This browser is supported only in Windows 10 and above.


Cannes: “The Wind” done won.

Posted by on

Behold! Cillian Murphy's award-winning cheekbones.So:

Palme d’Or: Ken Loach‘s "The Wind That Shakes The Barley"

Grand Prix: Bruno Dumont‘s "Flandres"

Prix du Jury: Andrea Arnold‘s "Red Road"

Director: Alejandro González Iñárritu, for "Babel"

Screenplay: Pedro Almodóvar, for "Volver"

Actress(es): Penélope Cruz, Carmen Maura, Lola Dueñas, Chus Lampreave, Yohana Cobo and Blanca Portillo for "Volver"

Actor(s): Jamel Debbouze, Samy Naceri, Sami Bouajila, Roschdy Zem and Bernard Blancan for "Indigènes"

Camera d’Or: Corneliu Porumboiu‘s "A Fost Sau NA Fost?"


Safe to say that no one saw that coming, even if, as Roger Ebert writes, "It is apparently true that Sam Jackson told somebody there were going to be ‘big surprises’ when the awards were announced, and there were." Kenneth Turan at the LA Times notes that "jury president Wong Kar Wai said Loach’s powerful story of Irish rebels in the 1920s battling first the British and then one another was the unanimous choice for the top prize after a screening that left the jury speechless."

At the Guardian, Peter Bradshaw concludes that this was just an unexceptional Cannes, and that "The Wind That Shakes The Barley" (and we must say this: What a fucking title.) "although warmly and respectfully received…did not set the Croisette aflame." And the New York Timestwo-headed Cannes monster puts it flatly: "[Loach] has won several prizes, but never before the Palme d’Or. This year he got lucky."

We? Really have nothing here. All carefully phrased hindsight aside, there’s no denying that "The Wind That Shakes The Barley" got a resounding "meh" from the majority of the American press when it premiered. So is Ken Loach just getting his lifetime achievement award? Who can discern what thought processes went on in the multinational mind-meld of our beloved WKW, Lucrecia Martel, Samuel L., a trio of diva actresses and, uh, those other jury members?

Who cares! It’s over, and while we do wish something truly intriguing-sounding (like "Pan’s Labyrinth" — squee!) had won, we’ve got no beef. It’s Cannes. We were hardly competing in an office poll (though we’d love to — next year, folks, let’s do it). The only thing everyone can agree upon is that the out-of-competition films were far more interesting than any in: "Clerks II," "Borat," the "Dreamgirls" teaser, "Shortbus," the restored "Cabiria" and Douglas Gordon‘s "Zidane: A 21st-Century Portrait."

At the Hollywood Reporter, Anne Thompson surveys how "Cannes gives, and Cannes takes away," and how some films may be worse off for their high profile, poorly received festival premieres. At the Christian Science Monitor, Robert Koehler talks to various filmmakers on the fringes of the festival, trying to get their film seen.

And in exciting business news, Tartan’s apparently picked up "Red Road," "Election" and "Election 2," according to indieWIRE and Grady Hendrix‘s Kaiju Shakedown. No distributor yet for the new Palme d’Or winner, however.

+ Cannes #10: Guessing games (
+ ‘Wind’ shakes the jury (LA Times)
+ ‘Zizou! Zizou!’ (Guardian)
+ Ken Loach’s ‘Wind That Shakes the Barley’ Wins Top Prize at Cannes (NY Times)
+ To studios in Cannes: Don’t trip on red carpet (Hollywood Reporter)
+ Crashing the Cannes party (Christian Science Monitor)
+ Tartan Gets "Red Road" (indieWIRE)
+ Election Gets US Distributor (Kaiju Shakedown)


Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

Posted by on


We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.


Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

Posted by on
GIFs via Giphy

Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:


The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.


They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!


Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.


Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.



Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

Posted by on
GIFs via Giphy

Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”


IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?

Betsy: I wasn’t sure I knew what it was, I just knew I loved it!

Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.

Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 


IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.