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DID YOU READ

Odds: Tuesday – Asia on JT, the Razzies, the ISAs.

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Damn right it is.
Here at IFC News, Dan Persons has a great Q&A with Asia Argento on "The Heart Is Deceitful Above All Things" and the JT Leroy scandale:

JT Leroy: Blessing or curse?

Both. It’s really both. Personally, it’s a blessing because it was a very important thing in my life to make this movie, and curse because it was a very hard thing to make. The whole hoax thing… Like everybody, I believed that this was really JT’s life. I had to, you know. Laura — who now I call "Laura"; for me it was "Emily" all this time — she tried actually to tell me a bunch of times that she had written it, and I dismissed it. I dismissed it because I didn’t want… I was like, This woman, she’s crazy, why does she want to take advantage… she wants to say that she wrote it? I thought maybe she had helped.

The furor over the "Crash" win may have obscured the Razzies (or beat them at their own game) — for the record, the Jenny McCarthy-scripted "Dirty Love" (which actually premiered at Sundance last year) won Worst Picture. The rest of the lucky winners are here.

Er, the furor over the "Crash" win may have obscured the Independent Spirit Awards — where they managed to give "Crash" a side prize while still crowning "Brokeback Mountain" Best Feature. Eugene Hernandez at indieWIRE has coverage and the complete list of winners.

At the Boston Globe, Wesley Morris argues that "Brokeback" suffered because it wasn’t actually a political film — it has politics thrust upon it.

Ang Lee‘s adaptation of Annie Proulx‘s short story was not out to attack us with a statement. It really is just an unhappy love story that happens to have enormous social relevance because its protagonists are two men. Yet the movie’s biggest supporters may have turned an otherwise innocent film into a cause that got on voters’ nerves. The dialogue became quotable, and the poster was mocked, lessening the emotional seriousness and making for a once-in-a-lifetime pop-culture phenomenon.

"Crash," which many Los Angelenos have come to regard as gospel, was the logical beneficiary.

Tim Padgett at Time notes that the brief glimpse we got of Mel Gibson in the Oscar intro offered a preview of "Apocalypto"‘s Mayan.

The Reeler reviews the Oscar liveblogs.

At the Guardian, JG Ballard takes a melancholy look Steven Spielberg‘s adaptation of his autobiographical novel "Empire of the Sun."

After 40 years my memories had shaped themselves into a novel, but only three years later they were mutating again.

Hazy figures now had names and personalities, smiles and glances that I had seen in a dozen other films: John Malkovich, Nigel Havers, Miranda Richardson. With them was a brilliant child actor, Christian Bale, who uncannily resembled my younger self. He came up to me on the set and said: "Hello, Mr Ballard. I’m you." He was followed by an attractive young couple, Emily Richard and Rupert Frazer, who added: "And we’re your mum and dad."

And at the Village Voice, J. Hoberman surveys the way "The New World"‘s instantly took its place as a cineaste cult classic:

Who will deny that America has seldom needed a redemptive myth as badly as it does now? On the evening of February 23, 2006, I attended the movie’s last screening at BAM, along with a rapt audience of 19. Many had obviously seen  The New World before. Now it was about to vanish from their world. Sitting closest to the screen, a few remained in their seats for the entire bird-call-scored credits, waiting until the last avian note faded to silence in the empty room.

+ The Ghost of JT Leroy: Asia Argento’s Deceitful "Heart" (IFC News)
+ 26th Annual Golden Raspberry Award "Winners" (Razzies.com)
+ "Brokeback," "Capote," "Crash," "Transamerica" Honored With Spirit Awards (indieWIRE)
+ Hollywood isn’t being straight with gay community (BostonGlobe.com)
+ Mel Gibson’s Oscar Moment, in Maya (Time)
+ One Final, Excruciating Date With Oscar: Reviewing the Liveblogs (The Reeler)
+ Look back at Empire (Guardian)
+ Paradise Now (Village Voice)

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WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

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Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…

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IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.

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IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).

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IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.

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IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

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Reality? Check.

Baroness For Life

Baroness von Sketch Show is available for immediate consumption.

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GIFs via Giphy

Baroness von Sketch Show is snowballing as people have taken note of its subtle and not-so-subtle skewering of everyday life. The New York Times, W Magazine, and Vogue have heaped on the praise, but IFC had a few more probing questions…

IFC: To varying degrees, your sketches are simply scripted examples of things that actually happen. What makes real life so messed up?

Aurora: Hubris, Ego and Selfish Desires and lack of empathy.

Carolyn: That we’re trapped together in the 3rd Dimension.

