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Kids these days.

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Matt Zoller Seitz

While it’s not unusual for a critic to find cultural resonance in B- and C-grade horror pictures (critics have been doing that for generations, often with an unearned swagger that pretends Pauline Kael‘s "Trash, Art and the Movies" never happened) it is unusual to see one do a full-Kael press and defend such works as, first and foremost, good movies. Yet that’s what Fort Worth Star-Telegram film critic Christopher Kelly does in "Don’t Expect to Escape Nightmares with a Smile on Your Face." Surveying the recent crop of glossy splatterflicks, Kelly starts with a proclamation that had me saying, out loud, to no one in particular, “You’ve got to be kidding me."

"The most gruesomely vivid, elegantly made horror movie in recent memory opened with little fanfare on Dec. 25, 2005 in approximately 1,500 theaters nationwide," Kelly wrote. "Titled ‘Wolf Creek,’ It’s a low-budget shocker from ‘The Texas Chainsaw Massacre’ old school, about three carefree twentysomethings whose hiking trip goes terribly awry after they are kidnapped by a maniacal serial killer in the Aussie outback. As is often the case with horror pictures, it was greeted by many critics like a Christmas present wrapped in soiled tissue paper. (Sample review, from Roger Ebert: ‘There is a role for violence in film, but what the hell is the purpose of this sadistic celebration of pain and cruelty?’) The fact that the movie announced the arrival of an immensely gifted new director named Greg McLean — whose patience, control and ability to play the audience like a very cheap fiddle would have done Alfred Hitchcock proud — seemed lost on most adult moviegoers.”

Seitz goes on to invited Kelly to discuss his argument at Seitz’s blog, The House Next Door — the results are fascinating (and refreshingly civil) stuff. David Poland at The Hot Blog has a few things to say on Kelly’s piece as well, while, on the same topic, Devin Gordon at Newsweek covers some similar ground reporting on the new horror wave:

Some critics—smart ones like New York Magazine‘s David Edelstein, not
just nervous Nellies—argue that the trend verges on "torture porn."
Even people within the industry are torn. "It’s not the violence that
bothers me so much as the tone. A George Romero movie was so political
and funny and subversive," says Picturehouse Films president Bob
Berney, who marketed "The Passion of the Christ." "To me, these newer
movies are purely sadistic." Then again, he adds, "I remember my
parents saying stuff like this, and I ignored it. They wouldn’t let me
see ‘A Clockwork Orange,’ and I went 25 times."

Also at Newsweek: David Ansen also makes the whole "horror films=dark underbelly of American psyche" argument.

We do find it infuriating when a reviewer either walks out of or simply dismisses one of the above films based on its subject matter rather than whatever merits it may or may not have as a film — if you’re incapable of comprehending any potential allure such a film may hold for audience, then, fair enough, but don’t go through the motions of evaluating it. "Wolf Creek," "Hostel," the "Saw"s, "The Hills Have Eyes" — they’re all different films of varying quality, but you couldn’t accuse any of them of being coy about their graphic content.

We’ve mentioned before that we believe the recent return to popularity of extreme splatter-fare is just a natural turn for a genre based on both certain formulas and on circumventing expectations to take — however tempting it is to make a sociological argument about signs of the times, 9/11, Abu Ghraib, and on and on…meh. In the end we just don’t buy it, though we understand the temptation. It’s the holy grail of reverse film snobbery — the genre film (and horror seems to get saddled with this expectation the most these days) that trumps all high-minded arthouse fodder in capturing the essence of our time, accidental high art without any pretensions to be anything other than entertaining. We just don’t think any of the titles being thrown out there are that film.

+ Don’t expect to escape nightmares with a smile on you face (Dallas Fort-Worth Star-Telegram)
+ Blood and guts: Christopher Kelly sees art in mainstream splatter (The House Next Door)
+ Horror Porn Is… A Response To 9/11!!! (The Hot Blog)
+ Horror Show (Newsweek)
+ Bloody Good Flicks (Newsweek)


Final Countdown

The Best Of The Last

Portlandia Goes Out With A Bang

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The end is near. In mere days Portlandia wraps up its final season, and oh what a season it’s been. Lucky for you, you can watch the entire season right now right here and on the IFC app, including this free episode courtesy of Subaru.

But now, let’s take a moment to look back at some of the new classics Fred and Carrie have so thoughtfully bestowed upon us. (We’ll be looking back through tear-blurred eyes, but you do you.)

Couples Dinner

It’s not that being single sucks, it’s that you suck if you’re single.

Cancel it!

A sketch for anyone who has cancelled more appointments than they’ve kept. Which is everyone.

Forgotten America

This one’s a “Serial” killer…everything both right and wrong about true crime podcasts.

Wedding Planners

The only bad wedding is a boring wedding.

Disaster Hut

It’s only the end of the world if your doomsday kit doesn’t include rosé.

Catch up on Portlandia’s final episodes on demand and at


Rev Up

Your Portlandia Personality Test

The New Portlandia Webseries Is Going Your Way

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Carrie and Fred understand that although we have so much in common, we’re each so beautifully unique and different. To help us navigate those differences, Portlandia has found an easy and honest way to embrace our special selves in the form of a progressive new traffic system: a specific lane for every kind of driver. It’s all in honor of the show’s 8th and final season, and it’s all presented by Subaru.

Ready to find out who you really are? Match your personality to a lane and hop on the expressway to self-understanding.

Lane 10: Trucks Piled With Junk

Your junk is falling out of your trunk. Shake a tail light, people — this lane is for you.

Lane 33: Twins

You’re like a Gemini, but waaaay more pedestrian. Maybe you and a friend just wear the same outfits a lot. Who cares, it’s just twinning enough to make you feel special.

Lane 27: Broken Windows

Bad luck follows you around and everyone knows it. Your proverbial seat is always damp from proverbial rain. Is this the universe telling you to swallow your pride? Yes.

Lane 69: Filthy Cars

You’re all about convenience. Getting your car washed while you drive is a no-brainer.

Lane 43: Newly Divorced Singles

It’s been a while since you’ve driven alone, and you don’t know the rules of the road anymore. What’s too fast? What’s too slow? Are you sending the right signals? Don’t worry, the breakdown lane is nearby if you need it.

Still can’t find a lane to match your personality? Check out all the videos here. And see the final season of Portlandia this spring on IFC.


Give Back

Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

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GIFs via Giphy, Photos via The Everett Collection

It’s the final countdown to Christmas and thanks to IFC’s movie marathon all Christmas Eve and Christmas Day, you can revel in classic ’80s films AND find inspiration for your last-minute gifts. Here are our recommendations, if you need a head start:

Musical Instrument

Great analog entertainment substitute when you refuse to give your kid the Nintendo Switch they’ve been drooling over.

Breakfast In Bed

Any significant other or child would appreciate these Uncle Buck-approved flapjacks. Just make sure you’re not stuck on clean up duty.

Cocktail Supplies

You’ll need them to get through the holidays.

Dance Lessons

So you can learn to shake-shake-shake (unless you know ghosts willing to lend a hand).

Comfy Clothes

With all the holiday meals, there may be some…embigenning.

Get even more great inspiration all Christmas Eve and Day on IFC, and remember…