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Work it, Scarlett Jo.Ah, the Golden Globes. We can’t imagine that anyone who’s ever gotten paid $.10 a word to research and write an article that inevitably got chopped in half and edited beyond recognition doesn’t feel a sense of perverse satisfaction that, once a year, all of Hollywood preens and kowtows to the decisions of a group of 84 fairly unknown freelance journalists. Long gone are the Pia Zadora dark days — though the Globes are carefully calculated to gather the maximum amount of celebrity wattage (including TV and breaking film noms, often enigmatically, into drama and comedy/musical), this year, they’re also the classy awards, the Indiewood celebration that’s also stripped of Oscar bloat. Alessandra Stanley at the New York Times:

The Globes make much better television than the Oscars. They skip
boring technical categories like special effects or makeup. And while
there is an award for best song, there are no musical numbers. That
could be the reason almost every star remembers to thank the Hollywood
Foreign Press Association when they receive their award, even those who
forget to thank co-stars and spouses.

Or, less fondly but ever most irresistibly, Mark Lisanti at Defamer:

If the Emmys are Oscar’s crayon-eating little brother, then the Golden
Globes are its developmentally disabled cousin from abroad, who somehow
manages to coat his mouth in paste, then devour half of the innards of
your favorite down pillow while you’re busy child-proofing your open
electrical outlets. And like that distant relative who pops in once a
year (a Christmas here, a funeral there), you’re obligated to sit and
pretend to be entertained for a few hours as he wheezes out the
occasional sticky feather.

It wasn’t surprising that "Brokeback Mountain" picked up the big prizes — even the lack of a Heath Ledger win wasn’t that startling in the face of "Capote"‘s late critic circle momentum. Or maybe we’ve just been reading enough awards speculation to have dulled our senses.

Otherwise: Rachel Weisz is a lovely woman, and we don’t know why she would ever do that to her hair. The film winners we’re all so concerned with showing off the Globes’ famous enforced "informality" that the television winners came through with far better speeches, having actually prepared (we loved Geena Davis‘ little girl anecdote, and we’re filled with general benevolent good will towards anything Hugh Laurie and Sandra Oh choose to do). The new Superman looks fantastically like a Ken doll brought to life — we’re not positive, but we suspect he’s actually just a computer-generated image. And the montage of Anthony Hopkins !Acting! that was put together for the presentation of whatever lifetime achievement award it was that they gave him was the most giggleworthy mess of out-of-context moments we’re ever seen — awesome that they kept his face on screen while showing that endless clip of his 1978 self crawling around on the ground, howling at a ventriloquist’s dummy.

The Globes are charming because of their glitches and oddities: the twitches nominees are unable to suppress when a tipsy presenter slaughters their name on live national TV; the way winners often have trouble finding their way to the stage through the crowded main floor; the inexplicable cuts to reaction shots of people totally unrelated to what’s going on on stage; the moments when they cut back from a commercial and malicious cameramen immediately zoom in on whoever’s foolish enough to have been eating (ha!). The Oscars have become so ironed out that we kind of wish they’d just go back to embracing their bloatedness and bringing on the interminable interpretive dance numbers and lengthy accidental silences — anything to take off the sheen of sleek self-congratulation. Seven weeks, yo. Whatever are we going to talk about in the meantime?

Larry Carroll at MTV reports on the red carpet scene and rounds up post-Globe parties. Jeffrey Wells also has party reports and pictures (and it looks like he ran into quite a few bloggers out there) — and the New York Times‘ very own Carpetbagger, Dave Carr, files a few early morning post-party posts himself.

+ 63rd Golden Globe Award Winners (Official site)
+ Where the Mood Is Spontaneous, and a Little Serious (NY Times)
+ The Golden Globes: An Enchanting Gay Horseback Ride With The Hollywood Foreign Press (Defamer)
+ Joaquin Loses A Bet, Clooney Eyes Heath And Golden Globes Parties Rage On (MTV)
+ Globe Finals (Hollywood Elsewhere)
+ Golden Globes (Carpetbagger)

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A-O Rewind

Celebrating Portlandia One Sketch at a Time

The final season of Portlandia approaches.

