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The week’s critic wrangle: “American Dreamz” and “Somersault.”

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No new reviews from us this week — we ain’t seen nothin’.

Hugh Grant and Mandy Moore.
+ "American Dreamz": Roger Ebert ledes with "’American Dreamz’ is a comedy, not a satire. We have that on the authority of its writer-director, Paul Weitz, who told Variety: ‘Satire is what closes on Saturday night. So it’s a comedy.’ Actually, it’s a satire. Its comedy is only fairly funny, but its satire is mean, tending toward vicious." Ebert, who gives the film three stars out of four, is one of the few impressed by Weitz’s satirical talents — Salon’s Stephanie Zacharek (who was also a big fan of Weitz’s "About A Boy") is also won over by "the outrage, and the deep frustration, embedded…in the movie as a whole." She’s also writes that "isn’t a subversive comedy — in fact, it’s so unapologetically upfront that I suspect some moviegoers will accuse it of lacking teeth"…and in fact, some critics do. At the Village Voice, J. Hoberman, while not overwhelming negative (he finds the film more interesting than edgy), does conclude that "Ultimately, ‘American Dreamz’ is less social satire than social realism—the contestants are virtually indistinguishable from those on the real American Idol; the pols are as comfortingly stupid as we might wish them to be." And according to New York‘s David Edelstein:

Paul Weitz’s politics-showbiz parody suggests that the biggest problem facing satirists today is that they can’t begin to compete with what’s happening in Washington, Iraq, Afghanistan, New Orleans, or even the sleazy corridors of network TV. Consider the reality: the fourth amendment in tatters; carnage in Iraq; a potential U.S. nuclear strike on Iran; Simon Cowell as an arbiter of taste. It’s so much wilder than it is in "Dr. Strangelove" or "Wag the Dog," let alone in this spottily funny clown-show, which is dwarfed in its insights (and its laughs) by even a bad day on "The Daily Show."

At the New York Times, Manohla Dargis is the least impressed, wondering "where’s the beef and, as important, where are the jokes, the heart and the understanding that every age creates its own variation on the American dream?"

Incidentally, the lack of comedy in this, er, comedy is a point raised by several critics: Dargis, Hoberman and Anthony Lane at the New Yorker ("I winced three times, and gave a couple of short laughs, but that was it."). Finally, at the LA Weekly, Scott Foundas suggests that only at its conclusion does the film manage anything actually provocative by "suggesting that the global fascination with American kitsch could just be the thing that will stop us from destroying each other. In which case, may I propose Paula Abdul for president?"


Abbie Cornish.
+ "Somersault": Cate Shortland‘s award-winning Aussie debut about a teenage runaway has garnered mostly positive (if generally removed) reviews — it’s one of the odd effects of the triumph of the capsule review for these smaller releases that people seem to use up their entire 200 words just describing the film, or don’t get around to that in making fun of it. But no one’s making fun of "Somersault" (though the most opinion Melissa Levine in the Village Voice manages is calling saluting the film’s "dreamy, sexy, rather chilly style"). Stephen Holden at the New York Times guardedly likes it and Scott Foundas at the LA Weekly calls it "remarkable," while at Salon, Andrew O’Hehir writes that

I’m sure some people will be driven mad by the deliberate ambiguities of "Somersault," and by its characters’ near-total inability to understand themselves or express themselves. But to me, that makes it uncannily true to life.

But screw this, let’s get down to the important part: how hot is star Abbie Cornish (who, because all Australian actresses have been grown in vats in the same Outback clone farm, has been called both a younger Nicole Kidman and a younger Naomi Watts)?

Foundas: "the talented Cornish, who asserts the role with sexy, know-it-all confidence, then shows us the trembling little girl lurking just beneath."

Holden: "With the face of an angel and a sexual magnetism she wields with only a partial awareness of its seismic force, Heidi (Abbie Cornish), the blond 16-year-old runaway who thrashes through Cate Shortland’s "Somersault," is the kind of young woman who drives men crazy."

Levine: "…beautiful…"

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A-O Rewind

Celebrating Portlandia One Sketch at a Time

The final season of Portlandia approaches.

