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The week’s critic wrangle.

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+ "Kings and Queen": By all accounts, Arnaud Desplechin‘s latest is the film to see this weekend. Various critics are gurgling in cinephile bliss over it, most notably Salon‘s Andrew O’Hehir, who devotes the majority of his monthly "Beyond the Multiplex" column to "Kings," pleading:

For God’s sake, see this one. When I tell you that it’s a French movie that’s 150 minutes long — well, let’s face it, your heart sinks. But I was so wrapped up in its world of love and betrayal and madness, its story of a pampered belle and a man crumbling into insanity in a trashed apartment and the skein of invisible threads connecting them, that when it ended I didn’t want to leave. If I could have convinced the projectionist at the press screening to load up the first reel and start over, I’d have sat through it again.

He, along with the Village Voice‘s J. Hoberman, classify "Kings and Queen" as a melodrama in the least pejorative sense (what else can you call a film in which "Moon River" plays an important role?). Michael Koresky at indieWIRE calls it a "wondrous forest of sensory overload"; David Denby at the New Yorker says it’s "by any normal standard, a mess," but also "fully alive and extraordinarily intelligent." Manohla is particularly infatuated with Desplechin’s assault on narrative point-of-view (something that turns on a third-act reveal in which we realize we’ve been seeing certain characters in the way they see themselves, rather than observed from the outside): "Mr. Desplechin has no interest in polishing narrative like a gemstone; he would rather take a chisel to it." David Edelstein at Slate is similarly impressed with the film’s vivid complexity, though he’s not entirely a fan of the ending.

+ "Layer Cake": Manohla is fond, but the Village Voice‘s Michael Atkinson and LA Weekly‘s Scott Foundas agree: Daniel Craig may be the delicious fresh strawberry on top, but the rest of "Layer Cake" is such a stale romp in post-Tarantinoism (despite the fact that it’s miles ahead of Guy Ritchie‘s work) that it should warrant a ten-year moratorium on British gangster films just to give the cliches a rest.

+ "Unleased": Luc Besson‘s latest exercise in style, with Jet Li as a man raised as an attack dog by a scenery-chewing Glasgow gangster (Bob Hoskins), has a plot that certainly warrants Manohla‘s labelling the film "infinitely silly" (despite, as has been noted,  her overfondness for the word). Matt Zoller Seitz at the New York Press isn’t impressed by the film, which he calls "a so-so international coproduction" while using it as a launching pad for an odd interview with Li/thoughts on the "new martial arts film" feature. Roger Ebert finds the movie saved by its performances: "Because Hoskins is so good at focusing the ferocity of Bart, he distracts us from the impossible elements in the trained-killer plot." Stephanie Zacharek points out the Dickensian feel of the story; Jet Li as wide-eyed orphan adopted by a group of misfits who form a type of family unit, even as the frothing villain from his past won’t leave him alone. She also waxes poetic on Li’s performance:

Li, as he certainly showed in "Hero," is a marvelously perceptive actor: His face shows fine-grained shadows of emotion that, I think, are part of his physicality, not something detached from it. In that way, Li is like a silent-movie star: His face has a vocabulary that trumps the use of words.

Stephanie, Manohla’s got some words for you: "’Unleashed’ has been peddled as the action movie in which Mr. Li flexes his acting chops, which is, to put it nicely, a load of hooey."

+ "Match Point": Everyone at Cannes is frothing at the mouth — it looks like Woody Allen‘s new film is actually good! David Hudson at Greencine Daily‘s got everything you need.


Final Countdown

The Best Of The Last

Portlandia Goes Out With A Bang

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The end is near. In mere days Portlandia wraps up its final season, and oh what a season it’s been. Lucky for you, you can watch the entire season right now right here and on the IFC app, including this free episode courtesy of Subaru.

But now, let’s take a moment to look back at some of the new classics Fred and Carrie have so thoughtfully bestowed upon us. (We’ll be looking back through tear-blurred eyes, but you do you.)

Couples Dinner

It’s not that being single sucks, it’s that you suck if you’re single.

Cancel it!

A sketch for anyone who has cancelled more appointments than they’ve kept. Which is everyone.

Forgotten America

This one’s a “Serial” killer…everything both right and wrong about true crime podcasts.

Wedding Planners

The only bad wedding is a boring wedding.

Disaster Hut

It’s only the end of the world if your doomsday kit doesn’t include rosé.

Catch up on Portlandia’s final episodes on demand and at


Rev Up

Your Portlandia Personality Test

The New Portlandia Webseries Is Going Your Way

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Carrie and Fred understand that although we have so much in common, we’re each so beautifully unique and different. To help us navigate those differences, Portlandia has found an easy and honest way to embrace our special selves in the form of a progressive new traffic system: a specific lane for every kind of driver. It’s all in honor of the show’s 8th and final season, and it’s all presented by Subaru.

Ready to find out who you really are? Match your personality to a lane and hop on the expressway to self-understanding.

Lane 10: Trucks Piled With Junk

Your junk is falling out of your trunk. Shake a tail light, people — this lane is for you.

Lane 33: Twins

You’re like a Gemini, but waaaay more pedestrian. Maybe you and a friend just wear the same outfits a lot. Who cares, it’s just twinning enough to make you feel special.

Lane 27: Broken Windows

Bad luck follows you around and everyone knows it. Your proverbial seat is always damp from proverbial rain. Is this the universe telling you to swallow your pride? Yes.

Lane 69: Filthy Cars

You’re all about convenience. Getting your car washed while you drive is a no-brainer.

Lane 43: Newly Divorced Singles

It’s been a while since you’ve driven alone, and you don’t know the rules of the road anymore. What’s too fast? What’s too slow? Are you sending the right signals? Don’t worry, the breakdown lane is nearby if you need it.

Still can’t find a lane to match your personality? Check out all the videos here. And see the final season of Portlandia this spring on IFC.


Give Back

Last-Minute Holiday Gift Guide

Hits from the '80s are on repeat all Christmas Eve and Day on IFC.

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GIFs via Giphy, Photos via The Everett Collection

It’s the final countdown to Christmas and thanks to IFC’s movie marathon all Christmas Eve and Christmas Day, you can revel in classic ’80s films AND find inspiration for your last-minute gifts. Here are our recommendations, if you need a head start:

Musical Instrument

Great analog entertainment substitute when you refuse to give your kid the Nintendo Switch they’ve been drooling over.

Breakfast In Bed

Any significant other or child would appreciate these Uncle Buck-approved flapjacks. Just make sure you’re not stuck on clean up duty.

Cocktail Supplies

You’ll need them to get through the holidays.

Dance Lessons

So you can learn to shake-shake-shake (unless you know ghosts willing to lend a hand).

Comfy Clothes

With all the holiday meals, there may be some…embigenning.

Get even more great inspiration all Christmas Eve and Day on IFC, and remember…