This browser is supported only in Windows 10 and above.

DID YOU READ

Interviews: Bjork! Murakami! Cillian!

Posted by on

Skeleton fight.Björk, talking to Luke Crisell at New York magazine about "Drawing Restraint 9": "Because of how Matthew [Barney] uses character, it’s more like sculpture. Me and Matthew actually sculpt each other in the film, we remove each other’s legs [with flensing knives at the film’s climax] and we end up swimming after the ship as two whales. It’s not acting like Dustin Hoffman does."

Novelist/director Ryu Murakami, talking to Kim Tae-jong at the Korea Times about how his 1992 "Tokyo Decadence" is finally being released in Korea: "Before I directed this movie, I made three other films, which I and other people weren’t happy with. The dissatisfaction could have resulted from my inability but also the fact that I worked with major film production companies and I couldn’t get my points accepted. So when I made ‘Tokyo Decadence,’ I worked with young staff, whose average age was 27, and with a low budget (to give myself more freedom in expressing my ideas)."

Cillian Murphy, talking to Jessica Winter at the Village Voice about "Breakfast on Pluto" and walking in high heels: "Oh, you just need that confidence to go for it and fall down as much as you need to. I hung out with these transvestites in London, and their advice was, ‘Learn when you’re drunk,’ so I did."

The great Ray Harryhausen, talking to William Shaw at the Observer about his career and how he inspired the recent return of stop-motion: "A lot of [the figures] were cannibalised at the time because we were short of time and money. The tentacles from this character became a dinosaur tail in the next movie."

Filmmaker Debra Granik, talking to Jeremiah Kipp at Filmmaker Magazine about "Down to the Bone": "At Sundance, an actor I admire had a cup of coffee with me…He told me, ‘You guys had so much freedom. It was like nobody was telling you what to do.’ This is an actor who has been in $15-20 million dollar films. What dawned on me was that he was right. On this project, there was no one greater than our selves. It reminds you what slogans like ‘fiercely independent’ really mean. Some days, this level of filmmaking feels like you’re in the ghetto with both hands tied behind your back. You’re unable to raise a penny. At other times, it feels like the only freedom there is exists on the margins of the filmmaking community."

Actor Donal Logue, talking to Don R. Lewis at Film Threat about his directorial debut, "Tennis, Anyone?" (which, incidentally, is going to be one of the first films released through Mark Cuban’s Truly Indie filmmaker-financed distribution arm): "The distribution environment for little movies that aren’t about blondes with big tits shooting machine guns is more grim these days than ever. We could sell rights to our movie for fifty grand, but beyond that you will never see anything again. We own our movie and are now close to breaking even, even without finishing domestic DVD deals. It is rough. Even ‘My Big Fat Greek Wedding’ had millions to keep it pumped up until it found an audience. All I have is my ATM card and I can’t do that with kids."

Heath Ledger, talking to Belinda Luscombe at Time about you know what: "I feel like I’ve never been in a film that people have liked before."

+ New Björk (New York)
+ Japanese Author Brings ‘Decadent’ Film to Seoul (Korea Times)
+ Change Clothes (Village Voice)
+ The origin of the species (Observer)
+ CUTTING CLOSE TO THE BONE (Filmmaker Magazine)
+ DONAL LOGUE: TENNIS FOR EVERYONE (Film Threat)
+ Heath Turns It Around (Time)

IFC_FOD_TV_long_haired_businessmen_table

Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

Posted by on

via GIPHY

We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

SAE_102_tout_2

Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

Posted by on
GIFs via Giphy

Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

via GIPHY

The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

via GIPHY

They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

via GIPHY

Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

via GIPHY

Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

IFC_ComedyCrib_ThePlaceWeLive_SeriesImage_web

SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

Posted by on
GIFs via Giphy

Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

via GIPHY

IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

via GIPHY

IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.