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Most people measure time in minutes, hours, days, years…At IFC, we measure it in sketches. And nothing takes us way (waaaaaay) back like Portlandia sketches. Yes, there’s a Portlandia milepost from every season that changed the way we think, behave, and pickle things. In honor of Portlandia’s 8th and final season, Subaru presents a few of our favorites.


Put A Bird On It

Portlandia enters the pop-culture lexicon and inspires us to put birds on literally everything.

Colin the Chicken

Who’s your chicken, really? Behold the emerging locavore trend captured perfectly to the nth degree.

Dream Of The ’90s

This treatise on Portland made it clear that “the dream” was alive and well.

No You Go

We Americans spend most of our lives in cars. Fortunately, there’s a Portlandia sketch for every automotive situation.

A-O River!

We learned all our outdoor survival skills from Kath and Dave.

One More Episode

The true birth of binge watching, pre-Netflix. And what you’ll do once Season 8 premieres.

Catch up on Portlandia’s best moments before the 8th season premieres January 18th on IFC.

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WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

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Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…


IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.


IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).


IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.


IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

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Reality? Check.

Baroness For Life

Baroness von Sketch Show is available for immediate consumption.

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Baroness von Sketch Show is snowballing as people have taken note of its subtle and not-so-subtle skewering of everyday life. The New York Times, W Magazine, and Vogue have heaped on the praise, but IFC had a few more probing questions…

IFC: To varying degrees, your sketches are simply scripted examples of things that actually happen. What makes real life so messed up?

Aurora: Hubris, Ego and Selfish Desires and lack of empathy.

Carolyn: That we’re trapped together in the 3rd Dimension.

Jenn: 1. Other people 2. Other people’s problems 3. Probably something I did.

IFC: A lot of people I know have watched this show and realized, “Dear god, that’s me.” or “Dear god, that’s true.” Why do people have their blinders on?

Aurora: Because most people when you’re in the middle of a situation, you don’t have the perspective to step back and see yourself because you’re caught up in the moment. That’s the job of comedians is to step back and have a self-awareness about these things, not only saying “You’re doing this,” but also, “You’re not the only one doing this.” It’s a delicate balance of making people feel uncomfortable and comforting them at the same time.


IFC: Unlike a lot of popular sketch comedy, your sketches often focus more on group dynamics vs iconic individual characters. Why do you think that is and why is it important?

Meredith: We consider the show to be more based around human dynamics, not so much characters. If anything we’re more attracted to the energy created by people interacting.

Jenn: So much of life is spent trying to work it out with other people, whether it’s at work, at home, trying to commute to work, or even on Facebook it’s pretty hard to escape the group.

IFC: Are there any comedians out there that you feel are just nailing it?

Aurora: I love Key and Peele. I know that their show is done and I’m in denial about it, but they are amazing because there were many times that I would imagine that Keegan Michael Key was in the scene while writing. If I could picture him saying it, I knew it would work. I also kind of have a crush on Jordan Peele and his performance in Big Mouth. Maya Rudolph also just makes everything amazing. Her puberty demon on Big Mouth is flawless. She did an ad for 7th generation tampons that my son, my husband and myself were singing around the house for weeks. If I could even get anything close to her career, I would be happy. I’m also back in love with Rick and Morty. I don’t know if I have a crush on Justin Roiland, I just really love Rick (maybe even more than Morty). I don’t have a crush on Jerry, the dad, but I have a crush on Chris Parnell because he’s so good at being Jerry.



IFC: If you could go back in time and cast yourselves in any sitcom, which would it be and how would it change?

Carolyn: I’d go back in time and cast us in The Partridge Family.  We’d make an excellent family band. We’d have a laugh, break into song and wear ruffled blouses with velvet jackets.  And of course travel to all our gigs on a Mondrian bus. I feel really confident about this choice.

Meredith: Electric Mayhem from The Muppet Show. It wouldn’t change, they were simply perfect, except… maybe a few more vaginas in the band.

Binge the entire first and second seasons of Baroness von Sketch Show now on and the IFC app.

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