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Most people measure time in minutes, hours, days, years…At IFC, we measure it in sketches. And nothing takes us way (waaaaaay) back like Portlandia sketches. Yes, there’s a Portlandia milepost from every season that changed the way we think, behave, and pickle things. In honor of Portlandia’s 8th and final season, Subaru presents a few of our favorites.


Put A Bird On It

Portlandia enters the pop-culture lexicon and inspires us to put birds on literally everything.

Colin the Chicken

Who’s your chicken, really? Behold the emerging locavore trend captured perfectly to the nth degree.

Dream Of The ’90s

This treatise on Portland made it clear that “the dream” was alive and well.

No You Go

We Americans spend most of our lives in cars. Fortunately, there’s a Portlandia sketch for every automotive situation.

A-O River!

We learned all our outdoor survival skills from Kath and Dave.

One More Episode

The true birth of binge watching, pre-Netflix. And what you’ll do once Season 8 premieres.

Catch up on Portlandia’s best moments before the 8th season premieres January 18th on IFC.

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WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

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Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…


IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.


IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).


IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.


IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

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Reality? Check.

Baroness For Life

Baroness von Sketch Show is available for immediate consumption.

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Baroness von Sketch Show is snowballing as people have taken note of its subtle and not-so-subtle skewering of everyday life. The New York Times, W Magazine, and Vogue have heaped on the praise, but IFC had a few more probing questions…

IFC: To varying degrees, your sketches are simply scripted examples of things that actually happen. What makes real life so messed up?

Aurora: Hubris, Ego and Selfish Desires and lack of empathy.

Carolyn: That we’re trapped together in the 3rd Dimension.

Jenn: 1. Other people 2. Other people’s problems 3. Probably something I did.

IFC: A lot of people I know have watched this show and realized, “Dear god, that’s me.” or “Dear god, that’s true.” Why do people have their blinders on?

Aurora: Because most people when you’re in the middle of a situation, you don’t have the perspective to step back and see yourself because you’re caught up in the moment. That’s the job of comedians is to step back and have a self-awareness about these things, not only saying “You’re doing this,” but also, “You’re not the only one doing this.” It’s a delicate balance of making people feel uncomfortable and comforting them at the same time.


IFC: Unlike a lot of popular sketch comedy, your sketches often focus more on group dynamics vs iconic individual characters. Why do you think that is and why is it important?

Meredith: We consider the show to be more based around human dynamics, not so much characters. If anything we’re more attracted to the energy created by people interacting.

Jenn: So much of life is spent trying to work it out with other people, whether it’s at work, at home, trying to commute to work, or even on Facebook it’s pretty hard to escape the group.

IFC: Are there any comedians out there that you feel are just nailing it?

Aurora: I love Key and Peele. I know that their show is done and I’m in denial about it, but they are amazing because there were many times that I would imagine that Keegan Michael Key was in the scene while writing. If I could picture him saying it, I knew it would work. I also kind of have a crush on Jordan Peele and his performance in Big Mouth. Maya Rudolph also just makes everything amazing. Her puberty demon on Big Mouth is flawless. She did an ad for 7th generation tampons that my son, my husband and myself were singing around the house for weeks. If I could even get anything close to her career, I would be happy. I’m also back in love with Rick and Morty. I don’t know if I have a crush on Justin Roiland, I just really love Rick (maybe even more than Morty). I don’t have a crush on Jerry, the dad, but I have a crush on Chris Parnell because he’s so good at being Jerry.



IFC: If you could go back in time and cast yourselves in any sitcom, which would it be and how would it change?

Carolyn: I’d go back in time and cast us in The Partridge Family.  We’d make an excellent family band. We’d have a laugh, break into song and wear ruffled blouses with velvet jackets.  And of course travel to all our gigs on a Mondrian bus. I feel really confident about this choice.

Meredith: Electric Mayhem from The Muppet Show. It wouldn’t change, they were simply perfect, except… maybe a few more vaginas in the band.

Binge the entire first and second seasons of Baroness von Sketch Show now on and the IFC app.

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