DID YOU READ

News bits.

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And from the future.
Because it’s awfully quiet today — and damn right, it’s a holiday! Nearly!

Big news: Richard Kelly‘s "Southland Tales" has been acquired by Sony Pictures (via Borys Kit at the Hollywood Reporter). Of the notorious Cannes reception and the assumed heavy editing the film would be undergoing:

"(Richard) is going to complete his edit, and when we see his cut, we’ll figure out the distribution plan," SHE president Ben Feingold said. "But it will be theatrical."

The studio is providing suggestions to Kelly, but "it’s his movie," Feingold said. "We’ll have a point of view, but people like (Kelly’s) sensibility."

Also from Mr. Kit, a Jeff Buckley biopic is in the works — "Writer-director Brian Jun, whose ‘Steel City’ was nominated for the grand jury prize at January’s Sundance Film Festival, will write and direct a feature based on the musician’s life. The movie is being produced by Buckley’s mother, Mary Guibert, and Michelle Sy, who executive produced ‘Finding Neverland.’"

Sheigh Crabtree reports that Alison Eastwood will make her directorial debut with "Rails and Ties" for Warner Independent, leading up to an inevitable hair-pulling red carpet catfight with Sofia Coppola, after which they will weep in each other’s arms over how their famous dads kept making them act in their movies.

And Gregg Goldstein notes that new indie distributor Outsider Pictures has announced their slate: "The company launches in August with Spiro Taraviras‘ documentary ‘Buzz,’ which profiles film noir screenwriter A.I. Bezzerides. Other releases set for this year will include Robert Connolly‘s drama of an impoverished family man, ‘Three Dollars’; Randall Rubin and Jon Schroder‘s teen romance ‘Jimmy and Judy’ starring Edward Furlong; and Barbara Willis Sweete‘s docu on the Toronto Symphony Orchestra, ‘Five Days in September: the Rebirth of an Orchestra.’"

Edward Furlong — we thought he was dead! Good on ya, Edward, you’re not.

Elsewhere in the world: CRI reports that Taiwanese pop star Wang Leehom is being considered for the part of "a patriotic youth" in Ang Lee‘s "Lust, Caution." Tom Perry at Reuters writes that "The Yacoubian Building," which screened at Tribeca (our brief impressions are here) and which deals with controversial topics not typically touched upon by Egyptian cinema, including homosexuality, police torture
and government corruption, has topped the Egyptian box office since it’s June 19th premiere.

Egyptian censors tightly control films’ political content. Alaa al Aswany, an anti-government activist, suggested the film was allowed to air to give the impression of greater freedoms.

"They do this every now and then. They have an accumulation of experience in decoration, to make the point that it’s a democracy," he said.

Via AP, Staff Sgt. Raymond J. Plouhar, a Marine and one-time recruiter who appeared in "Fahrenheit 9/11" (he worked the mall parking lot: "It’s better to get them when they’re in ones and twos and work on them that way.") was killed in a roadside bombing in Iraq.

Although Plouhar willingly appeared in the movie, which is critical of the Bush administration’s actions after Sept. 11, his father said Plouhar didn’t realize it would criticize the war.

"I’m proud that my son wanted to protect the freedom of this country whether we all agree with the war or not," he said.

Eugene Hernandez at indieWIRE reports that LAFF prizes (of $50,000 each) went to Steve Collins for "Gretchen" and Amy Berg for "Deliver Us From Evil." And via Sandy Cohen at AP, "Crash" was one of the winner of $25,000 and the Humanitas Prize for work that helps "liberate, enrich and unify society." We’re so far past making fun of "Crash" at this point that…that…we’ve got nothing. Too liberated, we suppose.

Lastly, Xeni Jardin at BoingBoing points out that, in a case of life echoing "Hard Candy" (sans castration) "two Florida girls aged 14 and 15 created a bogus profile on MySpace, grabbed a pair of pistols, then robbed an adult man who arranged to meet the lovely but fictitious 18-year-old ‘Natalia’ in person."

+ Sony travels to Kelly’s "Southland" (HR)
+ Jun hits the right notes for Buckley biopic (HR)
+ Alison Eastwood rides "Rails" with Warner Independent (HR)
+ Indie Outsider sets film slate (HR)
+ Leehom Wong to Star in Ang Lee’s "Lust, Caution"? (CRI)
+ Egyptian film breaks taboos and tops box office (Reuters)
+ Marine in `Fahrenheit 9/11′ killed in Iraq (AP)
+ "Gretchen" and "Deliver Us From Evil" Win Big Award$ in L.A. (indieWIRE)
+ ‘Crash’ screenplay wins Humanitas Prize (AP)
+ Underage teen girls rob adult man they met on MySpace (Boing Boing)

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Grow TFU

Adulting Like You Mean It

Commuters makes its debut on IFC's Comedy Crib.

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Jared Warner, Nick Ciavarella, and Tim Dean were once a part of Murderfist, a group of comedy writers, actors, producers, parents, and reluctant adults. Together with InstaMiniSeries’s Nikki Borges, they’re making their IFC Comedy Crib debut with the refreshingly-honest and joyfully-hilarious Commuters. The webseries follows thirtysomethings Harris and Olivia as they brave the waters of true adulthood, and it’s right on point.

Jared, Nick, Nikki and Tim were kind enough to answer a few questions about Commuters for us. Here’s a snippet of that conversation…

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IFC: How would you describe Commuters to a fancy network executive you met in an elevator?

Nick: Two 30-somethings leave the Brooklyn life behind, and move to the New Jersey suburbs in a forced attempt to “grow up.” But they soon find out they’ve got a long way to go to get to where they want to be.

