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Odds: Thursday – “Crash” goes small screen, and the death of sexy cinema.

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WENN reports that "Crash" is being adapted into the TV series we all knew it could be:

The film’s producer Cathy Schulman says, "I hope it will air in the next year.

"The actors from the film will show up. Don Cheadle is a producer and will also be on at least a few episodes.

"We’ll see about everyone else."

We’re really looking forward to the episode where Sandra Bullock becomes addicted to caffeine pills and has a breakdown. And also the episode where Jennifer Esposito turns out not to have been dead, but actually in a coma, and she returns just in time (if a little crazy) to stop Ludacris‘ marriage to Thandie Newton. And also the episode where Matt Dillon waterski-jumps over a shark, but only after first molesting the shark and then saving it from a car wreck.

Via Coming Soon, "Bend It Like Beckham"‘s Gurinder Chadha is in talks to direct the feature adaptation of "Dallas," now that Robert Luketic has dropped out.

In the Guardian, Chris McGreal talks to the new Palestinian culture minister, Attallah Abu al-Sibbah:

The Gaza strip’s three big cinemas closed at the beginning of the first intifada in 1987, and never reopened. Mr Sibbah thinks they should start showing films again but he is concerned about what the viewers will see.

"I would open cinemas. It could be an education and help people live better. Hollywood is not all bad. ‘Titanic’ was a good film, a human film," he said, apparently having cast from his mind the scenes of Kate Winslet disrobed.

But he is less sure about the Oscar-nominated Palestinian film, "Paradise Now," which shows the preparation of suicide bombers for an attack on Israelis.

The film’s questioning of suicide attacks does not sit well with a party that glorifies such deaths.

"There are problems, there are some scenes, some observations, some pictures. We can negotiate. I will see it first. If I need to cut it I will cut. This is normal. Every country has censors. But we have no problem showing it," he said.

Also in the Guardian, Sophie Heawood talks to psychoanalyst Caroline Kipling about "Basic Instinct 2," while in Entertainment Weekly, Owen Gleiberman weighs in on what the film’s box office (and critical, but really, was that a surprise?) failure means for sex in cinema:

Even art cinema, that last holdout, has mostly given up the ghost. In the ’60s and ’70s, the films of Europe blazed a powerful sexual trail. Today, the austere parables of artists like Abbas Kiarostami or the Dardenne brothers are praised for their ”purity,” almost as if these lofty visions would be compromised by a little dirty pleasure. It’s almost hard to remember the way that filmmakers like Federico Fellini, with his hedonistic reveries in "La Dolce Vita" or "Satyricon," or Ingmar Bergman, with his outrageously gorgeous and sensual actresses (Bibi Andersson, Liv Ullmann), or Bernardo Bertolucci, with the earthquake that was "Last Tango in Paris," reveled in the ferment of the erotic. What seemed, back then, like a revolution looks more and more like an endgame: the last tango for sex in cinema.

So what about Carlos Reygadas and Catherine Breillat, who go places Fellini never did (or, likely, felt the need to) while also seeming hellbent on dissuading audience members from ever wanting to have sex again? That’s not a rhetorical question, we’re curious as to where others see the new Distasteful Sex Cinema fitting in to all of this.

In the San Francisco Bay Guardian, Johnny Ray Huston offers up former mayoral candidate Matt Gonzalez interviewing filmmaker Stanley Nelson about his new doc "Jonestown: The Life and Death of Peoples Temple."

And at Slate, staffers Michael Agger, Dahlia Lithwick, Meghan O’Rourke, and June Thomas discuss the "United 93" trailer, whether it’s inappropriate, and whether it’s too soon.

+ Crash coming to the small screen (WENN)
+ Gurinder Chadha to Direct Dallas (
+ Bellydancing out, cinema in, says Hamas (Guardian)
+ Another view (Guardian)
+ The Naked Truth (Entertainment Weekly)
+ 28 years later (San Francisco Bay Guardian)
+ United 93 (Slate)



Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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GIFs via Giphy

Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”


IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?

Betsy: I wasn’t sure I knew what it was, I just knew I loved it!

Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.

Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 


IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.


New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…


IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.


IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.


The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”


Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).



Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.


And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.