possibly in the same house, to answer some questions for us about the series. Let’s dig in….


IFC: How would you describe E.Coli High to a fancy network executive you just met in an elevator?

BEN: Hi ummm uhh hi ok well its like umm (gets really nervous and blows it)…

KB: It’s like the Super Bowl meets the Oscars.

IFC: How would you describe E.Coli High to a drunk friend of a friend you met in a bar?

BEN: Oh wow, she’s really cute isn’t she? I’d definitely blow that too.

KB: It’s a cartoon that is happening inside your stomach RIGHT NOW, that’s why you feel like you need to throw up.

IFC: What was the genesis of E.Coli High?

KB: I had the idea for years, and when Ben (my brother-in-law, who is a special needs teacher in Philly) began drawing hilarious comics, I recruited him to design characters, animate the series, and do some writing. I’m glad I did, because Ben rules!

BEN: Kevin told me about it in a park and I was like yeah that’s a pretty good idea, but I was just being nice. I thought it was dumb at the time.


IFC: What makes going to proms and dating moms such timeless and oddly-relatable subject matter?

BEN: Since the dawn of time everyone has had at least one friend with a hot mom. It is physically impossible to not at least make a comment about that hot mom.

KB: Who among us hasn’t dated their friend’s mom and levitated tables at a prom?

IFC: Why do you think the world is ready for this series?

BEN: There’s a lot of content now. I don’t think anyone will even notice, but it’d be cool if they did.

KB: A show about talking food poisoning bacteria is basically the same as just watching the news these days TBH.

Watch E.Coli High below and discover more NYTVF selections from years past on IFC’s Comedy Crib.

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