DID YOU READ

Interviews: Bjork! Murakami! Cillian!

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Skeleton fight.Björk, talking to Luke Crisell at New York magazine about "Drawing Restraint 9": "Because of how Matthew [Barney] uses character, it’s more like sculpture. Me and Matthew actually sculpt each other in the film, we remove each other’s legs [with flensing knives at the film’s climax] and we end up swimming after the ship as two whales. It’s not acting like Dustin Hoffman does."

Novelist/director Ryu Murakami, talking to Kim Tae-jong at the Korea Times about how his 1992 "Tokyo Decadence" is finally being released in Korea: "Before I directed this movie, I made three other films, which I and other people weren’t happy with. The dissatisfaction could have resulted from my inability but also the fact that I worked with major film production companies and I couldn’t get my points accepted. So when I made ‘Tokyo Decadence,’ I worked with young staff, whose average age was 27, and with a low budget (to give myself more freedom in expressing my ideas)."

Cillian Murphy, talking to Jessica Winter at the Village Voice about "Breakfast on Pluto" and walking in high heels: "Oh, you just need that confidence to go for it and fall down as much as you need to. I hung out with these transvestites in London, and their advice was, ‘Learn when you’re drunk,’ so I did."

The great Ray Harryhausen, talking to William Shaw at the Observer about his career and how he inspired the recent return of stop-motion: "A lot of [the figures] were cannibalised at the time because we were short of time and money. The tentacles from this character became a dinosaur tail in the next movie."

Filmmaker Debra Granik, talking to Jeremiah Kipp at Filmmaker Magazine about "Down to the Bone": "At Sundance, an actor I admire had a cup of coffee with me…He told me, ‘You guys had so much freedom. It was like nobody was telling you what to do.’ This is an actor who has been in $15-20 million dollar films. What dawned on me was that he was right. On this project, there was no one greater than our selves. It reminds you what slogans like ‘fiercely independent’ really mean. Some days, this level of filmmaking feels like you’re in the ghetto with both hands tied behind your back. You’re unable to raise a penny. At other times, it feels like the only freedom there is exists on the margins of the filmmaking community."

Actor Donal Logue, talking to Don R. Lewis at Film Threat about his directorial debut, "Tennis, Anyone?" (which, incidentally, is going to be one of the first films released through Mark Cuban’s Truly Indie filmmaker-financed distribution arm): "The distribution environment for little movies that aren’t about blondes with big tits shooting machine guns is more grim these days than ever. We could sell rights to our movie for fifty grand, but beyond that you will never see anything again. We own our movie and are now close to breaking even, even without finishing domestic DVD deals. It is rough. Even ‘My Big Fat Greek Wedding’ had millions to keep it pumped up until it found an audience. All I have is my ATM card and I can’t do that with kids."

Heath Ledger, talking to Belinda Luscombe at Time about you know what: "I feel like I’ve never been in a film that people have liked before."

+ New Björk (New York)
+ Japanese Author Brings ‘Decadent’ Film to Seoul (Korea Times)
+ Change Clothes (Village Voice)
+ The origin of the species (Observer)
+ CUTTING CLOSE TO THE BONE (Filmmaker Magazine)
+ DONAL LOGUE: TENNIS FOR EVERYONE (Film Threat)
+ Heath Turns It Around (Time)

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Scary Movie 2

Rotten Fruit

Catch Scary Spoofs and Kung Fu Keanu on IFC’s Rotten Fridays

Scary Movie 2, The Matrix Revolutions and more are coming to IFC's Rotten Fridays.

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Warner Bros.

Compelling plots, believable characters and plausible conflicts are standard in Hollywood classics. But sometimes our brains need a break, which is why IFC and Rotten Tomatoes have teamed up to give you the best of the worst, the “too rotten to miss” movies every Friday at 8P throughout September.

This month’s crop of “Rotten” favorites includes highlights (and lowlights) from Keanu Reeves, Sylvester Stallone and more. Check out the full schedule below and start planning your most sarcastic live-tweet commentary.

Rotten Fridays

“Too Rotten to Miss Movies” every Friday @8P on IFC.

The Matrix Revolutions (Tomatometer: 36% Rotten) – Friday, September 2nd starting @ 8P
Speed 2: Cruise Control (Tomatometer: 3% Rotten) – Friday, September 9th starting @ 8P
Epic Movie (Tomatometer: 2% Rotten) – Friday, September 16th starting @ 8P
Scary Movie 2 (Tomatometer: 15% Rotten) – Friday, September 23rd starting @ 8P
Rocky IV (Tomatometer: 39% Rotten) – Friday, September 30th starting @ 8P

Kick back with The Matrix Revolutions this Friday at 8P on IFC!

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Bill Hader as Stefon Breaking Character

The Break-Up

Watch Bill Hader and Other SNL Favorites Break Character

Catch Bill Hader on the new season of Documentary Now! premiering September 14th at 10P on IFC.

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Photo Credit: NBC/YouTube

Aw, Friday. A day of happy hours that begin at 4PM and “too rotten to miss” movies like Bill & Ted’s Bogus Journey on IFC’s Rotten Fridays. A truly magical day where the possibilities are endless and the regrets are just around the corner. So as we partake in the pre-weekend, sit back and enjoy another gaggle of funny videos to run out the clock.

From a despondent croissant to unintended giggling on SNL, here are the five best videos of the week.

1. SNL Cast Breaks Up

Saturday Night Live head honcho Lorne Michaels famously decries ad-libbing during the live runs — though with hilarious folks like Will Ferrell and Documentary Now!‘s Bill Hader, there are bound to be some unscripted moments that cause the cast to lose it during a sketch. Some of the greatest SNL moments involve the players or guests breaking character, as this compilation clearly shows. (Fortunately, the shame of ruining the scene has been replaced by video viralbility.)


