DID YOU READ

News bits.

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And from the future.
Because it’s awfully quiet today — and damn right, it’s a holiday! Nearly!

Big news: Richard Kelly‘s "Southland Tales" has been acquired by Sony Pictures (via Borys Kit at the Hollywood Reporter). Of the notorious Cannes reception and the assumed heavy editing the film would be undergoing:

"(Richard) is going to complete his edit, and when we see his cut, we’ll figure out the distribution plan," SHE president Ben Feingold said. "But it will be theatrical."

The studio is providing suggestions to Kelly, but "it’s his movie," Feingold said. "We’ll have a point of view, but people like (Kelly’s) sensibility."

Also from Mr. Kit, a Jeff Buckley biopic is in the works — "Writer-director Brian Jun, whose ‘Steel City’ was nominated for the grand jury prize at January’s Sundance Film Festival, will write and direct a feature based on the musician’s life. The movie is being produced by Buckley’s mother, Mary Guibert, and Michelle Sy, who executive produced ‘Finding Neverland.’"

Sheigh Crabtree reports that Alison Eastwood will make her directorial debut with "Rails and Ties" for Warner Independent, leading up to an inevitable hair-pulling red carpet catfight with Sofia Coppola, after which they will weep in each other’s arms over how their famous dads kept making them act in their movies.

And Gregg Goldstein notes that new indie distributor Outsider Pictures has announced their slate: "The company launches in August with Spiro Taraviras‘ documentary ‘Buzz,’ which profiles film noir screenwriter A.I. Bezzerides. Other releases set for this year will include Robert Connolly‘s drama of an impoverished family man, ‘Three Dollars’; Randall Rubin and Jon Schroder‘s teen romance ‘Jimmy and Judy’ starring Edward Furlong; and Barbara Willis Sweete‘s docu on the Toronto Symphony Orchestra, ‘Five Days in September: the Rebirth of an Orchestra.’"

Edward Furlong — we thought he was dead! Good on ya, Edward, you’re not.

Elsewhere in the world: CRI reports that Taiwanese pop star Wang Leehom is being considered for the part of "a patriotic youth" in Ang Lee‘s "Lust, Caution." Tom Perry at Reuters writes that "The Yacoubian Building," which screened at Tribeca (our brief impressions are here) and which deals with controversial topics not typically touched upon by Egyptian cinema, including homosexuality, police torture
and government corruption, has topped the Egyptian box office since it’s June 19th premiere.

Egyptian censors tightly control films’ political content. Alaa al Aswany, an anti-government activist, suggested the film was allowed to air to give the impression of greater freedoms.

"They do this every now and then. They have an accumulation of experience in decoration, to make the point that it’s a democracy," he said.

Via AP, Staff Sgt. Raymond J. Plouhar, a Marine and one-time recruiter who appeared in "Fahrenheit 9/11" (he worked the mall parking lot: "It’s better to get them when they’re in ones and twos and work on them that way.") was killed in a roadside bombing in Iraq.

Although Plouhar willingly appeared in the movie, which is critical of the Bush administration’s actions after Sept. 11, his father said Plouhar didn’t realize it would criticize the war.

"I’m proud that my son wanted to protect the freedom of this country whether we all agree with the war or not," he said.

Eugene Hernandez at indieWIRE reports that LAFF prizes (of $50,000 each) went to Steve Collins for "Gretchen" and Amy Berg for "Deliver Us From Evil." And via Sandy Cohen at AP, "Crash" was one of the winner of $25,000 and the Humanitas Prize for work that helps "liberate, enrich and unify society." We’re so far past making fun of "Crash" at this point that…that…we’ve got nothing. Too liberated, we suppose.

Lastly, Xeni Jardin at BoingBoing points out that, in a case of life echoing "Hard Candy" (sans castration) "two Florida girls aged 14 and 15 created a bogus profile on MySpace, grabbed a pair of pistols, then robbed an adult man who arranged to meet the lovely but fictitious 18-year-old ‘Natalia’ in person."

+ Sony travels to Kelly’s "Southland" (HR)
+ Jun hits the right notes for Buckley biopic (HR)
+ Alison Eastwood rides "Rails" with Warner Independent (HR)
+ Indie Outsider sets film slate (HR)
+ Leehom Wong to Star in Ang Lee’s "Lust, Caution"? (CRI)
+ Egyptian film breaks taboos and tops box office (Reuters)
+ Marine in `Fahrenheit 9/11′ killed in Iraq (AP)
+ "Gretchen" and "Deliver Us From Evil" Win Big Award$ in L.A. (indieWIRE)
+ ‘Crash’ screenplay wins Humanitas Prize (AP)
+ Underage teen girls rob adult man they met on MySpace (Boing Boing)

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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