Jenn: 1. Other people 2. Other people’s problems 3. Probably something I did.

IFC: A lot of people I know have watched this show and realized, “Dear god, that’s me.” or “Dear god, that’s true.” Why do people have their blinders on?

Aurora: Because most people when you’re in the middle of a situation, you don’t have the perspective to step back and see yourself because you’re caught up in the moment. That’s the job of comedians is to step back and have a self-awareness about these things, not only saying “You’re doing this,” but also, “You’re not the only one doing this.” It’s a delicate balance of making people feel uncomfortable and comforting them at the same time.

via GIPHY

IFC: Unlike a lot of popular sketch comedy, your sketches often focus more on group dynamics vs iconic individual characters. Why do you think that is and why is it important?

Meredith: We consider the show to be more based around human dynamics, not so much characters. If anything we’re more attracted to the energy created by people interacting.

Jenn: So much of life is spent trying to work it out with other people, whether it’s at work, at home, trying to commute to work, or even on Facebook it’s pretty hard to escape the group.

IFC: Are there any comedians out there that you feel are just nailing it?

Aurora: I love Key and Peele. I know that their show is done and I’m in denial about it, but they are amazing because there were many times that I would imagine that Keegan Michael Key was in the scene while writing. If I could picture him saying it, I knew it would work. I also kind of have a crush on Jordan Peele and his performance in Big Mouth. Maya Rudolph also just makes everything amazing. Her puberty demon on Big Mouth is flawless. She did an ad for 7th generation tampons that my son, my husband and myself were singing around the house for weeks. If I could even get anything close to her career, I would be happy. I’m also back in love with Rick and Morty. I don’t know if I have a crush on Justin Roiland, I just really love Rick (maybe even more than Morty). I don’t have a crush on Jerry, the dad, but I have a crush on Chris Parnell because he’s so good at being Jerry.

Jenn: I LOVE ISSA RAE!

via GIPHY

IFC: If you could go back in time and cast yourselves in any sitcom, which would it be and how would it change?

Carolyn: I’d go back in time and cast us in The Partridge Family.  We’d make an excellent family band. We’d have a laugh, break into song and wear ruffled blouses with velvet jackets.  And of course travel to all our gigs on a Mondrian bus. I feel really confident about this choice.

Meredith: Electric Mayhem from The Muppet Show. It wouldn’t change, they were simply perfect, except… maybe a few more vaginas in the band.

Binge the entire first and second seasons of Baroness von Sketch Show now on IFC.com and the IFC app.

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G.I. Jeez

Stomach Bugs and Prom Dates

E.Coli High is in your gut and on IFC's Comedy Crib.

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Brothers-in-law Kevin Barker and Ben Miller have just made the mother of all Comedy Crib series, in the sense that their Comedy Crib series is a big deal and features a hot mom. Animated, funny, and full of horrible bacteria, the series juxtaposes timeless teen dilemmas and gut-busting GI infections to create a bite-sized narrative that’s both sketchy and captivating. The two sat down, possibly in the same house, to answer some questions for us about the series. Let’s dig in….

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IFC: How would you describe E.Coli High to a fancy network executive you just met in an elevator?

BEN: Hi ummm uhh hi ok well its like umm (gets really nervous and blows it)…

KB: It’s like the Super Bowl meets the Oscars.

IFC: How would you describe E.Coli High to a drunk friend of a friend you met in a bar?

BEN: Oh wow, she’s really cute isn’t she? I’d definitely blow that too.

KB: It’s a cartoon that is happening inside your stomach RIGHT NOW, that’s why you feel like you need to throw up.

IFC: What was the genesis of E.Coli High?

KB: I had the idea for years, and when Ben (my brother-in-law, who is a special needs teacher in Philly) began drawing hilarious comics, I recruited him to design characters, animate the series, and do some writing. I’m glad I did, because Ben rules!

BEN: Kevin told me about it in a park and I was like yeah that’s a pretty good idea, but I was just being nice. I thought it was dumb at the time.

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IFC: What makes going to proms and dating moms such timeless and oddly-relatable subject matter?

BEN: Since the dawn of time everyone has had at least one friend with a hot mom. It is physically impossible to not at least make a comment about that hot mom.

KB: Who among us hasn’t dated their friend’s mom and levitated tables at a prom?

IFC: Why do you think the world is ready for this series?

BEN: There’s a lot of content now. I don’t think anyone will even notice, but it’d be cool if they did.

KB: A show about talking food poisoning bacteria is basically the same as just watching the news these days TBH.

Watch E.Coli High below and discover more NYTVF selections from years past on IFC’s Comedy Crib.

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