Karmic retribution.

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The hot ticket.
We were struck down with an unimaginably awful cold by the gods of entertainment yesterday for not being appropriately mournful of Don Knotts (He was before our time! Before! Our! Time!). While we catch up, a few odds to tide you over:

According to Empire, the Weinstein Company is producing a biopic-of-sorts on author, former child lot lizard and friend-o’-celebrities J.T. Leroy, who, it was revealed last month, is the fictional creation of a middle-aged San Francisco musician and writer named Laura Albert. The film will be based on Warren St John’s New York Times‘ articles about the hoax.

harrylimetheme‘s Ben Slater has started a new blog, Kinda Hot, about his experiences writing his recently completed book on the making of Peter Bogdanovich‘s 1979 "Saint Jack":

[I]n late 2001, I knew I was going to move to Singapore in 6 months. A massive life-change, and I was not quite sure what I intended to do when I got there. I decided to create for myself a project, and ordered the DVD of "Saint Jack" on Amazon and before it even arrived I was plotting something for my future.

The film was everything I expected and more. I loved it despite imperfections, but it was the spontaneous moment that it seemed to capture, a lost episode in so many filmographies, a buried bit of Singapore history. Before the credits rolled, I knew that I was going to research the ‘making of’ as soon as I arrived in the Lion City.

Jeremy Dauber at the Christian Science Monitor speculates on what a variable pricing plan for movie theaters would be like:

Using a calculator, or optimally, a slide rule, determine the ratio of explosions to heavy-handed expositional monologues delivered by vaguely European bad guys. Multiply the resulting number by 10, and add that percent to ticket price. If done properly, a movie like "Hiroshima, Mon Amour" should stay about the same price, and the cost of a ticket to "Bad Boys 2" should be approximately infinity.

Via Reuters, Indian filmmaker Jayaraaj has managed to shoot a feature-length film in 2 hours and 14 minutes, breaking the world record. "Atbhutam (Wonder)" is loosely based on no less than Terri Schiavo‘s story.

Susan Wloszczyna at USA Today has a quick look at DreamWorks and Paramount Pictures continued ballsy, pricey support of forthcoming Beyoncé Knowles vehicle "Dreamgirls," based on the Broadway musical inspired by The Supremes, and a project that clearly looks (we’ll go ahead and say it) doomed, doomed, doomed. But what the hell do we know? The kids are apparently practically seizing over "High School Musical."

And, at the London Times, Wendy Ide reports back from the Bangkok International Film Festival:

The hot ticket of the festival, which sold out long before most Western delegates had even bothered to scrutinise the programme, was a gay Filipino film called "The Masseur." While in fact the film was heavy-handed, murkily shot and decidedly unerotic, its significance was put into perspective by a foreign correspondent to a German newspaper who told me that just seven years ago a lesbian film festival held in private premises in Bangkok was raided by the police.

+ Fake Author Gets His Own Biopic (Empire)
+ Coming my way? (Kinda Hot)
+ 10 rules for variable movie ticket pricing (Christian Science Monitor)
+ Indian filmmaker wraps movie in 2 hrs 14 min (Reuters)
+ Film moves ahead with supreme confidence (USA Today)
+ Playboys of the Eastern world (London Times)


New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…


IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. 

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number! 

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time. 

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by. 


IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo. 

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim. 

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t? 

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?” 

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud. 

See the whole season of Neurotica right now on IFC’s Comedy Crib.


The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”


Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).



Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.


And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.


Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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GIFs via Giffy

In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.


Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.


Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!



Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.


Self Defense

You can’t throw a download like a ninja star. Think about it.


If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.