DID YOU READ

Interviews: Bjork! Murakami! Cillian!

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Skeleton fight.Björk, talking to Luke Crisell at New York magazine about "Drawing Restraint 9": "Because of how Matthew [Barney] uses character, it’s more like sculpture. Me and Matthew actually sculpt each other in the film, we remove each other’s legs [with flensing knives at the film’s climax] and we end up swimming after the ship as two whales. It’s not acting like Dustin Hoffman does."

Novelist/director Ryu Murakami, talking to Kim Tae-jong at the Korea Times about how his 1992 "Tokyo Decadence" is finally being released in Korea: "Before I directed this movie, I made three other films, which I and other people weren’t happy with. The dissatisfaction could have resulted from my inability but also the fact that I worked with major film production companies and I couldn’t get my points accepted. So when I made ‘Tokyo Decadence,’ I worked with young staff, whose average age was 27, and with a low budget (to give myself more freedom in expressing my ideas)."

Cillian Murphy, talking to Jessica Winter at the Village Voice about "Breakfast on Pluto" and walking in high heels: "Oh, you just need that confidence to go for it and fall down as much as you need to. I hung out with these transvestites in London, and their advice was, ‘Learn when you’re drunk,’ so I did."

The great Ray Harryhausen, talking to William Shaw at the Observer about his career and how he inspired the recent return of stop-motion: "A lot of [the figures] were cannibalised at the time because we were short of time and money. The tentacles from this character became a dinosaur tail in the next movie."

Filmmaker Debra Granik, talking to Jeremiah Kipp at Filmmaker Magazine about "Down to the Bone": "At Sundance, an actor I admire had a cup of coffee with me…He told me, ‘You guys had so much freedom. It was like nobody was telling you what to do.’ This is an actor who has been in $15-20 million dollar films. What dawned on me was that he was right. On this project, there was no one greater than our selves. It reminds you what slogans like ‘fiercely independent’ really mean. Some days, this level of filmmaking feels like you’re in the ghetto with both hands tied behind your back. You’re unable to raise a penny. At other times, it feels like the only freedom there is exists on the margins of the filmmaking community."

Actor Donal Logue, talking to Don R. Lewis at Film Threat about his directorial debut, "Tennis, Anyone?" (which, incidentally, is going to be one of the first films released through Mark Cuban’s Truly Indie filmmaker-financed distribution arm): "The distribution environment for little movies that aren’t about blondes with big tits shooting machine guns is more grim these days than ever. We could sell rights to our movie for fifty grand, but beyond that you will never see anything again. We own our movie and are now close to breaking even, even without finishing domestic DVD deals. It is rough. Even ‘My Big Fat Greek Wedding’ had millions to keep it pumped up until it found an audience. All I have is my ATM card and I can’t do that with kids."

Heath Ledger, talking to Belinda Luscombe at Time about you know what: "I feel like I’ve never been in a film that people have liked before."

+ New Björk (New York)
+ Japanese Author Brings ‘Decadent’ Film to Seoul (Korea Times)
+ Change Clothes (Village Voice)
+ The origin of the species (Observer)
+ CUTTING CLOSE TO THE BONE (Filmmaker Magazine)
+ DONAL LOGUE: TENNIS FOR EVERYONE (Film Threat)
+ Heath Turns It Around (Time)

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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