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Baby, the stars shine bright.

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You know what fame is? Fame is widespread rioting because fans didn’t get to pay their respects at your funeral. Via Reuters:

Mobs torched buses, attacked company offices and stoned police on the streets of India’s technology hub on Thursday ahead of the funeral of film icon Rajkumar, whose death has triggered widespread mourning.

Officers had earlier retaliated with tear gas and baton-charges as thousands converged on a stadium in Bangalore, home to major Indian and international technology firms, where the actor’s body had been put on view in a transparent coffin.

Kannada megastar Dr. Rajkumar, a veteran of over 200 films, died of cardiac arrest yesterday. BBC has pictures of the masses mourning, while Rediff has a special section with tributes to the actor from fans, family and friends.

It goes without saying that we can come up with exactly zero stars here whose deaths would spark violent lamentation. Few stars could be described as "beloved" these days — if our appetite for the gossip glossies is more ravenous than ever, it’s also at least half schadenfreude: "God, look how awful she looks in this photo!" Stephen Hunter writes in the Washington Post:

Louis B. Mayer used to brag that MGM, the studio he led through its golden age, boasted all the stars in Heaven. In those days, that was something: Stars counted. Garbo, Gable, Garland, just to cover the G’s.
Today, it’s said, the only thing a star is good for is to get you a table in a crowded restaurant.

And it’s true, stars can’t really open films the way they used to; people respond more to Internet buzz, TV ads, movie crit — er, no, Roger Ebert.

Hunter goes on to examine films that make good use of stars ("Inside Man") and others that don’t ("Basic Instinct 2"), and dabbles at explaining the indescribable — what makes certain people "stars" as opposed to "actors" (possibly that they are always more themselves on screen than the characters they’re supposed to play, and that audiences are okay with that?). Over at the Independent, David Thomson also dwells on Ms. Stone, a star if there ever was one, if one who, as Thomson argues, found a great role only once:

I knew people who knew Sharon Stone and they reported that she was fun, grown up, unsentimental, fully aware of the journey she had made to stardom and of how quickly it could end in ashes after the age of 40. She worked for charity. She had a smashing dress sense. She had more humour than half-a-dozen actresses. She even gave one great performance, enough to show that she was more than just a beautiful woman. That role was Ginger in Martin Scorsese‘s "Casino" – a driven slut, a junkie and an addict for jewellery, money and pushing "fuck" and its variants into every sentence. There aren’t many great performances by actresses in Scorsese’s work, and Ginger looks better over the years. Neither that film nor her character were funny, but the hint was clear – that Sharon Stone was equipped to play smart comedy and eager to do it.

And at the London Times, Ian Johns discusses another important star-making quality: divadom:

During a New York press junket for "Demolition Man," Sylvester Stallone refused to mumble sweet nothings into the tape recorders of journalists until the yellow walls of his room were repainted the more eyeball-friendly hue of peach. Perhaps it’s not so different from the days when Joan Crawford would insist that the temperature on the set was a constant 68 degrees and Marilyn Monroe would request that any blonde co-stars dyed their hair a different colour.

Hee, "Demolition Man."

+ Mobs rampage in Indian tech city after actor dies (Reuters)
+ In pictures: Rajkumar’s death mourned (BBC)
+ Farewell, Dr. Rajkumar (Rediff)
+ To Shine, Stars Must Be Aligned Properly (Washington Post)
+ Film Studies: If only Sharon could get back to basics (Independent)
+ I want it all and I want it now! (London Times)

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A-O Rewind

Celebrating Portlandia One Sketch at a Time

The final season of Portlandia approaches.

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Most people measure time in minutes, hours, days, years…At IFC, we measure it in sketches. And nothing takes us way (waaaaaay) back like Portlandia sketches. Yes, there’s a Portlandia milepost from every season that changed the way we think, behave, and pickle things. In honor of Portlandia’s 8th and final season, Subaru presents a few of our favorites.


Put A Bird On It

Portlandia enters the pop-culture lexicon and inspires us to put birds on literally everything.

Colin the Chicken

Who’s your chicken, really? Behold the emerging locavore trend captured perfectly to the nth degree.

Dream Of The ’90s

This treatise on Portland made it clear that “the dream” was alive and well.

No You Go

We Americans spend most of our lives in cars. Fortunately, there’s a Portlandia sketch for every automotive situation.

A-O River!

We learned all our outdoor survival skills from Kath and Dave.

One More Episode

The true birth of binge watching, pre-Netflix. And what you’ll do once Season 8 premieres.

Catch up on Portlandia’s best moments before the 8th season premieres January 18th on IFC.

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WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

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Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…


IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.


IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).


IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.


IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

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Reality? Check.

Baroness For Life

Baroness von Sketch Show is available for immediate consumption.

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Baroness von Sketch Show is snowballing as people have taken note of its subtle and not-so-subtle skewering of everyday life. The New York Times, W Magazine, and Vogue have heaped on the praise, but IFC had a few more probing questions…

IFC: To varying degrees, your sketches are simply scripted examples of things that actually happen. What makes real life so messed up?

Aurora: Hubris, Ego and Selfish Desires and lack of empathy.

Carolyn: That we’re trapped together in the 3rd Dimension.

Jenn: 1. Other people 2. Other people’s problems 3. Probably something I did.

IFC: A lot of people I know have watched this show and realized, “Dear god, that’s me.” or “Dear god, that’s true.” Why do people have their blinders on?

Aurora: Because most people when you’re in the middle of a situation, you don’t have the perspective to step back and see yourself because you’re caught up in the moment. That’s the job of comedians is to step back and have a self-awareness about these things, not only saying “You’re doing this,” but also, “You’re not the only one doing this.” It’s a delicate balance of making people feel uncomfortable and comforting them at the same time.


IFC: Unlike a lot of popular sketch comedy, your sketches often focus more on group dynamics vs iconic individual characters. Why do you think that is and why is it important?

Meredith: We consider the show to be more based around human dynamics, not so much characters. If anything we’re more attracted to the energy created by people interacting.

Jenn: So much of life is spent trying to work it out with other people, whether it’s at work, at home, trying to commute to work, or even on Facebook it’s pretty hard to escape the group.

IFC: Are there any comedians out there that you feel are just nailing it?

Aurora: I love Key and Peele. I know that their show is done and I’m in denial about it, but they are amazing because there were many times that I would imagine that Keegan Michael Key was in the scene while writing. If I could picture him saying it, I knew it would work. I also kind of have a crush on Jordan Peele and his performance in Big Mouth. Maya Rudolph also just makes everything amazing. Her puberty demon on Big Mouth is flawless. She did an ad for 7th generation tampons that my son, my husband and myself were singing around the house for weeks. If I could even get anything close to her career, I would be happy. I’m also back in love with Rick and Morty. I don’t know if I have a crush on Justin Roiland, I just really love Rick (maybe even more than Morty). I don’t have a crush on Jerry, the dad, but I have a crush on Chris Parnell because he’s so good at being Jerry.



IFC: If you could go back in time and cast yourselves in any sitcom, which would it be and how would it change?

Carolyn: I’d go back in time and cast us in The Partridge Family.  We’d make an excellent family band. We’d have a laugh, break into song and wear ruffled blouses with velvet jackets.  And of course travel to all our gigs on a Mondrian bus. I feel really confident about this choice.

Meredith: Electric Mayhem from The Muppet Show. It wouldn’t change, they were simply perfect, except… maybe a few more vaginas in the band.

Binge the entire first and second seasons of Baroness von Sketch Show now on and the IFC app.

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