2. Croissant Man

Pity the breakfast pastry, for its existential ennui is too much for this world. In this short courtesy of the NY Television Festival, our favorite light and flakey morning pal waxes melodramatically to his therapist and compatriots regarding the hopeless, Sartre-level gloom that hangs over every search for Life’s purpose. (Click here to see more great shorts from the NYTVF.)


3. That Time Ray Charles Beat Willie Nelson in Chess

For your guaranteed smile of the day, here’s the tale of a game of chess between crooners Ray Charles and Willie Nelson. Turns out ol’ Ray was a bona fide chess master on par with Bobby Fischer — or maybe he was just good at evening the field by making them play in the dark. As Willie puts it, “He kicked my ass three games in a row!”


4. Why Jump Scares Suck

Ever since primitive man leapt out of a bush to scare his friend, jump scares have been employed as a cheap and easy way to jolt your audience. As YouTuber Jack Nugent explains in the latest Now You See It video, it’s far more difficult to instill a growing sense of dread and suspense than just simply having a cat screech across the foreground of a dimly lit basement.


5. Best Supporting Weirdo

“Here’s to the crazy ones,” Steve Jobs famously said, paying homage to the oddballs and misfits who stand out from the pack and, more often than not, define their surroundings. In this rapid-fire supercut, some of our favorite nutjobs (like Beetlejuice, Cameron Frye and Death) are paid homage for keeping pop culture protagonists on edge and the audience entertained.

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Bill and Ted Bogus Journey Keanu Reeves Alex Winter

Rotten Journey

5 Reasons Bill and Ted’s Bogus Journey Is Too Rotten to Miss

Have an excellent time with Bill & Ted's Bogus Journey tonight at 8P during IFC's Rotten Fridays.

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Photo Credit: Orion Pictures/Everett Collection

We live in an age of unimaginative sequels. Filmmakers know the easiest way to cash in is to trot out the same plot and characters and hope we don’t notice. Which is why what we need now more than ever is Bill & Ted’s Bogus Journey, airing tonight at 8P as part of IFC’s Rotten Fridays.

Sure, the 1991 sequel to Bill & Ted’s Excellent Adventure (coincidentally airing on IFC tonight at 6P before Bogus Journey) scored a meager 54% on the Rotten Tomatoes. (Even before the “Tomatometer” was a thing, Bogus Journey was the definition of a lackluster sequel.) But its mix of head-scratching craziness (Robots! Aliens! William Sadler as Death!) and solid gags (“You sunk my Battleship!”) have earned the flick a cult following among fans of oddball sequels. Before you tune in tonight, check out some reasons why Bill & Ted’s Bogus Journey earns the coveted title of being one of IFC and Rotten Tomatoes’ movies that are “too rotten to miss.”

5. It’s Visually Most Triumphant.

Bogus Journey
Orion Pictures

The first movie may be a classic, but there’s no doubt the look of this scorned sequel took things to a whole other level. Instead of resting on Excellent Adventure‘s laurels, new director Peter Hewitt decided to go for broke creatively, offering up a vivid visual style that highlighted the film’s themes of life, death, failure and regret. While it may not be the popular opinion, there’s no doubt that as pure eye candy Bogus blew the first flick out of the water. Just ask Michael Wilmington, who wrote in the Los Angeles Times that “Bogus Journey is better than the original: more imaginative, more opulent, wilder and freer, more excitingly visualized.” Righteous review, dude!


4. Evil Bill and Ted Robots? Excellent!

Bogus Journey robots
Orion Pictures/Everett Collection

Bill and Ted have to be two of the most loveable doofuses to ever grace the silver screen, so it shouldn’t come as a shock that seeing them go full-on bad guy is a real treat. The evil robot clones of Bill and Ted still have their sleepy-eyed, stoner outlook on life — they just also happen to be bad to the bone. This fun twist brings new life to the franchise, another example of how screenwriters Chris Matheson and Ed Solomon really mixed things up. Plus, they rock!


3. Bill and Ted Go To Hell. Outstanding!

Bogus Journey
Orion Pictures

If Tim Burton ever directed a Freddy Krueger movie, it might end up looking something like Bill and Ted’s journey to Hell. While the sequence is righteously funny — with an unending descent into Hades going from terrifying to boring in the blink of an eye — it also has a dark, nightmarish quality that’s like an M.C Escher painting that knows your deepest, darkest secrets. Alex Winter’s turn as young Bill’s toothless “Granny Preston” wanting a kiss still gives us nightmares.


2. The Grim Reaper is Bodacious.

Bogus Journey
Orion Pictures

William Sadler, who’s played everything from a badass terrorist in Die Hard 2 to a loveable convict in The Shawshank Redemption, kills it as, well, Death. Heavily influence by Ingmar Bergman’s The Seventh Seal, Sadler plays the Grim Reaper as a stoic force of nature who learns to loosen up thanks to some righteous new friends. The scene where Bill and Ted best him in a batch of board games may seem a bit broad at first blush, but what are Ted “Theodore” Logan and Bill S. Preston, Esq. supposed to do? Play chess?


1. The Dudes Truly Become Wyld Stallyns.

Bogus Journey Wyld Stallyns
Orion Pictures

One of the few shortcomings from the most unrivaled first film is that we never really get to see the boys become rock legends. Thanks to some time traveling shortcuts — and a 16-month sabbatical of guitar lessons and baby making — Bogus Journey ends with the Wyld Stallyns finally living up to their righteous reputation, ready to make the music that will put an end to war and poverty and align the planets into universal harmony. Also, it’s excellent for dancing.

Catch Bill & Ted’s Bogus Journey this Friday at 8P on IFC’s Rotten Fridays!

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