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DID YOU READ

Odds: Monday – Pryor, Post-9/11, Problematic “Munich.”

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12122005_syrianaThere have been many heartfelt, fascinating things written about the recent passing of Richard Pryor (that sounded more callous than we intended), but the most emotionally complicated may be Stanley Crouch‘s in the New York Daily News, in which lauds Pryor’s latent while saddling him with what he sees as the currently dismal state of black popular culture.

Janice Page at the Boston Globe comes up with what we’re hoping is the be-all, end-all (and final?) story on the "Memoirs of a Geisha" casting controversy, in which she gets some great quotes from the actresses themselves:

It’s kind of like Peking Opera in China," reasoned Gong [Li], who plays the diva Hatsumomo. ”If somebody said, ‘OK, now we’re going to get some Koreans or some Indians to train them to become big Peking Opera stars,’ we [Chinese] might feel very strange about that. We might say, ‘That’s our national art. How can you do that?’ Still, she dismisses the controversy as ”not really that important" because a moving performance transcends nationality, and because being born Japanese would not have spared her from ”geisha boot camp."…

”There’s too few roles and too many of us," [Michelle] Yeoh observed. ”Caucasian faces can cross over, so why would you say Chinese can’t play Korean or Singaporean or Taiwanese? I mean, the English and the Scottish have their own traditions [and bad blood], but it’s all right for them to play each other. So why are there suddenly limitations on this?"

"Syriana"‘s Stephen Gaghan is blogging at the Huffington Post. His first post: "a brief primer on corruption." Roger Ebert, meanwhile, secures the much-cited speech on the topic Tim Blake Nelson‘s Danny Dalton gives during the film:

DANNY: Some trust fund prosecutor, got off-message at Brown, thinks he’s gonna run this up the flagpole, make a name for himself, maybe get elected some two-bit, no-name congressman from nowhere, with the result that Russia or China can suddenly start having, at our expense, all the advantages we enjoy here. No, I tell you. No, sir. (mimics prosecutor) "But, Danny, these are sovereign nations." Sovereign nations! What is a sovereign nation, but a collective of greed run by one individual? "But, Danny, they’re codified by the U.N. charter!" Legitimized gangsterism on a global basis that has no more validity than an agreement between the Crips and the Bloods! (Beat) … Corruption charges. Corruption? Corruption ain’t nothing more than government intrusion into market efficiencies in the form of regulation. That’s Milton Friedman. He got a goddamn Nobel Prize. We have laws against it precisely so we can get away with it. Corruption is our protection. Corruption is what keeps us safe and warm. Corruption is why you and I are prancing around here instead of fighting each other for scraps of meat out in the streets. (Beat) Corruption … is how we win.

Desson Thomson at the Washington Post sees "Syriana" as the first in a pack of major-studios films explicitly dealing with the post-9/11 world, most of them nowhere nears as complex as Gaghan’s film. Speaking of, David M. Halbfinger at the New York Times pays a visit to the L.A. set of Oliver Stone‘s 9/11 project.

And at the Guardian, Gary Younge reports that the Israel’s consul-general in L.A. has spoken out against Spielberg‘s "Munich," calling it "superficial", "pretentious" and "problematic."

+ Pryor’s flawed legacy (NY Daily News)
+ Considering the source (Boston Globe)
+ On Syriana and Corruption (Huffington Post)
+ Corruption and greed in America (RogerEbert.com)
+ Hollywood Zooms In On a Post-9/11 World (Washington Post)
+ A Ground Zero Grows in Los Angeles (NY Times)
+ Israeli consul attacks Spielberg’s Munich as ‘problematic’ (Guardian)

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Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

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Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

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The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

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They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

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Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

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Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.