IFC: How would you describe Commuters to a drunk friend of a friend you met in a bar?

Jared: It’s a show about how f*cking stupid people who think they are smart can be.

IFC: What’s your origin story? When did you all meet and how long have you been working together?

Jared: Nick, Tim, and I were all in the sketch group Murderfist since, what, like 2004? God. Anyway, Tim and Nick left the group to pursue other frivolous things, like children and careers, but we all enjoyed writing together and kept at it. We were always more interested in storytelling than sketch comedy lends itself to, which led to our webseries Jared Posts A Personal. That was a show about being in your 20s and embracing the chaos of being young in the city. Commuters is the counterpoint, i guess. Our director Adam worked at Borders (~THE PAST!!~) with Tim, came out to a Murderfist show once, and we’ve kept him imprisoned ever since.

IFC: What was the genesis of Commuters?

Tim: Jared had an idea for a series about the more realistic, less romantic aspects of being in a serious relationship.  I moved out of the city to the suburbs and Nick got engaged out in LA.   We sort of combined all of those facets and Commuters was the end result.

IFC: How would Harris describe Olivia?

Jared: Olivia is the smartest, coolest, hottest person in the world, and Harris can’t believe he gets to be with her, even though she does overreact to everything and has no chill. Like seriously, ease up. It doesn’t always have to be ‘a thing.’

IFC: How would Olivia describe Harris?

Nikki:  Harris is smart, confident with a dry sense of humor but he’s also kind of a major chicken shit…. Kind of like if Han Solo and Barney Rubble had a baby.

IFC: Why do you think the world is ready for this series?

Nikki:  I think this is the most accurate portrayal of what a modern relationship looks like. Expectations for what your life is ‘supposed to look like’ are confusing and often a let down but when you’re married to your best friend, it’s going to be ok because you will always find a way to make each other laugh.

IFC: Is the exciting life of NYC twentysomethings a sweet dream from which we all must awake, or is it a nightmare that we don’t realize is happening until it’s over?

Tim: Now that i’ve spent time living in the suburbs, helping to raise a two year old, y’all city folk have no fucking clue how great you’ve got it.

Nikki: I think of it similar to how I think about college. There’s a time and age for it to be glorious but no one wants to hang out with that 7th year senior. Luckily, NYC is so multifaceted that you can still have an exciting life here but it doesn’t have to be just what the twentysomethings are doing (thank god).

Jared: New York City is a garbage fire.

See the whole season of Commuters right now on IFC’s Comedy Crib.

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C'mon Fellas

A Man Mansplains To Men

Why Baroness von Sketch Show is a must-see.

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Mansplaining is when a man takes it upon himself to explain something to a woman that she already knows. It happens a lot, but it’s not going to happen here. Ladies, go ahead and skip to the end of this post to watch a free episode of IFC’s latest addition, Baroness von Sketch Show.

However, if you’re a man, you might actually benefit from a good mansplanation. So take a knee, lean in, and absorb the following wisdom.

No Dicks

Baroness von Sketch Show is made entirely by women, therefore this show isn’t focused on men. Can you believe it? I know what you’re thinking: how will we know when to laugh if the jokes aren’t viewed through the dusty lens of the patriarchy? Where are the thinly veiled penis jokes? Am I a bad person? In order: you will, nowhere, and yes.

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Huge Balls

Did you know that there’s more to life than poop jokes, sex jokes, body part jokes? I mean, those things are all really good things, natch, and totally edgy. But Baroness von Sketch Show does something even edgier. It holds up a brutal funhouse mirror to our everyday life. This is a bulls**t world we made, fellas.

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Oh Canada

After you watch the Canadian powerhouses of Baroness von Sketch Show and think to yourself “Dear god, this is so real” and “I’ve gotta talk about this,” do yourself a favor and think a-boot your options: Refrain from sharing your sage wisdom with any woman anywhere (believe us, she gets it). Instead, tell a fellow bro and get the mansplaining out of your system while also spreading the word about a great show.

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Dudes, that’s the deal.
Women, start reading again here:


Check out the preview episode of Baroness von Sketch Show and watch the series premiere August 2 on IFC.

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Happy Tears

Binge Don’t Cringe

Catch up on episodes of Documentary Now! and Portlandia.

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Photo Credit: GIFs via GIPHY

A brain can only take so much.

Every five minutes, all day, every day, ludicrously stressful headlines push our mental limits as we struggle to adapt to a reality that seems increasingly less real. What’s a mind to do when simple denial just isn’t good enough anymore?

Radical suggestion: repeal and replace. And by that we mean take all the bad news that keeps you up at night, press pause, and substitute it with some genuine (not nervous, for a change) laughter. Here are some of the issues on our mind.

Gender Inequality

Feminist bookstore owners by day, still feminist bookstore owners by night, Toni and Candace show the male gaze who’s boss. Learn about their origin story (SPOILER: there’s an epic dance battle) and see what happens when their own brand of empowerment gets out of hand.

Healthcare

From Candace’s heart attack to the rise of the rawvolution, this Portlandia episode proves that healthcare is vital.

Peaceful Protests

Too many online petitions, too little time? Get WOKE with Fred and Carrie when they learn how to protest.

What Could Have Been

Can’t say the name “Clinton” without bursting into tears? Documentary Now!’s masterfully political “The Bunker” sheds a cozy new light on the house that Bill and Hill built. Just pretend you don’t know how the story really ends.

Fake News

A healthy way to break the high-drama news cycle is to switch over to “Dronez”, which has all the thrills of ubiquitous adventure journalism without any of the customary depression.

The more you watch, the better you feel. So get started on past episodes of Documentary Now! and Portlandia right now at IFC.com and the IFC app.

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